| Slide Number | Date | Broad Period or Style | Specific Period or Style | Artist | Title | Location | Collection | Medium | Text 1 Author | Text 1 Edition | Text 1 Illustration Number | Text 2 Author | Text 2 Edition | Text 2 Illustration Number |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 000001 | Dating Conventions | |||||||||||||
| 000002 | ca. 3,000,000 B.C.E. | Prehistoric | Paleolithic | Pebble resembling a human face | from Makaspansgat South Africa | reddish brown jasperite | Gardner | 12 | 1-1 | |||||
| 000003 | ca. 23,000 B.C.E. | Prehistoric | Paleolithic | Apollo 11 Cave | Namibia | State Museum of Namibia, Windhoek | charcoal on stone |
1-2 | ||||||
| 000004 | ca. 30,000-28,000 B.C.E. | Prehistoric | Paleolithic | Human with Feline Head | from Hohlenstein-Stadel, Germany | Ulmer Museum, Ulm | mammoth ivory | Gardner | 12 | 1-3 | ||||
| 000005 | ca. 28,000-25,000 B.C.E. | Prehistoric | Paleolithic | Venus of Willendorf | from Willendorf, Austria | Naturhistoriches Museum, Vienna | limestone | Gardner | 12 | 1-4 | ||||
| 000006 | ca. 20,000 B.C.E. | Prehistoric | Paleolithic | Woman of Lespugue | from cave of Les Rideaux, France | mammoth ivory | ||||||||
| 000007 | Prehistoric | Paleolithic | Various European Venus figures | |||||||||||
| 000008 | ca. 25,000-20,000 B.C.E. | Prehistoric | Paleolithic | Woman of Laussel | from a cave in Laussel, Dordogne, France | Musee d Aquitaine, Bordeaux | painted limestone | Gardner | 12 | 1-5 | ||||
| 000009 | ca. 15,000-10,000 B.C.E. | Prehistoric | Paleolithic | Bison reliefs | from a cave at Le Tuc d Audoubert, Ariege, France | clay | Gardner | 12 | 1-7 | |||||
| 000010 | ca. 30,000-28,000 B.C.E. | Prehistoric | Paleolithic | Chauvet Cave paintings | Vallon-Pont-d Arc, Ardeche, France | pigment on stone |
Gardner | 12 | 1-12 | |||||
| 000011 | ca. 22,000 B.C.E. | Prehistoric | Paleolithic | Pech-Merle Cave paintings | Lot, France | pigment on stone |
Gardner | 12 | 1-10 | |||||
| 000012 | ca. 12,000-11,000 B.C.E. | Prehistoric | Paleolithic | Altamira Cave paintings |
Santander, Spain |
pigment on stone |
Gardner | 12 | 1-9 | |||||
| 000013 | ca. 15,000-13,000 B.C.E. | Prehistoric | Paleolithic | Lascaux Cave paintings | Lascaux, Dordogne, France |
pigment on stone |
Gardner | 12 | 1-11, 1-13 | |||||
| 000014 | ca. 16,000-10,000 B.C.E. |
Prehistoric | Paleolithic | Mammoth bone dwelling |
from Ukraine | mammoth bones | ||||||||
| 000015 | ca. 8,000-7,000 B.C.E. |
Prehistoric | Neolithic | Great Stone Tower of Settlement Wall | Jericho, Israel/Gaza |
Gardner | 12 | 1-14 | ||||||
| 000016 | ca. 7,000-6,000 B.C.E. | Prehistoric | Neolithic | Human Skulls with Restored Features | from Jericho, Israel/Gaza |
skulls, plaster, shells | ||||||||
| 000017 | ca. 6,750-6,250 B.C.E. | Prehistoric | Neolithic | Human figure | from Ain Ghazal, Jordan | Louvre, Paris | plaster, painted and inlaid with cowrie shell and bitumen | Gardner | 12 | 1-15 | ||||
| 000018 | ca. 6,000-5,900 B.C.E. | Prehistoric | Neolithic | catal Hoyuk | Turkey | Gardner | 12 | 1-16, 1-17, 1-18 | ||||||
| 000019 | ca. 4,000-3,500 B.C.E. | Prehistoric | Neolithic | Figures of Man and Woman | from Cernavoda, Romania | ceramic | ||||||||
| 000020 | ca. 4,250-3,750 B.C.E. | Prehistoric | Neolithic | Menhir alignments at Menec | Carnac, France | |||||||||
| 000021 | Prehistoric | Neolithic | various Menhirs | Ireland, Scotland, England, France | ||||||||||
| 000022 | Prehistoric | Neolithic | Dolmens | Ireland, Scotland, England, France |
||||||||||
| 000023 | ca. 2,550-1,600 B.C.E. | Prehistoric | Neolithic | Stonehenge | Salisury Plain, Wiltshire, England |
sarsen and bluestone | Gardner | 12 | 1-19 | |||||
| 000024 | ca. 3,200-3,000 B.C.E. | Ancient Near East | Sumerian | White Temple and ziggurat | from Uruk (modern Warka) Iraq | mud brick | Gardner | 12 | 2-1, 2-2 | |||||
| 000025 | ca. 3,200-3,000 B.C.E. | Ancient Near East | Sumerian | Female head (possibly Inanna) |
from Uruk, (modern Warka) Iraq |
Iraq Museum, Baghdad | marble | Gardner | 12 | 2-3 | ||||
| 000026 | ca. 3,200-3,000 B.C.E. | Ancient Near East | Sumerian | Warka Vase | from Uruk, (modern Warka) Iraq | Iraq Museum, Baghdad | alabaster | Gardner | 12 | 2-4 | ||||
| 000027 | ca. 2,700 B.C.E. | Ancient Near East | Sumerian | Statuettes of worshippers | from Eshnunna, (modern Tell Asmar) Iraq | Iraq Museum, Baghdad | gypsum, shell, black limestone | Gardner | 12 | 2-5 | ||||
| 000028 | ca. 2,600 B.C.E. | Ancient Near East | Sumerian | Standard of Ur | from Tomb 779, Royal Cemetery Ur, (modern Tell Muqayyar) Iraq | British Museum, London | wood, shell, lapis lazuli, red limestone | Gardner | 12 | 2-8 | ||||
| 000029 | ca. 2,600 B.C.E. | Ancient Near East | Sumerian | Bull-headed lyre | from Tomb 789, Royal Cemetery Ur, (modern Tell Muqayyar) | University Museum, University of Pennsylvania, Philadelphia | wood, gold leaf, lapis lazuli | Gardner | 12 | 2-9, 2-10 | ||||
| 000030 | ca. 2,600 B.C.E. | Ancient Near East | Sumerian | Ram in a thicket | from Tomb 789, Royal Cemetery Ur, (modern Tell Muqayyar) Iraq | University Museum, University of Pennsylvania, Philadelphia | gold, silver, lapis lazuli, copper, shell, red limestone, bitumen | |||||||
| 000031 | ca. 2,600 B.C.E. | Ancient Near East | Sumerian | Cylinder seal from the tomb of Pu-abi | Royal Cemetery Ur, (modern Tell Muqayyar) Iraq | British Museum, London | Gardner | 12 | 2-11 | |||||
| 000032 | ca. 2,250-2,200 B.C.E. | Ancient Near East | Akkadian | Head of an Akkadian ruler | from Ninevah, (modern Kuyunjik) Iraq | Iraq Museum, Baghdad | copper | Gardner | 12 | 2-12 | ||||
| 000033 | ca. 2,254-2,218 B.C.E. | Ancient Near East | Akkadian | Victory stele of Naram-Sin | from Susa, Iran | Louvre, Paris | sandstone | Gardner | 12 | 2-13 | ||||
| 000034 | ca. 2,100 B.C.E. | Ancient Near East | Neo-Sumerian | Ziggurat | at Ur, (modern Tell Muqayyar) Iraq | mud brick |
Gardner | 12 | 2-14 | |||||
| 000035 | ca. 2,100 B.C.E. | Ancient Near East | Neo-Sumerian | Seated statue of Gudea holding temple plan | from Girsu, (modern Telloh) Iraq | Louvre, Paris | diorite | Gardner | 12 | 2-15 | ||||
| 000036 | ca. 1,780 B.C.E. | Ancient Near East | Babylonian | Stele with code of Hammurabi |
from Susa, Iran | Louvre, Paris | basalt | Gardner | 12 | 2-16 | ||||
| 000037 | ca. 1,350-1,300 B.C.E. | Ancient Near East | Elamite | Statue of Queen Napir-Asu |
from Susa, Iran | Louvre, Paris | bronze and copper | Gardner | 12 | 2-19 | ||||
| 000038 | ca. 720-705 B.C.E. | Ancient Near East | Assyrian | Lamassu (winged human headed bull) | from the citadel of Sargon II, Dar Sharrukin, (modern Khorsabad) Iraq | Louvre, Paris | limestone | Gardner | 12 | 2-20, 2-21 | ||||
| 000039 | ca. 720-705 B.C.E. | Ancient Near East | Assyrian | Gilgamesh? Wrestling Lion |
from the citadel of Sargon II, Dar Sharrukin, (modern Khorsabad) Iraq | Louvre, Paris | limestone | |||||||
| 000040 | ca. 875-860 B.C.E. | Ancient Near East | Assyrian | Assyrian archers pursuing enemies | from the Northwest Palace of Ashurnasirpal II, Kalhu, (modern Nimrud) Iraq | British Museum, London | gypsum | Gardner | 12 | 2-22 | ||||
| 000041 | ca. 645-640 B.C.E. | Ancient Near East | Assyrian | Ashurbanipal hunting lions | from the North Palace of Ashurbanipal, Ninevah, (modern Kuyunjik) Iraq | British Museum, London | gypsum | Gardner | 12 | 2-24 | ||||
| 000042 | ca. 575 B.C.E. | Ancient Near East | Neo-Babylonian | Ishtar Gate | from Babylon, Iraq | Staatliche Museen, Berlin | glazed brick | Gardner | 12 | 2-25 | ||||
| 000043 | ca. 521-465 B.C.E. | Ancient Near East | Achaemenid Persian | Palace of Darius I and Xerxes I | Persepolis, Iran | Gardner | 12 | 2-26 | ||||||
| 000044 | ca. 250 C.E. | Ancient Near East | Sasanian | Palace of Shapur I | Ctesiphon, Iraq | Gardner | 12 | 2-28 | ||||||
| 000045 | ca. 260 C.E. | Ancient Near East | Sasanian | Triumph of Shapur I over Valerian | Bishapur, Iraq | rock-cut relief | Gardner | 12 | 2-30 | |||||
| 000046 | ca. 260 C.E. | Ancient Near East | Sasanian | Shapur I drachim | cast silver coins | |||||||||
| 000047 | ca. 350 C.E. | Ancient Near East | Sasanian | Head of Sasanian King (Shapur II?) |
from Ctesiphon, Iraq | Metropolitan Museum of Art, New York | silver with mercury gilding | Gardner | 12 | 2-29 | ||||
| 000048 | ca. 3,000-2,920 B.C.E. | Ancient Egypt | Early Dynastic | Palette of King Narmer | from Hierakonpolis, Egypt | Egyptian Museum, Cairo | slate | Gardner | 12 | 3-2 | ||||
| 000049 | ca. 2,630-2,611 B.C.E. | Ancient Egypt | Early Dynastic | Imhotep | Pyramid and Mortuary of Djoser | Saqqara, Egypt | limestone | Gardner | 12 | 3-4, 3-5, 3-6, 3-7 | ||||
| 000050 | ca. 2,350-2,323 B.C.E. | Ancient Egypt | Early Dynastic | Tomb of Perneb | from Saqqara, Egypt | Metropolitan Museum of Art, New York | limestone | |||||||
| 000051 | ca. 3,000-2528 B.C.E. | Ancient Egypt | Old Kingdom | Great Pyramids | Gizeh, Egypt | limestone | Gardner | 12 | 3-8, 3-9, 3-10 | |||||
| 000052 | ca. 2520-2494 B.C.E. | Ancient Egypt | Old Kingdom | Great Sphinx | Gizeh, Egypt | sandstone | Gardner | 12 | 3-11 | |||||
| 000053 | ca. 2,520-2,494 B.C.E. | Ancient Egypt | Old Kingdom | Khafre | from Gizeh, Egypt | Egyptian Museum, Cairo | diorite | Gardner | 12 | 3-12 | ||||
| 000054 | ca. 2,490-2,472 B.C.E. | Ancient Egypt | Old Kingdom | Menkaure and Khamerenebty | from Gizeh, Egypt |
Museum of Fine Arts, Boston | graywacke | Gardner | 12 | 3-13 | ||||
| 000055 | ca. 2,450-2,350 B.C.E. | Ancient Egypt | Old Kingdom | Seated Scribe | from Saqqara, Egypt | Louvre, Paris | painted limestone | Gardner | 12 | 3-14 | ||||
| 000056 | ca. 2,450-2,350 B.C.E. | Ancient Egypt | Old Kingdom | Ka-Aper | from his mastaba at Saqqara, Egypt |
Egyptian Museum, Cairo | wood | Gardner | 12 | 3-15 | ||||
| 000057 | ca. 2,450-2,350 B.C.E. | Ancient Egypt | Old Kingdom | Ti watching hippopotamus hunt |
Saqqara, Egypt | painted limestone | Gardner | 12 | 3-16 | |||||
| 000058 | ca. 1,985 B.C.E. | Ancient Egypt | Middle Kingdom | Tomb of Meketre | Thebes, Egypt | |||||||||
| 000059 | ca. 1,985 B.C.E. | Ancient Egypt | Middle Kingdom | Riverboat | from tomb of Meketre, Thebes, Egypt | Metropolitan Museum of Art, New York | gessoed and painted wood | |||||||
| 000060 | ca. 1,985 B.C.E. | Ancient Egypt | Middle Kingdom | Granary | from tomb of Meketre, Thebes, Egypt |
Metropolitan Museum of Art, New York | gessoed and painted wood | |||||||
| 000061 | ca. 1,985 B.C.E. | Ancient Egypt | Middle Kingdom | Statuette of an offering bearer | from tomb of Meketre, Thebes, Egypt |
Metropolitan Museum of Art, New York | gessoed and painted wood | |||||||
| 000062 | 1991-1783 B.C.E. |
Ancient Egypt | Middle Kingdom | Hippopotamus | from Thebes, Egypt |
Metropolitan Museum of Art, New York | faience and ceramic | |||||||
| 000063 | ca. 1,473-1,458 B.C.E. |
Ancient Egypt | New Kingdom | Senmut | Mortuary Temple of Hatshepsut |
Deir el-Bahri, Egypt |
Gardner | 12 | 3-21 | |||||
| 000064 | ca. 1,473-1,458 B.C.E. |
Ancient Egypt | New Kingdom | Statue of Hatshepsut |
Deir el-Bahri, Egypt |
limestone | ||||||||
| 000065 | ca. 1,473-1,458 B.C.E. |
Ancient Egypt | New Kingdom | Hatshepsut with offering jars | Deir el-Bahri, Egypt |
Metropolitan Museum of Art, New York | red granite | Gardner | 12 | 3-22 | ||||
| 000066 | ca. 1290-1224 B.C.E. |
Ancient Egypt | New Kingdom | Temple of Ramses II |
from Abu Simbel, Egypt |
Gardner | 12 | 3-23, 3-24 | ||||||
| 000067 | ca. 1470-1460 B.C.E. |
Ancient Egypt | New Kingdom | Semnut with Princess Nefrua |
from Thebes, Egypt |
agyptiches Museum, Berlin | granite | Gardner | 12 | 3-29 | ||||
| 000068 | ca. 1,400-1,350 B.C.E. | Ancient Egypt | New Kingdom | Fowling Scene |
from the tomb of Nebamun, Thebes, Egypt |
British Museum, London | fresco secco | Gardner | 12 | 3-30 | ||||
| 000069 | ca. 1,353-1,335 B.C.E. |
Ancient Egypt | Amarna Period | Akhenaton | from the temple of Amen-Re, Karnak, Egypt | Egyptian Museum, Cairo | sandstone | Gardner | 12 | 3-32 | ||||
| 000070 | ca. 1,353-1,335 B.C.E. | Ancient Egypt | Amarna Period | Akhenaton sacrificing a duck | limestone | |||||||||
| 000071 | ca. 1,353-1,335 B.C.E. | Ancient Egypt | Amarna Period | Thutmose | Nefertiti | from Tell el-Amarna, Egypt |
agyptiches Museum, Berlin | painted limestone | Gardner | 12 | 3-33 | |||
| 000072 | ca. 1,353-1,335 B.C.E. | Ancient Egypt | Amarna Period | Tiye | from Gurob, Egypt |
agyptiches Museum, Berlin | wood with gold, silver, alabaster, & lapis | Gardner | 12 | 3-34 | ||||
| 000073 | ca. 1,349-1,336 B.C.E. | Ancient Egypt | Amarna Period | Canopic jar | from Thebes, Egypt | Metropolitan Museum of Art, New York | alabaster with stone and glass inlay | |||||||
| 000074 | ca. 1,323 B.C.E. | Ancient Egypt | Post-Amarna Period | Death Mask of Tutankhamen |
from Thebes, Egypt |
Egyptian Museum, Cairo | gold with semiprecious stones | Gardner | 12 | 3-37 | ||||
| 000075 | ca. 1,323 B.C.E. | Ancient Egypt | Post-Amarna Period | Innermost coffin of Tutankhamen | from Thebes, Egypt |
Egyptian Museum, Cairo | gold with semiprecious stones | Gardner | 12 | 3-36 | ||||
| 000076 | ca. 1,333-1,323 B.C.E. | Ancient Egypt | Post-Amarna Period | Painted chest of Tutankhamen | from Thebes, Egypt |
Egyptian Museum, Cairo | painted wood | Gardner | 12 | 3-38 | ||||
| 000077 | ca. 1,333-1,323 B.C.E. | Ancient Egypt | Post-Amarna Period | Wedjat Eye of Tutankhamen |
from Thebes, Egypt |
gold and precious stones | ||||||||
| 000078 | ca. 1,290-1280 B.C.E. | Ancient Egypt | Post-Amarna Period | Last judgment of Hu-Nefer |
from Thebes, Egypt | British Museum, London | painted papyrus scroll | Gardner | 12 | 3-39 | ||||
| 000079 | ca. 1,040-945 B.C.E. | Ancient Egypt | Post-Amarna Period | Book of the Dead |
from Thebes, Egypt | painted and inscribed papyrus |
||||||||
| 000080 | ca. 237-47 B.C.E. |
Ancient Egypt | Late Period | Temple of Horus |
Edfu, Egypt |
Gardner | 12 | 3-28 | ||||||
| 000081 | 304-31 B.C.E. |
Ancient Egypt | Late Period | Cat | from Thebes, Egypt | Metropolitan Museum of Art, New York | bronze | |||||||
| 000082 | ca. 15 B.C.E. |
Ancient Egypt | Late Period | Temple of Dendur |
from Nubia |
Metropolitan Museum of Art, New York | sandstone | |||||||
| 000083 | 2nd century C.E. |
Ancient Egypt / Roman | Late Period | Portrait of a boy |
from Faiyum, Egypt |
encaustic on wood | Gardner | 12 | 10-63 | |||||
| 000084 | ca. 2,500-2,300 B.C.E. |
Ancient Aegean | Cycladic | Statuettes of women |
from the Cyclades |
marble | ||||||||
| 000085 | ca. 2,500-2,300 B.C.E. |
Ancient Aegean | Cycladic | Statuette of a woman |
from the Cyclades |
National Archaeological Museum, Athens | marble | Gardner | 12 | 4-1 | ||||
| 000086 | ca. 2,800-2,700 B.C.E. |
Ancient Aegean | Cycladic | Statuette of Seated Harp Player |
from the Cyclades |
National Archaeological Museum, Athens | marble | Gardner | 12 | 4-2 | ||||
| 000087 | ca. 1,700-1,400 B.C.E. |
Ancient Aegean | Minoan | Palace at Knossos |
Crete, Greece |
Gardner | 12 | 4-3, 4-4, 4-5 | ||||||
| 000088 | ca. 1,450-1,400 B.C.E. |
Ancient Aegean | Minoan | Minoan woman (La Parisienne) |
from the palace at Knosos, Greece |
fresco | Gardner | 12 | 4-6 | |||||
| 000089 | ca. 1,450-1,400 B.C.E. |
Ancient Aegean | Minoan | Bull-leaping |
from the palace at Knosos, Greece |
fresco | Gardner | 12 | 4-7 | |||||
| 000090 | ca. 1,450-1,400 B.C.E. |
Ancient Aegean | Minoan | Dolphin Fresco |
from the palace at Knosos, Greece |
fresco | ||||||||
| 000091 | ca. 1,500 B.C.E. |
Ancient Aegean | Minoan | Marine style octopus jar |
from Palaikastro, Greece |
Archaeological Museum, Herakleion | ceramic | Gardner | 12 | 4-11 | ||||
| 000092 | ca. 1600 BCE | Ancient Aegean | Minoan | Snake Goddess | Knossos, Greece | Archaeological Museum, Herakleion | faience | Gardner | 12 | 4-14 | ||||
| 000093 | ca. 1,300-1,250 B.C.E. |
Ancient Aegean | Mycenaean | Lion Gate |
Mycenae, Greece |
limestone | Gardner | 12 | 4-20 | |||||
| 000094 | ca. 1,600-1,500 B.C.E. |
Ancient Aegean | Mycenaean | Funerary Mask |
from Grave Circle A, Mycenae, Greece |
National Archaeological Museum, Athens | beaten gold | Gardner | 12 | 4-23 | ||||
| 000095 | ca. 1,600-1,500 B.C.E. |
Ancient Aegean | Mycenaean | Inlaid dagger blade with lion hunt |
from Grave Circle A, Mycenae, Greece |
National Archaeological Museum, Athens | bronze, inlaid with gold, silver and niello | Gardner | 12 | 4-24 | ||||
| 000096 | ca. 740 B.C.E. |
Ancient Greek | Geometric | Geometric Krater |
from the Dipylon cemetery, Athens |
Metropolitan Museum of Art, New York | ceramic | Gardner | 12 | 5-1 | ||||
| 000097 | ca. 600 B.C.E. |
Ancient Greek | Archaic | Kourous | Metropolitan Museum of Art, New York | marble | Gardner | 12 | 5-8 | |||||
| 000098 | ca. 560 B.C.E. |
Ancient Greek | Archaic | Calf Bearer (Moschophoros) |
from the Acropolis, Athens, Greece |
Acropolis Museum, Athens | marble | Gardner | 12 | 5-9 | ||||
| 000099 | ca. 530 B.C.E. |
Ancient Greek | Archaic | Kroisos | from Anavysos, Greece |
National Archaeological Museum, Athens | marble | Gardner | 12 | 5-10 | ||||
| 000100 | ca. 530 B.C.E. | Ancient Greek | Archaic | Peplos Kore | from the Acropolis, Athens, Greece | Acropolis Museum, Athens | marble | Gardner | 12 | 5-11 | ||||
| 000101 | ca. 550 B.C.E. | Ancient Greek | Archaic | Temple of Hera I | Paestum, Italy | Gardner | 12 | 5-13, 5-14 | ||||||
| 000102 | Ancient Greek | Archaic | Doric, Ionic, Corinthian capitals | |||||||||||
| 000103 | ca. 525-520 B.C.E. | Ancient Greek | Archaic | Andokides Painter |
Achilles & Ajax playing a dice game | from Orvietto, Italy | Museum of Fine Arts, Boston | ceramic | Gardner | 12 | 5-20 | |||
| 000104 | ca. 510 B.C.E. |
Ancient Greek | Archaic | Euphronios | Herakles wrestling Antaios |
from Cerveteri, Italy | Louvre, Paris | ceramic | Gardner | 12 | 5-21 | |||
| 000105 | ca. 500-490 B.C.E. | Ancient Greek | Archaic | Temple of Aphaia | Aegina, Greece | Gardner | 12 | |||||||
| 000106 | ca. 500-490 B.C.E. | Ancient Greek | Archaic | West pediment of the Temple of Aphaia |
Aegina, Greece |
Glyptothek, Munich | marble | Gardner | 12 | 5-26 | ||||
| 000107 | ca. 500-490 B.C.E. | Ancient Greek | Archaic | Dying warrior |
from the Temple of Aphaia, Aegina, Greece | Glyptothek, Munich | marble | Gardner | 12 | 5-27 | ||||
| 000108 | ca. 490-480 B.C.E. | Ancient Greek | Early Classical | Dying warrior |
from the Temple of Aphaia, Aegina, Greece |
Glyptothek, Munich | marble | Gardner | 12 | 5-28 | ||||
| 000109 | ca. 480 B.C.E. |
Ancient Greek | Early Classical | Kritios Boy |
from the Acropolis, Athens, Greece |
Acropolis Museum, Athens | marble | Gardner | 12 | 5-33 | ||||
| 000110 | ca. 460-450 B.C.E. | Ancient Greek | Early Classical | Warrior | from the sea off Riace, Italy | Archaeological Musuem, Reggio Calabria | bronze | Gardner | 12 | 5-34, Intro-17 | ||||
| 000111 | ca. 460-450 B.C.E. | Ancient Greek | Early Classical | Zeus (or Poseidon?) | from the sea off Cape Artemision, Greece | National Archaeological Museum, Athens | bronze | Gardner | 12 | 5-36 | ||||
| 000112 | ca. 450 B.C.E. | Ancient Greek | High Classical | Myron | Diskobolus (Discus Thrower) |
Museo Nazionale Romano Palazzo Massimo alle Terme | Roman marble copy after a bronze original | Gardner | 12 | 5-37 | ||||
| 000113 | ca. 450-440 B.C.E. | Ancient Greek | High Classical | Polykleitos | Doryphoros (Spear Bearer) | Museo Nazionale, Naples | Roman marble copy after a bronze original | Gardner | 12 | 5-38 | ||||
| 000114 | 447-438 B.C.E. | Ancient Greek | High Classical | Acropolis | Athens, Greece | Gardner | 12 | 5-40 | ||||||
| 000115 | 447-438 B.C.E. | Ancient Greek | High Classical | Iktinos and Kallikrates |
Parthenon, Temple of Athena Parthenos | Acropolis, Athens, Greece |
Gardner | 12 | 5-42, 5-43 | |||||
| 000116 | ca. 438 B.C.E. | Ancient Greek | High Classical | Phidas | Athena Parthenos (model) |
Acropolis, Athens, Greece | Royal Ontario Museum, Toronto | model | Gardner | 12 | 5-44 | |||
| 000117 | ca. 421-405 B.C.E. | Ancient Greek | High Classical | Erechtheion | Acropolis, Athens, Greece | Gardner | 12 | 5-50, 5-51 | ||||||
| 000118 | ca. 421-405 B.C.E. | Ancient Greek | High Classical | Caryatids from the South Porch of the Erechtheion |
Acropolis, Athens, Greece |
marble | Gardner | 12 | 5-52 | |||||
| 000119 | ca. 350-340 B.C.E. | Ancient Greek | Late Classical | Praxiteles | Aphrodite of Knidos |
Vatican Museums, Rome | Roman marble copy after a bronze original | Gardner | 12 | 5-60 | ||||
| 000120 | ca. 330 B.C.E. | Ancient Greek | Late Classical | Lysippos | Apoxyomenos (Scraper) |
Vatican Museums, Rome | Roman marble copy after a bronze original | Gardner | 12 | 5-65 | ||||
| 000121 | ca. 310 B.C.E. |
Ancient Greek | Macedonian | Philoxenes of Eretria |
Battle of Issus |
from the House of the Faun, Pompei, Italy |
Museo Nazionale, Naples | tessera mosaic | Gardner | 12 | 5-69 | |||
| 000122 | 350 B.C.E. |
Ancient Greek | Macedonian | Polykleitos the Younger |
Theater | Epidauros, Greece | Gardner | 12 | 5-70 | |||||
| 000123 | 334 B.C.E. |
Ancient Greek | Macedonian | Choragic Monument of Lysikrates |
Athens, Greece |
marble | Gardner | 12 | 5-73 | |||||
| 000124 | ca. 190 B.C.E. |
Ancient Greek | Hellenistic | Nike of Samothrace |
from Samothrace, Greece |
Louvre, Paris | marble | Gardner | 12 | 5-82 | ||||
| 000125 | ca. 150-125 B.C.E. | Ancient Greek | Hellenistic | Alexandros of Antioch-on-the-Meander | Aphrodite from Milos (Venus de Milo) | Louvre, Paris | marble | Gardner | 12 | 5-83 | ||||
| 000126 | ca. 100 B.C.E. |
Ancient Greek | Hellenistic | Aphrodite, Eros and Pan |
from Delos, Greece |
National Archaeological Museum, Athens | marble | Gardner | 12 | 5-84 | ||||
| 000127 | ca. 100-50 B.C.E. |
Ancient Greek | Hellenistic | Boethos of Kalchedon |
Herm of Dionysos |
Metropolitan Museum of Art, New York | bronze, ivory | |||||||
| 000128 | ca. 230-200 B.C.E. | Ancient Greek | Hellenistic | Sleeping Satyr (Barberini Faun) | Glyptothek, Munich | marble | Gardner | 12 | 5-85 | |||||
| 000129 | ca. 150-100 B.C.E. |
Ancient Greek | Hellenistic | Old Market Woman |
Metropolitan Museum of Art, New York | marble | Gardner | 12 | 5-87 | |||||
| 000130 | 1st century C.E. |
Ancient Greek | Hellenistic/Roman | Athanadoros, Hagesandros, and Polydoros of Rhodes | Laocoon and his sons |
Vatican Museums, Rome | marble | Gardner | 12 | 5-89 | ||||
| 000131 | ca. 6th century B.C.E. |
Etruscan | Archaic | Models of Etruscan temples as described by Vitruvius |
Instituto di Etruscologia e di Antichita Italiche, Universita di Roma, Rome | architectural model | Gardner | 12 | 9-2 | |||||
| 000132 | ca. 510-500 B.C.E. |
Etruscan | Archaic | Apulu (Apollo) | from the Portonaccio Temple, Veii, Italy | Museo Nazionale di Villa Giulia, Rome | painted terracotta | Gardner | 12 | 9-3 | ||||
| 000133 | 7th to 2nd centuries B.C.E. | Etruscan | Archaic | Tumulus | Cerveteri, Italy |
Gardner | 12 | 9-5 | ||||||
| 000134 | 3rd century B.C.E. |
Etruscan | Archaic | Interior of the tomb of the reliefs |
Cerveteri, Italy | Gardner | 12 | 9-7 | ||||||
| 000135 | ca. 520 B.C.E. | Etruscan | Archaic | Sarcophagus with reclining couple |
from Cerveteri, Italy |
Museo Nazionale di Villa Giulia, Rome | painted terracotta | Gardner | 12 | 9-4 | ||||
| 000136 | 1st half of 4th century B.C.E. |
Etruscan | Classical | Chimera of Arezzo |
from Arezzo, Italy |
Museo Archaeologico Nazionale, Florence | bronze | Gardner | 12 | 9-11 | ||||
| 000137 | ca. 500-480 B.C.E. |
Etruscan | Classical | Capitoline Wolf |
Rome, Italy |
Palazzo dei Conservatori, Rome | bronze | Gardner | 12 | 9-10 | ||||
| 000138 | ca. 75 B.C.E. |
Ancient Roman | Republic | Temple of Fortuna Virilis |
Rome, Italy |
Gardner | 12 | 10-2 | ||||||
| 000139 | ca. 75-50 B.C.E. | Ancient Roman | Republic | Head of a Roman patrician |
Museo Torlonia, Rome | marble | Gardner | 12 | 10-7 | |||||
| 000140 | ca. 80 B.C.E. | Ancient Roman | Republic | Amphitheater |
Pompeii, Italy | Gardner | 12 | 10-11 | ||||||
| 000141 | late 2nd century B.C.E. | Ancient Roman | First Style Wall Painting | First Style wall painting |
fauces of the Samnite House, Herculaneum, Italy | fresco | Gardner | 12 | 10-14 | |||||
| 000142 | ca. 60-50 B.C.E. | Ancient Roman | Second Style Wall Painting | Dionysiac mystery frieze |
Room 5, Pompeii, Italy | fresco | Gardner | 12 | 10-15 | |||||
| 000143 | ca. 40-30 B.C.E. | Ancient Roman | Second Style Wall Painting | Cubiculum (bedroom) |
from the villa of P. Fannius Synistor Boscoreale, Italy | Metropolitan Museum of Art, New York | fresco | Gardner | 12 | 10-16 | ||||
| 000144 | ca. 30-20 B.C.E. | Ancient Roman | Second Style Wall Painting | Gardenscape | from the Villa of Livia, Primaporta, Italy |
Museo Nazionale Romano-Palazzo Massimo alle Terme, Rome | fresco | Gardner | 12 | 10-17 | ||||
| 000145 | ca. 62-79 C.E. | Ancient Roman | Fourth Style Wall Painting | still life with peaches, detail of 4th style wall painting |
from Herculaneum, Italy | Museo Nazionale, Naples | fresco | Gardner | 12 | 10-24 | ||||
| 000146 | ca. 20 B.C.E. | Ancient Roman | Early Empire | Portrait of Augustus as general | from Primaporta, Italy |
Vatican Museums, Rome | marble | Gardner | 12 | 10-25 | ||||
| 000147 | ca. 13-9 B.C.E. | Ancient Roman | Early Empire | Ara Pacis Augustae |
Rome, Italy | marble | Gardner | 12 | 10-27, 10-28, 10-29 | |||||
| 000148 | ca. 1-10 C.E. | Ancient Roman | Early Empire | Maison Caree |
Nimes, France |
Gardner | 12 | 10-30 | ||||||
| 000149 | ca. 16 B.C.E. |
Ancient Roman | Early Empire | Pont-du-Gard |
Nimes, France |
Gardner | 12 | 10-31 | ||||||
| 000150 | ca. 70-80 C.E. | Ancient Roman | Early Empire | Colosseum | Rome, Italy | Gardner | 12 | 10-34 | ||||||
| 000151 | 81 C.E. |
Ancient Roman | Early Empire | Arch of Titus |
Rome, Italy | Gardner | 12 | 10-37 | ||||||
| 000152 | ca. 90 C.E. | Ancient Roman | Early Empire | Portrait bust of a Flavian woman |
from Rome, Italy |
marble | Gardner | 12 | 10-36 | |||||
| 000153 | ca. 211-217 C.E. | Ancient Roman | Late Empire | Portrait of Carcalla |
Metropolitan Museum of Art, New York | marble | Gardner | 12 | 10-65 | |||||
| 000154 | ca. 118-125 C.E. | Ancient Roman | High Empire | Pantheon | Rome, Italy |
Gardner | 12 | 10-48, 10-49, 10-50 | ||||||
| 000155 | 2nd century C.E. | Ancient Roman | High Empire | Al-Khazneh |
Petra, Jordan |
Gardner | 12 | 10-52 | ||||||
| 000156 | ca. 175 C.E. | Ancient Roman | High Empire | Equestrian statue of Marcus Aurelius |
Rome, Italy |
Musei Capitolini, Rome | bronze | Gardner | 12 | 10-59 | ||||
| 000157 | ca. 312-315 C.E. | Ancient Roman | Late Empire | Arch of Constantine |
Rome, Italy |
Gardner | 12 | 10-76 | ||||||
| 000158 | ca. 315-330 C.E. | Ancient Roman | Late Empire | Portrait of Constantine |
from the Basilica Nova, Rome, Italy |
Palazzo deo Conservatori, Rome | marble | Gardner | 12 | 10-78 | ||||
| 000159 | 306-312 C.E. | Ancient Roman | Late Empire | Basilica Nova | Rome, Italy | Gardner | 12 | 10-79 | ||||||
| 000160 | early 4th century C.E. | Ancient Roman | Late Empire | Aula Palatina (Basilica) | Trier, Germany | Gardner | 12 | 10-80, 10-81 | ||||||
| 000161 | ca. 305 C.E. | Ancient Roman | Late Empire | Portraits of the four tetrarchs | St. Mark s, Venice | porphyry | Gardner | 12 | 10-74 | |||||
| 000162 | ca. 2500-1700 B.C.E. | Ancient Aryan | Indus | Seals | from Moheno-daro, Pakistan |
National Museum, New Delhi | steatite | Gardner | 12 | 6-3 | ||||
| 000163 | 272-231 B.C.E. | Ancient Buddhist | Maurya | Lion capital from column erected by Emperor Ashoka | from Sarnath, India | Archaeological Museum, Sarnath | polished sandstone | Gardner | 12 | 6-4 | ||||
| 000164 | first century B.C.E. to first century C.E. |
Ancient Buddhist | Kushan | Great Stupa |
Sanchi, India |
Gardner | 12 | 6-5, 6-6 | ||||||
| 000165 | first century B.C.E. to first century C.E. |
Ancient Buddhist | Kushan | Yakshi on Great Stupa | Sanchi, India |
Gardner | 12 | 6-7 | ||||||
| 000166 | first century C.E. |
Ancient Buddhist | Kushan | Chaitya Hall |
Karli, India |
Gardner | 12 | 6-8 | ||||||
| 000167 | 3rd century C.E. |
Ancient Buddhist | Kushan | Bamayan Buddhas (destroyed) |
Bamayan, Afghanistan |
|||||||||
| 000168 | 2nd to 3rd century C.E. | Ancient Buddhist | Gandhara | Seated Buddha |
from Gandhara, Pakistan |
National Museums of Scotland | black schist | Gardner | 12 | 6-9 | ||||
| 000169 | 2nd century C.E. | Ancient Buddhist | Gupta | Seated Buddha | from Mathura, India | Archaeological Museum, Muttra | red sandstone | Gardner | 12 | 6-11 | ||||
| 000170 | 5th century C.E. |
Ancient Buddhist | Gupta | Seated Buddha preaching first sermon | from Sarnath, India |
Archaeological Museum, Sarnath | sandstone | Gardner | 12 | 6-12 | ||||
| 000171 | sixth century C.E. | Ancient Hindu | Post-Gupta | Dancing Shiva |
Badami, India |
relief in cave temple | Gardner | 12 | 6-16 | |||||
| 000172 | ca. 1000 C.E. |
Ancient Hindu | Early Medieval | Visvanatha Temple |
Khajuraho, India |
Gardner | 12 | 6-22, 6-23 | ||||||
| 000173 | 12th century C.E. |
Ancient Hindu | Khmer | Angkor Wat |
Angkor, Cambodia |
Gardner | 12 | 6-29 | ||||||
| 000174 | 12th century C.E. |
Ancient Hindu | Khmer | King Suryavarman II holding court, Angkor Wat |
Angkor, Cambodia |
6-30 | ||||||||
| 000175 | 12th century C.E. | Ancient Hindu | Khmer | Angkor Wat relief | Angkor, Cambodia | |||||||||
| 000176 | 12th century C.E. | Ancient Hindu | Khmer | Vishnu lying of the cosmic ocean from Mebon temple, Western Baray | Angkor, Cambodia |
bronze | Gardner | 12 | 6-28 | |||||
| 000177 | 12th to 13th centuries C.E. | Ancient Hindu | Khmer | Towers of the Bayon |
Angkor Thom, Cambodia |
Gardner | 12 | 6-31 | ||||||
| 000178 | 12th to 13th centuries C.E. | Ancient Hindu | Khmer | Towers of the Bayon |
Angkor Thom, Cambodia |
Gardner | 12 | 6-31 | ||||||
| 000179 | 210 B.C.E. | Ancient Chinese | Shang Dynastry | Army of Emperor Shi Huangdi |
Shaanxi Province, China | painted terracotta | Gardner | 12 | 7-5 | |||||
| 000180 | ca.168 B.C.E. | Ancient Chinese | Han Dynasty | Funeral Banner from Tomb 1 | Mawangdui, China | Hunan Provincial Museum, Changsha | painted silk | Gardner | 12 | 7-6 | ||||
| 000181 | ca. 670-680 C.E. | Ancient Chinese | Tang Dynasty | Vairocana Buddha, Longmen Caves |
Luoyang, China |
Gardner | 12 | 7-12 | ||||||
| 000182 | 1056 C.E. | Ancient Chinese | Song Dynasty | Foguang Si Pagoda |
Yingxian, China |
Gardner | 12 | 7-22 | ||||||
| 000183 | 1178 C.E. | Ancient Chinese | Southern Song Period | Zhou Jichang |
Arhats Giving Alms to Beggars |
Museum of Fine Arts, Boston | ink and colors on silk | Gardner | 12 | 7-24 | ||||
| 000184 | 960-1127 C.E. | Ancient Chinese | Song Dynasty | Meiping vase |
stoneware, Cizhou type with sgraffito decoration | |||||||||
| 000185 | 8th to 9th century C.E. | Ancient Chinese | Song Dynasty | Horse | Luoyang, China |
Victoria and Albert Museum, London | glazed earthenware | Gardner | 12 | 7-17 | ||||
| 000186 | 751-744 | Ancient Korean | Silla Kingdom | Shakyamuni Buddha |
Sokkuram, Korea |
granite | Gardner | 12 | 7-27 | |||||
| 000187 | 5th to 6th century C.E. | Ancient Japanese | Kofun Period | Haniwa warrior figure |
from Gunma Prefecture, Japan |
Aikawa Archaeological Museum | low-fired clay | Gardner | 12 | 8-4 | ||||
| 000188 | originally 5th century C.E. rebuilt 1973 | Ancient Japanese | Kofun Period | Ise Shrine |
Ise, Mie Prefecture, Japan | Gardner | 12 | 8-5 | ||||||
| 000189 | ca. 680 C.E. | Ancient Japanese | Early Nara Period | Horyuji kondo |
Nara, Japan |
Gardner | 12 | 8-6 | ||||||
| 000190 | late seventh or early eighth century C.E. | Ancient Japanese | Nara Period | Yakushi triad, Yakushiji kondo | Nara, Japan | bronze | Gardner | 12 | 8-7 | |||||
| 000191 | 1053 C.E. |
Ancient Japanese | Heian Period | Phoenix Hall |
Byodoin, Uji, Japan | Gardner | 12 | 8-12 | ||||||
| 000192 | 13th century C.E. | Ancient Japanese | Kamakura Period | Detail of Burning of the Sanjo Palace |
Museum of Fine Arts, Boston | handscroll, ink and colors on paper | Gardner | 12 | 8-16 | |||||
| 000193 | 13th century C.E. | Ancient Japanese | Kamakura Period | Detail of Burning of the Sanjo Palace |
Museum of Fine Arts, Boston | handscroll, ink and colors on paper | Gardner | 12 | 8-16 | |||||
| 000194 | 13th century C.E. |
Ancient Japanese | Kamakura Period | Amida Descending over the Mountain |
Zenrinji, Kyoto | hanging scroll, ink and colors on silk | Gardner | 12 | 8-17 | |||||
| 000195 | ca. 245-256 | Ancient Hebrew | Synagogue Interior Wall paintings of Old Testament scenes | from Dura Europos, Syria |
National Museum, Damascus | tempera on plaster | Gardner | 12 | 11-1 | |||||
| 000196 | ca. 240-256 | Early Christian | Baptistry from Christian Community House | Dura Europos, Syria | tempera paintings | Gardner | 12 | 11-2 | ||||||
| 000197 | 3rd-4th centuries |
Early Christian | Catacomb showing loculi |
Rome, Italy | ||||||||||
| 000198 | early 4th century | Early Christian | Good Shepherd, Orants, Story of Jonah, Catacomb of Pietro and Marcellino |
Rome, Italy | fresco | Gardner | 12 | 11-3 | ||||||
| 000199 | 3th century | Early Christian | Orant figure, Catacomb of Priscilla |
Rome, Italy | fresco | |||||||||
| 000200 | ca. 270 | Early Christian | Sarcophagus with Old and New Testament Scenes | from Rome, Italy |
Santa Maria Antiqua, Rome | marble | Gardner | 12 | 11-4 | |||||
| 000201 | ca. 359 | Early Christian | Sarcophagus of Junius Bassus |
from Rome, Italy |
Museo Storico del Tesoro della Basilica di San Pietro, Rome | marble | Gardner | 12 | 11-5 | |||||
| 000202 | ca. 350-375 | Early Christian | Christ Enthroned |
Palazzo Massimo alle Terme, Rome | marble | Gardner | 12 | 11-6 | ||||||
| 000203 | ca. 320 | Early Christian | Old Saint Peter s Basilica (restoration drawing) |
Rome, Italy |
Gardner | 12 | 11-7 | |||||||
| 000204 | ca. 422-432 |
Early Christian | Santa Sabina |
Rome, Italy | Gardner | 12 | 11-8 | |||||||
| 000205 | ca. 337-351 |
Early Christian | Santa Costanza |
Rome, Italy |
Gardner | 12 | 11-9, 11-10, 11-11 | |||||||
| 000206 | 432-440 | Early Christian | Santa Maria Maggiore |
Rome, Italy | tessera mosaic | Gardner | 12 | 11-3 | ||||||
| 000207 | ca. 425 | Early Christian | Mausoleum of Galla Placidia |
Ravenna, Italy | Gardner | 12 | 11-14, 11-15 | |||||||
| 000208 | dedicated 504 |
Early Christian | Saint Apollinare Nuovo |
Ravenna, Italy |
Gardner | 12 | 11-16, 11-17 | |||||||
| 000209 | early 6th century | Early Christian | Vienna Genesis |
Osterreichische National-bibliothek, Vienna | tempera, gold, silver on purple vellum | Gardner | 12 | 11-19 | ||||||
| 000210 | early 6th century | Early Christian | Rossano Gospels, Christ Before Pilate |
Museo Diocesano d Arte Sacra, Rossano | tempera on purple vellum | Gardner | 12 | 11-20 | ||||||
| 000211 | ca. 420 | Early Christian | Suicide of Judas and Crucifixion from a casket | British Museum, London | ivory | Gardner | 12 | 11-21 | ||||||
| 000212 | mid-6th century | Byzantine | Early Byzantine | Justinian as world conqueror (Barberini Ivory) | Louvre, Paris | ivory | Gardner | 12 | 12-1 | |||||
| 000213 | early-6th century | Byzantine | Early Byzantine | Saint Michael the Archangel | British Museum, London | ivory | Gardner | 12 | 12-2 | |||||
| 000214 | 532-537 | Byzantine | Early Byzantine | Anthemius of Tralles & Isidorus of Miletus |
Hagia Sophia | Constantinpole, (Istanbul), Turkey | Gardner | 12 | 12-3, 12-4, 12-5 | |||||
| 000215 | 867 | Byzantine | Early Byzantine | Virgin (Theotokos) and Child enthroned | Apse mosaic, Hagia Sophia, Istanbul, Turkey | mosaic | Gardner | 12 | 12-17 | |||||
| 000216 | 526-547 | Byzantine | Early Byzantine | San Vitale |
Ravenna, Italy | Gardner | 12 | 12-6, 12-7. 12-8 | ||||||
| 000217 | 526-547 | Byzantine | Early Byzantine | Apse Mosaic San Vitale | Ravenna, Italy | mosaic | Gardner | 12 | 12-9 | |||||
| 000218 | ca. 547 | Byzantine | Early Byzantine | Justinian, Bishop Maximianus and attendants, north wall apse mosaic, San Vitale |
Ravenna, Italy |
mosaic | Gardner | 12 | 12-10 | |||||
| 000219 | ca. 547 | Byzantine | Early Byzantine | Theodora and attendants south wall apse mosaic, San Vitale |
Ravenna, Italy |
mosaic | Gardner | 12 | 12-11 | |||||
| 000220 | ca. 547 | Byzantine | Early Byzantine | Abraham and the Three Angels (Philoxeneos), and the Sacrifice of Isaac, north lunette mosaic, San Vitale | Ravenna, Italy | mosaic | ||||||||
| 000221 | ca. 547 | Byzantine | Early Byzantine | Sacrifice of Abel, Sacrifice of Melchisedech, north lunette mosaic, San Vitale |
Ravenna, Italy |
mosaic | ||||||||
| 000222 | 533-549 | Byzantine | Early Byzantine | Sant Apollinare in Classe |
Ravenna, Italy |
Gardner | 12 | 12-12 | ||||||
| 000223 | ca. 565 | Byzantine | Early Byzantine | Transfiguration of Jesus, apse mosaic, Church of the Virgin Monastery of Saint Catherine | Mount Sinai, Egypt | mosaic | Gardner | 12 | 12-13 | |||||
| 000224 | 6th or early 7th century | Byzantine | Early Byzantine | Virgin (Theotokos) and Child between Saints Theodore and George, icon |
Monastery of Saint Catherine, Mount Sinai, Egypt | encaustic on wood | Gardner | 12 | 12-16 | |||||
| 000225 | 586 | Byzantine | Middle Byzantine | Ascension of Christ Rabbula Gospels | from Zagba, Syria | Biblioteca Medicea-Laurenziana, Florence | tempera on vellum | Gardner | 12 | 12-15 | ||||
| 000226 | Katholikon early 11th century, Church of the Theotokos, 10th century | Byzantine | Middle Byzantine | Katholikon and Church of the Theotokos |
Hosios Loukas, Greece |
Gardner | 12 | 12-18, 12-19, 12-20 | ||||||
| 000227 | ca. 1090-1100 | Byzantine | Middle Byzantine | Pantocrator dome mosaic in the Church of the Dormition | Daphni, Greece | mosaic | Gardner | 12 | 12-21 | |||||
| 000228 | ca. 1090-1100 | Byzantine | Middle Byzantine | Crucifixion in the Church of the Dormition | Daphni, Greece |
Gardner | 12 | 12-22 | ||||||
| 000229 | begun 1063 |
Byzantine | Middle Byzantine | Saint Mark s Cathedral |
Venice, Italy |
Gardner | 12 | 12-23 | ||||||
| 000230 | ca. 1105 | Byzantine | Middle Byzantine | Pala d Oro | from Saint Mark s Cathedral, Venice, Italy | gold cloisonne with precious stones | Gardner | 12 | 12-25 | |||||
| 000231 | ca. 1180-1190 | Byzantine | Middle Byzantine | Apse Cathedral at Monreale | Monreale, Sicily, Italy | mosaic | Gardner | 12 | 12-24 | |||||
| 000232 | ca. 1150-1200 | Byzantine | Middle Byzantine | Hodegetria, icon | tempera on wood | |||||||||
| 000233 | ca. 950 | Byzantine | Middle Byzantine | Christ enthroned with Saints (Harbaville Triptych) | Louvre, Paris | ivory | Gardner | 12 | 12-26 | |||||
| 000234 | ca. 950-970 | Byzantine | Middle Byzantine | Paris Psalter | Bibliotheque Nationale, Paris | tempera on vellum | Gardner | 12 | 12-28 | |||||
| 000235 | ca. 1310-1320 | Byzantine | Late Byzantine | Anastasis apse fresco in parekklision of the Church of Christ in Chora |
Constantinpole, (Istanbul), Turkey |
fresco | Gardner | 12 | 12-31 | |||||
| 000236 | early 14th century | Byzantine | Late Byzantine | Christ as Savior of Souls, icon | Icon Gallery of Saint Clement, Ohrid | tempera, linen and silver on wood | Gardner | 12 | 12-32 | |||||
| 000237 | early 14th century | Byzantine | Late Byzantine | Annunciation, reverse of 2-sided icon |
Icon Gallery of Saint Clement, Ohrid | tempera and linen on wood | Gardner | 12 | 12-33 | |||||
| 000238 | late 11th to early 12th century | Byzantine | Russian Orthodox | Virgin (Theotokos) and Child, icon |
Tretyakov Gallery, Mosco | tempera on wood | Gardner | 12 | 12-29 | |||||
| 000239 | ca. 1410 | Byzantine | Russian Orthodox | Andrei Rublyev | Three Angels, icon | Tretyakov Gallery, Mosco | tempera on wood | Gardner | 12 | 12-34 | ||||
| 000240 | 6th - 7th Centuries | Early Medieval | Merovingian | Frankish Looped Fibula | France | Musee des Antiquites Nationales, Saint-Germain-en-Laye | silver gilt worked in filigree with inlays of garnets and other stones | Gardner | 12 | 16-1 | ||||
| 000241 | ca. 625 | Early Medieval | Anglo-Saxon | Purse cover from the Sutton Hoo ship burial | Suffolk, England | British Museum, London | gold, glass and enamel cloisonne with garnets and emeralds | Gardner | 12 | 16-2 | ||||
| 000242 | ca. 825 | Early Medieval | Viking | Burial Ship |
Oseberg, Norway | wood | ||||||||
| 000243 | ca. 825 | Early Medieval | Viking | Animal-Head Post |
Oseberg, Norway | University Museum of National Antiquities, Oslo | wood | Gardner | 12 | 16-3 | ||||
| 000244 | ca. 1050 - 1070 | Early Medieval | Viking | Wood carved portal of the stave church at Urnes | Urnes, Norway | wood | Gardner | 12 | 16-4 | |||||
| 000245 | ca. 660-680 | Early Medieval | Hiberno-Saxon | Book of Durrow | from Iona, Scotland | Trinity College Library, Dublin | ink and tempera on parchment | Gardner | 12 | 16-5 | ||||
| 000246 | 8th - 9th centuries | Early Medieval | Hiberno-Saxon | Book of Kells | from Iona, Scotland | Trinity College Library, Dublin | tempera | Gardner | 12 | 16-8 | ||||
| 000247 | ca. 698 - 721 | Early Medieval | Hiberno-Saxon | Cross and Carpet page Lindisfarne Gospels | Northumbria, England | British Museum, London | tempera on vellum | Gardner | 12 | 16-6, 16-7 | ||||
| 000248 | ca. 689-716 | Early Medieval | Hiberno-Saxon | The scribe Ezra Codex Amiatinus | Jarrow, England | tempera on vellum | ||||||||
| 000249 | ca. 923 | Early Medieval | Hiberno-Saxon | High Cross of Monasterboice | County Louth, Ireland | Gardner | 12 | 16-9 | ||||||
| 000250 | early 9th century | Early Medieval | Carolingian | Equestrian portrait of Charlemagne(?) | from Metz, France | Louvre, Paris | bronze, originally gilt | Gardner | 12 | 16-11 | ||||
| 000251 | ca. 800-810 | Early Medieval | Carolingian | St. Matthew Coronation Gospels | Aachen, Germany | Schatzkammer, Kunsthistorisches Museum, Vienna | ink and tempera on vellum | Gardner | 12 | 16-12 | ||||
| 000252 | ca. 816 - 835 | Early Medieval | Carolingian | Saint Matthew Ebbo Gospels | Hautvillers, France | Bibliotheque Municipale, epernay | ink and tempera on vellum | Gardner | 12 | 16-13 | ||||
| 000253 | ca. 816 - 835 | Early MedievalEarly Medieval | Carolingian | Canon Table Ebbo Gospels | Hautvillers, France |
Bibliotheque Municipale, epernay | ink and tempera on vellum | |||||||
| 000254 | ca. 865 | Early Medieval | Carolingian | Psalm 57 front cover Psalter of Charles the Bald | Denis, France | ivory panel set in silver-gilt with filigree work and precious stones | ||||||||
| 000255 | ca. 870 | Early Medieval | Carolingian | Crucifixion front cover Lindau Gospels | Pierpont Morgan Library, New York |
gold, precious stones and pearls | Gardner | 12 | 16-15 | |||||
| 000256 | ca. 792-805 | Early Medieval | Carolingian | Odo of Metz | Interior of the Palatine Chapel of Charlemagne | Aachen, Germany | Gardner | 12 | 16-16, 16-17 | |||||
| 000257 | 9th century | Early Medieval | Carolingian | Torhalle (gatehouse) |
Lorsch, Germany | Gardner | 12 | 16-18 | ||||||
| 000258 | ca. 819 | Early Medieval | Carolingian | 9th C. ms. And 20th C. model, St. Gall, Switzerland | St. Gall, Switzerland | Stiftsbibliothek, Saint Gall | Gardner | 12 | 16-19 | |||||
| 000259 | ca. 800 | Early Medieval | Carolingian | Drawing of the monastery church of St. Riquier | Centula, France | engraving made in 1612 after a now destroyed 11th century miniature | ||||||||
| 000260 | ca. 873-885 | Early Medieval | Ottonian | Westwork of the Abbey Church | Corvey, Germany | Gardner | 12 | 16-20 | ||||||
| 000261 | ca. 961-963 |
Early Medieval | Ottonian | Nave of the church of St. Cyriakus |
Gernrode, Germany | Gardner | 12 | 16-21 | ||||||
| 000262 | ca. 966-980 | Early Medieval | Ottonian | Abbey church of St. Pantaleon | Cologne, Germany | |||||||||
| 000263 | ca. 1001-1031 | Early Medieval | Ottonian | Abbey Church of St. Michael s |
Hildesheim, Germany | Gardner | 12 | 16-22, 16-23 | ||||||
| 000264 | ca. 1001-1031 | Early Medieval | Ottonian | Doors with relief panels Genesis, left door - Christ, right door | Hildesheim, Germany | Gardner | 12 | 16-24 | ||||||
| 000265 | ca. 1015-1022 | Early Medieval | Ottonian | Column with reliefs illustrating the life of Christ | Hildesheim, Germany |
bronze | Gardner | 12 | 16-25 | |||||
| 000266 | ca. 970 | Early Medieval | Ottonian | Crucifix commissioned by Archbishop Gero | Cologne Cathedral, Germany | painted wood | Gardner | 12 | 16-26 | |||||
| 000267 | ca. 1002-1014 | Early Medieval | Ottonian | Annunciation to the Shepherds Lectionary of Henry II | from Reichenau, Germany | Bayerische Staatsbibliothek, Munich | tempera on vellum | Gardner | 12 | 16-28 | ||||
| 000268 | ca. 997-1000 | Early Medieval | Ottonian | Otto III enthroned Gospel Book of Otto III | from Reichenau, Germany | Bayerische Staatsbibliothek, Munich | tempera on vellum | Gardner | 12 | 16-29 | ||||
| 000269 | ca. 1000 | Early Medieval | Ottonian | Otto III Enthroned Liuthar (Aachen) Gospels | from Aachen, Germany | ink and tempura on vellum | ||||||||
| 000270 | Islamic Art | Early Islamic | Chronology of Early Islam | |||||||||||
| 000271 | Islamic Art | Early Islamic | Five Pillars of Islam |
|||||||||||
| 000272 | 687-692 |
Islamic Art | Early Islamic | Dome of the Rock | Jerusalem | Gardner | 12 | 13-1, 13-2 | ||||||
| 000273 | 706-715 |
Islamic Art | Early Islamic | Great Mosque |
Damascus, Syria |
Gardner | 12 | 13-3, 13-4 | ||||||
| 000274 | ca. 740-750 | Islamic Art | Umayyad | Umayyad Palace | Mshatta, Jordan |
limestone | Gardner | 12 | 13-5, 13-6 | |||||
| 000275 | ca. 836-875 | Islamic Art | Abbasid | Aerial view of the Great Mosque |
Qayrawan, Tunisia | Gardner | 12 | 13-7, 13-8 | ||||||
| 000276 | ca. 848-852 |
Islamic Art | Abbasid | Malwiya minaret and Great Mosque |
Samarra, Iraq |
Gardner | 12 | 13-9 | ||||||
| 000277 | early 10th century |
Islamic Art | Samanid | Mausoleum of the Samanids |
Bukhara, Uzbekistan |
Gardner | 12 | 13-10 | ||||||
| 000278 | 8th to 10th centuries |
Islamic Art | Umayyad | Great Mosque | Cordoba, Spain |
Gardner | 12 | 13-11, 13-12 | ||||||
| 000279 | 10th or early 11th century | Islamic Art | Umayyad | Plaque | Metropolitan Museum of Art, New York | ivory, quartz, pigment | ||||||||
| 000280 | 1354-1391 | Islamic Art | Nasrid | Court of Lions Alahambra Palace | Granada, Spain | |||||||||
| 000281 | 961-965 |
Islamic Art | Umayyad | Dome in front of the mihrab of the Great Mosque | Cordoba, Spain |
Gardner | 12 | 13-13 | ||||||
| 000282 | 8th century | Islamic Art | Uzbek | Confronting lions and palm tree |
from Zandana, Uzbekistan | silk compound twill | Gardner | 12 | 13-14 | |||||
| 000283 | 796 | Islamic Art | Sulayman | Ewer in the form of a bird |
brass with silver and copper inlay | Gardner | 12 | 13-15 | ||||||
| 000284 | 9th or early 10th century | Islamic Art | Quran page with the beginning of surah 18, al Kahf (The Cave) |
ink and gold on vellum | Gardner | 12 | 13-16 | |||||||
| 000285 | 1356-1363 | Islamic Art | Mamluk | Madrasa-mosque-mausoleum complex of Sultan Hasan | Cairo, Egypt |
Gardner | 12 | 13-18, 13-19 | ||||||
| 000286 | 1568-1575 | Islamic Art | Ottoman | Sinan | Mosque of Selim II | Edirne, Turkey | Gardner | 12 | 13-20, 13-21, 13-22 | |||||
| 000287 | 11th to 17th centuries |
Islamic Art | Safavid | Courtyard of the Great Mosque |
Isfahan, Iran |
Gardner | 12 | 13-23 | ||||||
| 000288 | 1611-1638 |
Islamic Art | Safavid | Dome of the Shah Mosque |
Isfahan, Iran |
|||||||||
| 000289 | ca. 1354 | Islamic Art | Safavid | Mihrab from the Madrasa Imami |
Isfahan, Iran |
Metropolitan Museum of Art, New York | glazed mosaic tilework | Gardner | 12 | 13-25 | ||||
| 000290 | 1540 | Islamic Art | Safavid | Maqsud of Kashan | Carpet from the funerary mosque of Shaykh Safi al-Din | Ardabil, Iran | Victoria and Albert Museum, London | knotted pile of wood and silk | Gardner | 12 | 13-26 | |||
| 000291 | ca.1525-1535 | Islamic Art | Persian | Sultan-Muhammad |
The court of Gayumars detail of folio 20 verso of the Shahnama of Shah Tahmasp | Tabriz, Iran |
ink, watercolor and gold on paper | Gardner | 12 | 13-27 | ||||
| 000292 | 1632-1647 |
Islamic Art | Mughal | Taj Mahal |
Agra, India |
Gardner | 12 | 25-5 | ||||||
| 000293 | 5th century B.C.E. | African | Nok | Nok Head |
from Jemaa, Nigeria |
National Museum, Lagos | terracotta | Gardner | 12 | 15-2 | ||||
| 000294 | 9th to 10th century | African | Igbo-Ukwu | Equestrian figure on fly-whisk hilt |
from Igbo-Ukwu, Nigeria |
National Museum, Lagos | copper -alloy bronze | Gardner | 12 | 15-4 | ||||
| 000295 | 11th to 12th century | African | Ife | King | from Ife, Nigeria | Ife Museum, Ife | zinc brass | Gardner | 12 | 15-6 | ||||
| 000296 | mid-16th century | African | Benin | Ivory belt mask of a Queen Mother (Idia) |
from Benin, Nigeria |
Metropolitan Museum of Art, New York | ivory and iron | Gardner | 12 | 15-10 | ||||
| 000297 | 17th to 18th century | African | Benin | Altar of the Hand |
from Benin, Nigeria |
British Museum, London | brass | Gardner | 12 | 15-11 | ||||
| 000298 | ca. 1550-1650 | African | Benin | Warrior Chief and Attendants |
from Benin, Nigeria |
Metropolitan Museum of Art, New York | brass | Gardner | 12 | Intro-16 | ||||
| 000299 | 11th to 14th century | African | Jenne | Mother and Child |
from Djenne, Mali |
terracotta | ||||||||
| 000300 | 13th century, rebuilt 1906-07 | African | Islamic | Eastern facade of Friday Mosque |
Djenne, Mali | |||||||||
| 000301 | 15th century | African | Sapi | Sapi warrior |
from Sierra Leone |
serpentine | ||||||||
| 000302 | 15th to 16th century | African | Sapi-Portuguese | Master of the Symbolic Execution Saltcellar | Sapi-Portuguese from Sierra Leone |
ivory | Gardner | 12 | 15-12 | |||||
| 000303 | 15th century |
African | Great Zimbabwe | Conical Tower, Great Zimbabwe |
Great Zimbabwe, Zimbabwe |
Gardner | 12 | 15-7 | ||||||
| 000304 | 15th century |
African | Great Zimbabwe | Bird with crocodile image on top of stone monolith |
from Great Zimbabwe, Zimbabwe |
soap stone | Gardner | 12 | 15-8 | |||||
| 000305 | ca. 1060 |
Romanesque | French Romanesque | Saint Philbert nave vaults | Tournus, France |
Gardner | 12 | 17-3 | ||||||
| 000306 | ca. 1070-1120 | Romanesque | French Romanesque | Saint-Sernin |
Toulouse, France |
Gardner | 12 | 17-4, 17-5, 17-6 | ||||||
| 000307 | begun 1030 nave vaults ca.1082-1106 | Romanesque | German Romanesque | Interior of Speyer Cathedral |
Speyer, Germany |
Gardner | 12 | 17-9 | ||||||
| 000308 | late eleventh to early twelfth century |
Romanesque | Italian Romanesque | Sant Ambrogio | Milan, Italy |
Gardner | 12 | 17-10, 17-11 | ||||||
| 000309 | begun 1067, ca. 1115-1120 | Romanesque | French Romanesque | Saint-Etienne | Caen, France | Gardner | 12 | 17-12, 17-13, 17-14 | ||||||
| 000310 | begun ca. 1093 |
Romanesque | English Romanesque | Interior of Durham Cathedral |
Durham, England | Gardner | 12 | 17-15, 17-16 | ||||||
| 000311 | cathedral begun 1063 baptistery begun 1153 campanile begun 1174 |
Romanesque | Italian Romanesque | Pisa Cathedral complex |
Pisa, Italy |
Gardner | 12 | 17-17 | ||||||
| 000312 | 1062 and twelfth century |
Romanesque | Italian Romanesque | San Miniato al Monte | Florence, Italy |
Gardner | 12 | 17-19 | ||||||
| 000313 | ca. 1096 | Romanesque | French Romanesque | Bernardus Gelduinus |
Christ in Majesty relief in the ambulatory of Saint-Sernin | Toulouse, France |
marble | Gardner | 12 | 17-21 | ||||
| 000314 | ca. 1110 | Romanesque | Italian Romanesque | Wiligelmo |
Creation of Adam and Eve, frieze on the west facade, Modena Cathedral |
Modena, Italy | marble | Gardner | 12 | 17-22 | ||||
| 000315 | ca. 1115-1135 | Romanesque | French Romanesque | Christ in Majesty with angels and the Twenty-Four Elders Tympanum of the south portal of Saint-Pierre | Moissac, France | marble | Gardner | 12 | 17-23 | |||||
| 000316 | ca. 1115-1130 | Romanesque | French Romanesque | Lions and Old Testament prophet (Jeremiah or Isaiah?) | from the trumeau of the south portal of Saint-Pierre, Moissac, France | marble | Gardner | 12 | 17-24 | |||||
| 000317 | ca. 1100-1115 | Romanesque | French Romanesque | Cloister of Saint-Pierre | Moissac, France | Gardner | 12 | 17-20 | ||||||
| 000318 | 1139-47 | Romanesque | French Romanesque | Abbey of Notre-Dame | Fontenay, Burgundy, France | Gardner | 12 | 17-8 | ||||||
| 000319 | ca. 1120-1135 | Romanesque | French Romanesque | Gislebertus | Last Judgment, West tympanum of Saint-Lazare | Autun, France | marble | Gardner | 12 | 17-25 | ||||
| 000320 | 1120-1132 |
Romanesque | French Romanesque | Ascension of Christ and Mission of the Apostles | Tympanum of the center portal of the narthex of La Madeleine Vezelay, France |
Gardner | 12 | 17-26 | ||||||
| 000321 | second third of the twelfth century | Romanesque | French Romanesque | Portal on the west facade of Saint-Trophime | Arles, France |
Gardner | 12 | 17-27 | ||||||
| 000322 | ca. 1180-1190 | Romanesque | Italian Romanesque | Benedetto Antelami |
King David on the west facade of Fidenza Cathedral | Fidenza, Italy |
marble | Gardner | 12 | 17-28 | ||||
| 000323 | second half of twelfth century | Romanesque | French Romanesque | Virgin and Child ( Morgan Madonna) | from Auvergne, France |
Metropolitan Museum of Art, New York | painted wood | Gardner | 12 | 17-30 | ||||
| 000324 | 1145 | Romanesque | French Romanesque | Head Reliquary of Saint Alexander | from Stavelot Abbey, Belgium | Musees Royaux d Art et d Histoire, Brussels | silver repousse, gilt bronze, gems, enamel | Gardner | 12 | 17-31 | ||||
| 000325 | mid-12th century | Romanesque | Spanish Romanesque | Christ in Majesty apse fresco from Santa Maria de Muir | near Lerida, Spain | Museum of Fine Arts, Boston | fresco | Gardner | 12 | 17-32 | ||||
| 000326 | ca. 1050-1070 | Romanesque | Mozarabic | Stephanus Garsia | Enthroned Christ with 4 Evangelists and the 24 Elders folios 121 verso and 122 recto of the Apocalypse of Saint-Sever | from Saint-Sever-sur-l Adour, France |
ink and tempera on vellum | |||||||
| 000327 | ca. 1050-1079 | Romanesque | German Romanesque | The Vision of Hildegard of Bingen Detail of facsimile of a lost folio in the Scivias by Hildegard of Bingen | from Trier or Bingen, Germany |
Hessische Landesbibliothek, Wiesbaden | ink and tempera on vellum | Gardner | 12 | 17-35 | ||||
| 000328 | ca. 1115-1125 | Romanesque | French Romanesque | Initial R with knight fighting dragon from the Moralia in Job | from CÓteaux, France |
Bibliotheque Municipale, Dijon | ink and tempera on vellum | Gardner | 12 | 17-36 | ||||
| 000329 | ca. 1135 | Romanesque | French Romanesque | Master Hugo |
Moses Expounding the Law folio 94 recto of the Bury Bible | from Bury Saint Edmunds, England |
Corpus Christi College, Cambridge | ink and tempera on vellum | Gardner | 12 | 17-37 | |||
| 000330 | ca. 1140 | Romanesque | English Romanesque | 12 Scenes from the Christmas Story MS 37472 folio 1 recto | from Canterbury, England |
ink and tempera on vellum | ||||||||
| 000331 | ca. 1170 | Romanesque | English Romanesque | Cat, Mouse and Weasel Bestiary, MS 11283, folio 15, (detail) | from England | ink and tempera on vellum | ||||||||
| 000332 | ca. 1150 | Romanesque | English Romanesque | Mouth of Hell Winchester Psalter | from Winchester, England |
ink and tempera on vellum | ||||||||
| 000333 | ca. 1160-1170 | Romanesque | English Romanesque | Eadwine the Scribe(?) |
Eadwine the Scribe at work folio 283 verso of the Eadwine Psalter | Trinity College, Cambridge | ink and tempera on vellum | Gardner | 12 | 17-38 | ||||
| 000334 | ca. 1070-1080 | Romanesque | French Romanesque | details of the Bayeux Tapestry | from Bayeux Cathedral, Bayeux, France |
Centre Guillaume le Conquerant, Bayeux | embroidered wool on linen | Gardner | 12 | 17-39, 17-40 | ||||
| 000335 | 1019-1020 |
Romanesque | French Romanesque | Christ in Majesty (Maiestas Domini) with apostles |
Saint-Genis-des-Fontaines, France |
|||||||||
| 000336 | 1107-1118 | Romanesque | French Romanesque | Rainer of Huy | Baptism of Christ Baptismal font from Notre-Dame-des-Fonts | Liege, Belgium | Saint-Barthelemy, Liege | bronze | Gardner | 12 | 17-29 | |||
| 000337 | ca. 1085 | Romanesque | French Romanesque | Entombment of Christ fresco above the nave arcade, Sant Angelo in Formis | near Capua, Italy |
fresco | Gardner | 12 | 17-33 | |||||
| 000338 | ca. 1125 | Romanesque | French Romanesque | The Tree of Jesse, Explanatio in Isaiam | from CÓteaux, France |
ink and tempera on vellum | ||||||||
| 000339 | 1140-1144 | Gothic | French Early Gothic | Ambulatory and radiating chapels |
Saint Denis, France | Gardner | 12 | 18-1, 18-2, 18-3 | ||||||
| 000340 | begun 1134, rebuilt beginning 1194 | Gothic | French Early Gothic | West facade of Chartres Cathedral, Abbey Church of Saint-Denis | Chartres, France | Gardner | 12 | 18-4 | ||||||
| 000341 | ca. 1145-1155 |
Gothic | French Early Gothic | Royal Portal, west facade Chartres Cathedral |
Chartres, France |
Gardner | 12 | 18-5 | ||||||
| 000342 | ca. 1145-1155 | Gothic | French Early Gothic | Old Testament queen and two kings jamb statues, doorway of Royal Portal, Chartres Cathedral |
Chartres, France | Gardner | 12 | 18-6 | ||||||
| 000343 | begun ca. 1190 | Gothic | French Early Gothic | Laon Cathedral | Laon, France | Gardner | 12 | 18-7, 18-8 | ||||||
| 000344 | Gothic | Gothic nave elevations |
France | Gardner | 12 | 18-9 | ||||||||
| 000345 | Gothic | Gothic rib vaults |
Gardner | 12 | p. 482 | |||||||||
| 000346 | begun 1163, nave & flying buttresses ca. 1180-1200, remodeled after 1225 |
Gothic | French Early Gothic | Notre Dame Cathedral | Paris, France | Gardner | 12 | 18-10 | ||||||
| 000347 | begun 1134, rebuilt beginning 1194 |
Gothic | French High Gothic | Chartres Cathedral |
Chartres, France |
Gardner | 12 | 18-11, 18-12 | ||||||
| 000348 | Gothic | French High Gothic | Gothic Cathedral |
Gardner | 12 | p. 488 | ||||||||
| 000349 | ca. 1170 | Gothic | French High Gothic | Virgin and Child and Angels (Notre Dame de la Belle Verriere) | choir of Chartres Cathedral Chartres, France |
stained glass | Gardner | 12 | 18-13 | |||||
| 000350 | ca. 1150-1170 | Gothic | French High Gothic | Jesse Tree | West facade of Chartres Cathedral Chartres, France |
stained glass | ||||||||
| 000351 | ca. 1200-1260 | Gothic | French High Gothic | Triforium wall of the nave Chartres Cathedral | Chartres, France |
|||||||||
| 000352 | ca. 1220 | Gothic | French High Gothic | Rose Window and lancets north transept of Chartres Cathedral |
Chartres, France |
stained glass | Gardner | 12 | 18-14 | |||||
| 000353 | ca. 1220-1230 | Gothic | French High Gothic | Saints Martin, Jerome, and Gregory jamb statues, Porch of the Confessors South transept of Chartres Cathedral |
Chartres, France |
Gardner | 12 | 18-15 | ||||||
| 000354 | ca. 1230 | Gothic | French High Gothic | Saint Theodore jamb statue, Porch of the Martyrs South transept of Chartres Cathedral |
Chartres, France | Gardner | 12 | 18-16 | ||||||
| 000355 | begun 1220 | Gothic | French High Gothic | Robert de Luzarches, Thomas de Cormont, and Renaud de Cormont | Amiens Cathedral | Amiens, France | Gardner | 12 | 18-17, 18-18, 18-19 | |||||
| 000356 | ca. 1220-1235 | Gothic | French High Gothic | Christ (Beau Dieu) trumeau statue of central doorway west facade of Amiens Cathedral |
Amiens, France | Gardner | 12 | 18-20 | ||||||
| 000357 | begun ca. 1225-1290 | Gothic | French High Gothic | Reims Cathedral | Reims, France | Gardner | 12 | 18-21 | ||||||
| 000358 | ca. 1230 |
Gothic | French High Gothic | Visitation jamb statues of central doorway west facade of Reims Cathedral |
Reims, France | Gardner | 12 | 18-22 | ||||||
| 000359 | 1243-1248 |
Gothic | French Rayonnant | Sainte-Chapelle |
Paris, France |
Gardner | 12 | 18-23 | ||||||
| 000360 | early 14th century | Gothic | French High Gothic | Virgin and Child (Virgin of Paris) |
Notre-Dame, Paris, France | Gardner | 12 | 18-24 | ||||||
| 000361 | ca. 1500-1540 |
Gothic | French Flamboyant | West facade of Saint-Maclou |
Rouen, France |
Gardner | 12 | 18-25 | ||||||
| 000362 | begun 1230 |
Gothic | French High Gothic | Hall of the Cloth Guild |
Bruges, Netherlands |
Gardner | 12 | 18-27 | ||||||
| 000363 | ca. 1220-1235 | Gothic | French High Gothic | Villard de Honnecourt |
Figures based on geometric shapes folio 18 verso of a sketchbook | from Paris, France |
Bibliotheque Nationale, Paris | ink on vellum | Gardner | 12 | 18-29 | |||
| 000364 | ca. 1220-1230 | Gothic | French High Gothic | God as architect of the world folio 1 verso of a moralized Bible | from Paris, France |
Osterreichische National-bibliothek, Vienna | ink, tempera and gold leaf on vellum | Gardner | 12 | 18-30 | ||||
| 000365 | 1226-1234 | Gothic | French High Gothic | Blanche of Castille, Louis IX and two monks dedication page (folio 8 recto) of a moralized Bible | from Paris, France | Pierpont Morgan Library, New York | ink, tempera and gold leaf on vellum | Gardner | 12 | 18-31 | ||||
| 000366 | 1253-1270 | Gothic | French High Gothic | Abraham and the Three Angels folio 7 verso of the Psalter of Saint Louis | from Paris, France | Bibliotheque Nationale, Paris | ink, tempera and gold leaf on vellum | Gardner | 12 | 18-32 | ||||
| 000367 | Gothic | French High Gothic | Master Honore | David anointed by Samuel and battle of David and Goliath folio 7 verso of the Breviary of Phillipe le Bel | from Paris, France | Bibliotheque Nationale, Paris | ink and tempera on vellum | Gardner | 12 | 18-33 | ||||
| 000368 | 1325 | Gothic | French High Gothic | Jean Pucelle |
David before Saul folio 24 verso of the Belleville Breviary | from Paris, France |
Bibliotheque Nationale, Paris | ink and tempera on vellum | Gardner | 12 | 18-34 | |||
| 000369 | 1339 | Gothic | French High Gothic | Virgin of Jeanne d Evreaux |
from the abbey church of Saint-Denis, Saint-Denis, France |
Louvre, Paris | silver gilt and enamel | Gardner | 12 | 18-35 | ||||
| 000370 | ca. 1330-1350 | Gothic | French High Gothic | The Castle of Love and knights jousting lid of a jewelry casket |
from Paris, France |
Walters Art Museum, Baltimore | ivory and iron | Gardner | 12 | 18-36 | ||||
| 000371 | 1220-1258; west facade completed 1265; spire ca. 1320-1330 |
Gothic | English Gothic | Salisbury Cathedral | Salisbury, England |
Gardner | 12 | 18-37, 18-38, 18-39 | ||||||
| 000372 | 1332-1357 |
Gothic | English Gothic | Choir of Gloucester Cathedral |
Gloucester, England |
Gardner | 12 | 18-40 | ||||||
| 000373 | ca. 1330-1335 |
Gothic | English Gothic | Tomb of Edward II |
Gloucester Cathedral, Gloucester, England |
Gardner | 12 | 18-42 | ||||||
| 000374 | 1503-1519 |
Gothic | English Gothic | Robert and William Vertue | Chapel of Henry VII |
Westminster Abbey, London, England |
Gardner | 12 | 18-41 | |||||
| 000375 | begun 1248 | Gothic | German Gothic | Gerhard of Cologne |
Cologne Cathedral | Cologne, Germany | Gardner | 12 | 18-44, 18-45 | |||||
| 000376 | 1235-1283 |
Gothic | German Gothic | Nave of Saint Elizabeth |
Marburg, Germany |
Gardner | 12 | 18-46, 18-47 | ||||||
| 000377 | ca. 1230 |
Gothic | German Gothic | Death of the Virgin | tympanum of left doorway, south transept Strasbourg Cathedral Strasbourg, France |
Gardner | 12 | 18-48 | ||||||
| 000378 | ca. 1249-1255 | Gothic | German Gothic | Eckehard and Uta statues | west choir Naumburg Cathedral Naumburg, Germany |
painted limestone | Gardner | 12 | 18-49 | |||||
| 000379 | ca. 1235-1240 | Gothic | German Gothic | Bamberg Rider | statue in the east choir Bamberg Cathedral Bamberg, Germany |
sandstone | Gardner | 12 | 18-50 | |||||
| 000380 | ca. 1300-1325 | Gothic | German Gothic | Virgin with the Dead Christ, Rottgen Pieta | from the Rhineland, Germany |
Rheinisches Landesmusem, Bonn | painted wood | Gardner | 12 | 18-51 | ||||
| 000381 | 1181 | Gothic | German Gothic | Nicholas of Verdun | Klosterneuburg Altar | abbey church at Klosterneuburg, Austria | Stiftsmuseum, Klosterneuberg | gilded copper and enamel | Gardner | 12 | 18-52, 18-53 | |||
| 000382 | ca. 1190 | Gothic | German Gothic | Nicholas of Verdun |
Shrine of the Three Kings |
Cologne Cathedral Cologne, Germany | silver, bronze, enamel and gemstones | Gardner | 12 | 18-54 | ||||
| 000383 | begun 1386 | Gothic | Italian Gothic | Milan Cathedral |
Milan, Italy | Gardner | 12 | 18-57 | ||||||
| 000384 | 1290-1481 | Late Gothic | Italian Gothic | The Basilica of Saint Anastasia | Verona, Italy | |||||||||
| 000385 | 1413-1416 | Late Gothic | French Late Gothic | Limbourg Brothers |
Les Tres Riches Heures du Duc de Berry | Musee Conde, Chantilly | ink, tempera and gold leaf on vellum | Gardner | 12 | 20-1, 20-2 | ||||
| 000386 | 1395-1406 | Late Gothic | Flemish Late Gothic | Claus Sluter | Well of Moses | Chartreuse de Champmol, Dijon, France | stone | Gardner | 12 | 20-3 | ||||
| 000387 | installed 1399 | Late Gothic | Flemish Late Gothic | Mechior Broederlam |
Retable de Champmol | from Chapel of the Chartreuse de Champmol, Dijon, France | Musee de la Ville, Dijon | tempera on panel | Gardner | 12 | 20-4 | |||
| 000388 | 1432 | Late Gothic | Flemish Late Gothic | Jan van Eyck | Ghent Altarpiece | Saint Bavo Cathedral, Ghent, Belgium | oil on wood | Gardner | 12 | 20-5, 20-6 | ||||
| 000389 | ca. 1435 | Late Gothic | Flemish Late Gothic | Rogier van der Weyden |
Deposition | from Notre- Hors-les-murs, Louvain, Belgium | Museo del Prado, Madrid | oil on wood | Gardner | 12 | 20-7 | |||
| 000390 | ca. 1444-1448 | Late Gothic | Flemish Late Gothic | Rogier van der Weyden |
Judgment Altarpiece | HÙtel-Dieu, Beaune, France | Musee de l HÙtel-Dieu, Beaune, France | panel | Gardner | 12 | 20-8 | |||
| 000391 | 1464-1468 | Late Gothic | Flemish Late Gothic | Dirk Bouts | Last Supper | Saint Peter s, Louvain, Belgium | oil on wood | Gardner | 12 | 20-9 | ||||
| 000392 | ca. 1476 | Late Gothic | Flemish Late Gothic | Hugo van der Goes |
Portinari Altarpiece | from Sant Egidio, Florence, Italy |
Galleria degli Uffizi, Florence | tempera and oil on wood | Gardner | 12 | 20-10 | |||
| 000393 | 1479 | Late Gothic | Flemish Late Gothic | Hans Memling |
Saint John Altarpiece | Hospital Sint Jan, Bruges, Belgium |
oil on wood | Gardner | 12 | 20-11 | ||||
| 000394 | ca. 1425-1428 | Late Gothic | Flemish Late Gothic | Robert Campin? |
Merode Altarpiece | Metropolitan Museum of Art, New York | oil on wood | Gardner | 12 | 20-12 | ||||
| 000395 | 1434 | Late Gothic | Flemish Late Gothic | Jan van Eyck |
Giovanni Arnolfini and His Bride | National Gallery, London | oil on wood | Gardner | 12 | 20-13, 20-14 | ||||
| 000396 | 1449 | Late Gothic | Flemish Late Gothic | Petrus Christus | A Goldsmith in His Shop (St. Eligius) | Metropolitan Museum of Art, New York | oil on wood | Gardner | 12 | 20-15 | ||||
| 000397 | 1433 | Late Gothic | Flemish Late Gothic | Jan van Eyck | Man in a Red Turban | National Gallery, London | oil on wood | Gardner | 12 | 20-16 | ||||
| 000398 | ca. 1435 | Late Gothic | Flemish Late Gothic | Jan van Eyck | Annunciation | National Gallery, Washington, DC | oil on canvas | |||||||
| 000399 | ca. 1460 | Late Gothic | Flemish Late Gothic | Rogier van der Weyden | Portrait of a Lady | National Gallery, Washington, DC | oil on panel | Gardner | 12 | 20-17 | ||||
| 000400 | 1505-1510 | Late Gothic | Flemish Late Gothic | Hieronymus Bosch | Creation of Eve, Garden of Earthly Delights, Hell | Museo del Prado, Madrid | oil on wood | Gardner | 12 | 20-18 | ||||
| 000401 | ca. 1450 | Late Gothic | French Late Gothic | Jean Fouquet |
Chevalier and Saint Stephen |
Gemaldegalerie, Staatliche Museen, Berlin | oil on wood | Gardner | 12 | 20-19 | ||||
| 000402 | ca. 1455 | Late Gothic | French Late Gothic | attr. Enguerrand Quarton |
The Avignon Pieta | oil on wood | ||||||||
| 000403 | ca. 1498-1500 | Late Gothic | French Late Gothic | Hunt of the Unicorn (Unicorn Tapestries) |
Metropolitan Museum of Art, New York | wool, silk, and metal thread | ||||||||
| 000404 | 1444 | Late Gothic | German Late Gothic | Konrad Witz | Miraculous Draught of Fish | from Cathedral of St. Peter, Geneva, Switzerland | oil on wood | Gardner | 12 | 20-21 | ||||
| 000405 | 1477-1489 | Late Gothic | German Late Gothic | Veit Stoss |
Death and Assumption of the Virgin | from Church of St. Mary, Krakow, Poland |
painted and gilded wood | Gardner | 12 | 20-22 | ||||
| 000406 | ca. 1454-55 | Late Gothic | German Late Gothic | Johannes Gutenberg |
Gutenberg Bible |
printed in Mainz, Germany | printed ink on paper | |||||||
| 000407 | 1493 | Late Gothic | German Late Gothic | Michel Wolgemut and Shop |
Nuremburg Chronicle | woodcut | Gardner | 12 | 20-24 | |||||
| 000408 | ca. 1480-1490 | Late Gothic | German Late Gothic | Martin Schongauer | Temptation of Saint Anthony | Metropolitan Museum of Art, New York | engraving | Gardner | 12 | 20-25 | ||||
| 000409 | 1496-1499 | Late Gothic | Spanish Late Gothic | Gil de Siloe |
Christ Crucified |
Carthusian Monastery |
painted and gilded wooden altarpiece | |||||||
| 000410 | 1235 | Renaissance | Early Italian Renaissance | Bonaventura Berlinghieri |
Panel from the Saint Francis Altarpiece | San Francesco, Pescia, Italy | tempera on wood | Gardner | 12 | 19-1 | ||||
| 000411 | 1259-1260 | Renaissance | Early Italian Renaissance | Nicola Pisano |
Pulpit of Pisa Cathedral Baptistry |
marble | Gardner | 12 | 19-2 | |||||
| 000412 | ca. 1291 | Renaissance | Early Italian Renaissance | Pietro Cavallini |
Seated Apostles from the Last Judgment | Santa Cecelia in Trastevere, Rome, Italy | Gardner | 12 | 19-5 | |||||
| 000413 | ca. 1280-1290 | Renaissance | Early Italian Renaissance | Cimabue | Madonna Enthroned with Angels and Prophets | Galleria degli Uffizi, Florence | tempera on wood | Gardner | 12 | 19-6 | ||||
| 000414 | ca. 1310 | Renaissance | Early Italian Renaissance | Giotto di Bondone |
Madonna Enthroned |
Galleria degli Uffizi, Florence | tempera on wood | Gardner | 12 | 19-7 | ||||
| 000415 | 1305-1306 | Renaissance | Early Italian Renaissance | Giotto di Bondone |
Interior of the Arena Chapel | Padua, Italy | fresco | Gardner | 12 | 19-8 | ||||
| 000416 | begun 1296 | Renaissance | Early Italian Renaissance | Cambio et al. |
Florence Cathedral | Florence, Italy | Gardner | 12 | 19-17, 19-18 | |||||
| 000417 | ca. 1346-1347 | Renaissance | Early Italian Renaissance | Andrea Orcagna |
Tabernacle | Or San Michele, Florence, Italy |
mosaic, gold, marble, lapis lazuli | Gardner | 12 | 19-20 | ||||
| 000418 | 1308-1311 | Renaissance | Early Italian Renaissance | Duccio di Buoninsegna | Virgin and Child Enthroned with Saints from the Maesta altarpiece | from Siena Cathedral, Siena, Italy |
Museo dell Opera del Duomo, Siena | tempera on wood | Gardner | 12 | 19-10 | |||
| 000419 | 1309-1311 | Renaissance | Early Italian Renaissance | Duccio di Buoninsegna |
Betrayal of Jesus from the back of the Maesta altarpiece | from Siena Cathedral, Siena, Italy |
Museo dell Opera del Duomo, Siena | tempera on wood | Gardner | 12 | 19-11 | |||
| 000420 | 1333 | Renaissance | Early Italian Renaissance | Simone Martini and Lippo Memmi | Annunciation | Galleria degli Uffizi, Florence | tempera and gold leaf on wood | Gardner | 12 | 19-12 | ||||
| 000421 | 1342 | Renaissance | Early Italian Renaissance | Pietro Lorenzetti |
The Birth of the Virgin |
from Siena Cathedral, Siena, Italy |
Museo dell Opera del Duomo, Siena | tempera on wood | Gardner | 12 | 19-13 | |||
| 000422 | 1288-1309 | Renaissance | Early Italian Renaissance | Palazzo Pubblico |
Sienna, Italy | Gardner | 12 | 19-14 | ||||||
| 000423 | 1338-1339 | Renaissance | Early Italian Renaissance | Ambrogio Lorenzetti |
Effects of Good Government in the City and in the Country | Sala della Pace, Palazzo Pubblico, Siena, Italy | fresco | Gardner | 12 | 19-15, 19-16 | ||||
| 000424 | 1338-1339 | Renaissance | Early Italian Renaissance | Ambrogio Lorenzetti |
Effects of Bad Government in the City and in the Country | Sala della Pace, Palazzo Pubblico, Siena, Italy | fresco | |||||||
| 000425 | 1401-1402 | Renaissance | Quattrocento Italian Renaissance | Filippo Brunelleschi |
Sacrifice of Isaac | Museo Nazionale del Bargello, Florence | gilded bronze relief | Gardner | 12 | 21-1 | ||||
| 000426 | ca. 1425 | Renaissance | Quattrocento Italian Renaissance | Donatello | Feast of Herod |
Siena Cathedral,Siena, Italy | gilded bronze relief | Gardner | 12 | 21-3 | ||||
| 000427 | ca. 1415-1417 | Renaissance | Quattrocento Italian Renaissance | Donatello | Saint George |
marble | ||||||||
| 000428 | ca. 1408-1414 | Renaissance | Quattrocento Italian Renaissance | Nanni di Banco | Quattro Santo Coronati | Or San Michele, Florence, Italy | marble | Gardner | 12 | 21-6 | ||||
| 000429 | 1411-1413 | Renaissance | Quattrocento Italian Renaissance | Donatello | Saint Mark | Or San Michele, Florence, Italy | marble | Gardner | 12 | 21-7 | ||||
| 000430 | 1423-1425 | Renaissance | Quattrocento Italian Renaissance | Donatello | prophet figure (Zuccone) | Florence Cathedral, Florence, Italy | marble | Gardner | 12 | 21-8 | ||||
| 000431 | 1423 | Renaissance | Quattrocento Italian Renaissance | Gentile da Fabriano | Adoration of the Magi Altarpiece | from Santa Trinita, Florence, Italy | Galleria degli Uffizi, Florence | tempera on wood | Gardner | 12 | 21-9 | |||
| 000432 | ca. 1427 | Renaissance | Quattrocento Italian Renaissance | Masaccio | Tribute Money | Brancacci Chapel, Santa Maria del Carmine, Florence, Italy | fresco | Gardner | 12 | 21-10 | ||||
| 000433 | ca. 1425 | Renaissance | Quattrocento Italian Renaissance | Masaccio | Expulsion of Adam and Eve from Eden | Brancacci Chapel, Santa Maria del Carmine, Florence, Italy | fresco | Gardner | 12 | 21-11 | ||||
| 000434 | ca. 1428 | Renaissance | Quattrocento Italian Renaissance | Masaccio | Holy Trinity | Santa Maria Novella, Florence, Italy | fresco | Gardner | 12 | 21-12 | ||||
| 000435 | 1420-1436 |
Renaissance | Quattrocento Italian Renaissance | Filippo Brunelleschi |
Dome of Florence Cathedral |
Florence, Italy |
Gardner | 12 | 21-13, 21-14 | |||||
| 000436 | begun ca. 1436 | Renaissance | Quattrocento Italian Renaissance | Filippo Brunelleschi | Interior of Santo Spirito | Florence, Italy | Gardner | 12 | 21-15, 21-16 | |||||
| 000437 | begun ca. 1440 | Renaissance | Quattrocento Italian Renaissance | Filippo Brunelleschi | Pazzi, Chapel, Santa Croce | Florence, Italy | Gardner | 12 | 21-17, 21-18, 21-19 | |||||
| 000438 | begun 1444 | Renaissance | Quattrocento Italian Renaissance | Michelozzo di Bartolommeo | Palazzo Medici-Riccardi | Florence, Italy | Gardner | 12 | 21-20, 21-21 | |||||
| 000439 | ca. 1455 | Renaissance | Quattrocento Italian Renaissance | Paolo Uccello |
Battle of San Romano | National Gallery, London | tempera on wood | Gardner | 12 | 21-22 | ||||
| 000440 | ca. 1428-1432 | Renaissance | Quattrocento Italian Renaissance | Donatello | David | Museo Nazionale del Bargello, Florence | bronze | Gardner | 12 | 21-23 | ||||
| 000441 | ca. 1465-1470 | Renaissance | Quattrocento Italian Renaissance | Andrea del Verrocchio | David | Museo Nazionale del Bargello, Florence | bronze | Gardner | 12 | 21-24 | ||||
| 000442 | ca. 1475 | Renaissance | Quattrocento Italian Renaissance | Antonio Pollaiuolo | Hercules and Anteus | Museo Nazionale del Bargello, Florence | bronze | Gardner | 12 | 21-25 | ||||
| 000443 | ca. 1465 | Renaissance | Quattrocento Italian Renaissance | Antonio Pollaiuolo | Battle of the Ten Nudes | Metropolitan Museum of Art, New York | engraving | Gardner | 12 | 21-26 | ||||
| 000444 | ca. 1482 | Renaissance | Quattrocento Italian Renaissance | Sandro Botticelli | The Birth of Venus | Galleria degli Uffizi, Florence | tempera on canvas | Gardner | 12 | 21-27 | ||||
| 000445 | early 1480s | Renaissance | Quattrocento Italian Renaissance | Sandro Botticelli |
Portrait of a Youth | National Gallery of Art, Washington, DC | tempera on panel | Gardner | 12 | 21-28 | ||||
| 000446 | ca. 1445-1450 | Renaissance | Quattrocento Italian Renaissance | Bernardo Rossellino | Tomb of Leonardo Bruni | Santa Croce, Florence, Italy | marble | |||||||
| 000447 | 1448 | Renaissance | Quattrocento Italian Renaissance | Domenico Ghirlandaio | Giovanna Tornabuoni | Thyssen-Bornemisza Collection, Madrid, Spain | oil and tempera on wood | Gardner | 12 | 21-31 | ||||
| 000448 | ca. 1480-90 | Renaissance | Quattrocento Italian Renaissance | Domenico Ghirlandaio | A Man with His Grandchild | oil and tempera on wood | ||||||||
| 000449 | 1485-1490 | Renaissance | Quattrocento Italian Renaissance | Domenico Ghirlandaio | Birth of the Virgin | Santa Maria Novella, Florence, Italy | fresco | Gardner | 12 | 21-32 | ||||
| 000450 | ca. 1445-1450 | Renaissance | Quattrocento Italian Renaissance | Donatello | Gattamelata (Erasmo da Narni) |
Piazza del Santo, Padua, Italy |
bronze | Gardner | 12 | 21-29 | ||||
| 000451 | ca. 1483-1488 | Renaissance | Quattrocento Italian Renaissance | Andrea del Verrocchio | Bartolommeo Colleoni | Campo dei Santi, Venice Italy | bronze | Gardner | 12 | 21-30 | ||||
| 000452 | 1480-1481 | Renaissance | Quattrocento Italian Renaissance | Melozzo da Forli | Pope Sixtus IV, His Nephews and the Librarian Platina | fresco (transferred to canvas) | ||||||||
| 000453 | ca. 1452-1470 | Renaissance | Quattrocento Italian Renaissance | Leon Battista Alberti | Palazzo Rucellai | Florence, Italy | Gardner | 12 | 21-33 | |||||
| 000454 | ca. 1458-1470 | Renaissance | Quattrocento Italian Renaissance | Leon Battista Alberti | West facade of Santa Maria Novella | Florence, Italy | Gardner | 12 | 21-34, 21-35 | |||||
| 000455 | ca. 1440-1445 | Renaissance | Quattrocento Italian Renaissance | Fra Angelico |
Annunciation | San Marco, Florence, Italy | fresco | Gardner | 12 | 21-36 | ||||
| 000456 | 1447 | Renaissance | Quattrocento Italian Renaissance | Andrea del Castagno | Last Supper | Refectory monastery of Sant Apollonia, Florence, Italy | fresco | Gardner | 12 | 21-37 | ||||
| 000457 | ca. 1455 | Renaissance | Quattrocento Italian Renaissance | Fra Filippo Lippi | Madonna and Child with Angels |
Galleria degli Uffizi, Florence | tempera on wood | Gardner | 12 | 21-38 | ||||
| 000458 | ca. 1455-1460 | Renaissance | Quattrocento Italian Renaissance | Luca della Robbia | Madonna and Child | Or San Michele, Florence, Italy | terracotta with polychrome glaze | Gardner | 12 | 21-39 | ||||
| 000459 | 1481-1483 | Renaissance | Quattrocento Italian Renaissance | Perugino | Christ Delivering the Keys of the Kingdom to Saint Peter | Sistine Chapel, Vatican, Rome, Italy | fresco | Gardner | 12 | 21-40 | ||||
| 000460 | designed ca. 1470 | Renaissance | Quattrocento Italian Renaissance | Leon Battista Alberti |
Sant Andrea | Mantua, Italy | Gardner | 12 | 21-41, 21-42, 21-43, 21-44 | |||||
| 000461 | 1474 | Renaissance | Quattrocento Italian Renaissance | Andrea Mantegna | Camera degli Sposi | Palazzo Ducale, Mantua, Italy | fresco | Gardner | 12 | 21-45, 21-46 | ||||
| 000462 | ca.1479-82 | Renaissance | Quattrocento Italian Renaissance | Francesco di Giorgio Martini |
Studiolo | from Palazzo Ducale, Gubbio, Italy | Metropolitan Museum of Art, New York | intarsia | Gardner | 12 | ||||
| 000463 | ca. 1455 | Renaissance | Quattrocento Italian Renaissance | Andrea Mantegna |
Saint James Lead to Martyrdom | Ovetari Chapel, Church of the Eremitani, Padua, Italy | fresco | Gardner | 12 | 21-47 | ||||
| 000464 | ca. 1501 | Renaissance | Quattrocento Italian Renaissance | Andrea Mantegna | Dead Christ | Pinacoteca di Brera, Milan | tempera on canvas | Gardner | 12 | 21-48 | ||||
| 000465 | ca. 1455 | Renaissance | Quattrocento Italian Renaissance | Piero della Francesca |
Finding of the True Cross, Proving of the True Cross |
San Francesco, Arezzo, Italy | fresco | Gardner | 12 | 21-49 | ||||
| 000466 | ca. 1463 | Renaissance | Quattrocento Italian Renaissance | Piero della Francesca |
Resurrection |
Palazzo Comunale, Borgo San Sepolcro, Italy | fresco | |||||||
| 000467 | ca. 1472-1474 | Renaissance | Quattrocento Italian Renaissance | Piero della Francesca |
Enthroned Madonna and Saints Adored by Federico de Montefeltro |
San Brizio Chapel, Orvietto Cathedral, Orvietto, Italy | Pinacoteca di Brera, Milan | oil on panel | Gardner | 12 | 21-50 | |||
| 000468 | 1499-1504 | Renaissance | Quattrocento Italian Renaissance | Luca Signorelli | Damned Cast into Hell |
fresco | Gardner | 12 | 21-51 | |||||
| 000469 | ca. 1510-15 | Renaissance | German Renaissance | Matthias Grunewald |
Isenheim Altarpiece | Musee d Unterlinden, Colmar | oil on panel | Gardner | 12 | 23-2, 23-3 | Arnason | 5 | 1.7 | |
| 000470 | 1498 | Renaissance | German Renaissance | Albrecht Durer | Saint Michael |
woodcut | ||||||||
| 000471 | 1523 | Renaissance | German Renaissance | Albrecht Durer | Last Supper | British Museum, London | woodcut | Gardner | 12 | 23-4 | ||||
| 000472 | 1526 | Renaissance | German Renaissance | Albrecht Durer | Four Apostles | Alte Pinakothek, Munich | oil on panel | Gardner | 12 | 23-5 | ||||
| 000473 | 1526 | Renaissance | German Renaissance | Albrecht Durer | Philipp Melanchthon | engraving | ||||||||
| 000474 | 1504 | Renaissance | German Renaissance | Albrecht Durer | The Fall of Man | Museum of Fine Arts, Boston | engraving | Gardner | 12 | 23-6 | ||||
| 000475 | 1503 | Renaissance | German Renaissance | Albrecht Durer | The Great Piece of Turf |
Graphische Sammlung Albertina, Vienna | watercolor | Gardner | 12 | 23-7 | ||||
| 000476 | 1502 | Renaissance | German Renaissance | Albrecht Durer | The Hare | watercolor and gouache on paper | ||||||||
| 000477 | 1513 | Renaissance | German Renaissance | Albrecht Durer | Knight, Death and the Devil | Metropolitan Museum of Art, New York | engraving | Gardner | 12 | 23-8 | ||||
| 000478 | ca. 1498 | Renaissance | German Renaissance | Albrecht Durer | Four Horsemen of the Apocalypse | Metropolitan Museum of Art, New York | woodcut | Gardner | 12 | Intro-8 | ||||
| 000479 | 1529 | Renaissance | German Renaissance | Albrecht Altdorfer | The Battle of Issus | Alte Pinakothek, Munich | oil on panel | Gardner | 12 | 23-9 | ||||
| 000480 | 1533 | Renaissance | English Renaissance | Hans Holbein the Younger |
The French Ambassadors | National Gallery, London | oil and tempera on panel | Gardner | 12 | 23-10 | ||||
| 000481 | 1525-30 | Renaissance | French Renaissance | Jean Clouet | Francis I | Louvre, France | oil and tempera on panel | Gardner | 12 | 23-11 | ||||
| 000482 | ca. 1530-40 | Renaissance | French Renaissance | Rosso Fiorentino and Francesco Primaticcio | Gallery of King Francis I | Fontainebleau, France | Gardner | 12 | 23-12 | |||||
| 000483 | begun 1519 | Renaissance | French Renaissance | Ch’teau de Chambord | Chambord, France | Gardner | 12 | 23-13 | ||||||
| 000484 | begun 1546 | Renaissance | French Renaissance | Pierre Lescot and Jean Goujon | west facade of the Square Court Louvre | Paris, France | Gardner | 12 | 23-14 | |||||
| 000485 | 1548-1549 | Renaissance | French Renaissance | Jean Goujon |
Nymphs from the dismantled Fountain of the Innocents | Paris, France | Louvre, France | marble reliefs | Gardner | 12 | 23-15 | |||
| 000486 | ca. 1516 | Renaissance | Dutch Renaissance | Jan Gossaert (Mabuse) | Neptune and Amphitrite | Staatliche Museen, Berlin | oil on panel | Gardner | 12 | 23-16 | ||||
| 000487 | 1514 | Renaissance | Dutch Renaissance | Quentin Massys | Money-Changer and His Wife | Louvre, France | oil on panel | Gardner | 12 | 23-17 | ||||
| 000488 | 1551 | Renaissance | Dutch Renaissance | Pieter Aertsen |
Meat Still-Life | Uppsala University Art Collection, Uppsala | oil on panel | Gardner | 12 | 23-18 | ||||
| 000489 | 1548 | Renaissance | Dutch Renaissance | Caterina van Hemessen |
Self-Portrait | Kunstmuseum offentliche Kunstsamlung, Basel | oil on panel | Gardner | 12 | 23-19 | ||||
| 000490 | 1565 | Renaissance | Dutch Renaissance | Pieter Breughel the Elder |
Hunters in the Snow | Kunsthistorisches Museum, Vienna | oil on panel | Gardner | 12 | 23-22 | ||||
| 000491 | 1559 | Renaissance | Dutch Renaissance | Pieter Breughel the Elder |
Netherlandish Proverbs | Staatliche Museen, Berlin | oil on panel | Gardner | 12 | 23-23 | ||||
| 000492 | ca. 1498 | Renaissance | Spanish Renaissance | Colegio de San Gregorio | Valladolid, Spain | Gardner | 12 | 20-26 | ||||||
| 000493 | ca. 1563-1584 | Renaissance | Spanish Renaissance | Juan de Herrera | Escorial | near Madrid, Spain | Institut Amatller D art Hispanic | Gardner | 12 | 23-25 | ||||
| 000494 | 1586 | Renaissance | Spanish Renaissance | El Greco (Domenikos Theotokopoulous) | The Burial of Count Orgaz | Santo Tome, Toledo, Spain | oil on canvas | Gardner | 12 | 23-26 | ||||
| 000495 | 1586 | Renaissance | Spanish Renaissance | El Greco (Domenikos Theotokopoulous) | View of Toledo |
Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 000496 | ca. 1485 | Renaissance | Cinquecento Italian Renaissance | Leonardo da Vinci | Virgin of the Rocks | Louvre, France | oil on wood | Gardner | 12 | 22-1 | ||||
| 000497 | ca. 1505-07 | Renaissance | Cinquecento Italian Renaissance | Leonardo da Vinci | Virgin and Child with St. Anne and the Infant St. John | National Gallery, London | charcoal heightened with white on brown paper | Gardner | 12 | 22-2 | ||||
| 000498 | ca. 1495-98 | Renaissance | Cinquecento Italian Renaissance | Leonardo da Vinci | The Last Supper | Refectory, Santa Maria delle Grazie, Milan, Italy | fresco (oil and tempera on plaster) | Gardner | 12 | 22-3 | ||||
| 000499 | ca. 1503-1505 | Renaissance | Cinquecento Italian Renaissance | Leonardo da Vinci | Mona Lisa (La Giaconda) | Louvre, France | oil on wood | Gardner | 12 | 22-4 | ||||
| 000500 | ca. 1510 | Renaissance | Cinquecento Italian Renaissance | Leonardo da Vinci |
Embryo in the Womb |
Royal Library, Windsor Castle | pen and ink on paper | Gardner | 12 | 22-5 | ||||
| 000501 | 1502 | Renaissance | Cinquecento Italian Renaissance | Donato d Angelo Bramante | Tempietto | San Pietro in Montorio, Rome, Italy | Gardner | 12 | 22-8 | |||||
| 000502 | 1501-1504 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | David | Galleria dell Accademia, Florence | marble | Gardner | 12 | 22-9 | ||||
| 000503 | ca. 1513-1515 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | Moses | San Pietro in Vincoli, Rome, Italy | marble | Gardner | 12 | 22-10 | ||||
| 000504 | 1513-1516 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | Bound Slave | Louvre, France | marble | Gardner | 12 | 22-11 | ||||
| 000505 | 1511-12 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti |
Sistine Chapel Ceiling | Sistine Chapel, Vatican City, Rome, Italy | fresco | Gardner | 12 | 22-13, 22-14, 22-15, 22-16 | ||||
| 000506 | 1537-41 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | Last Judgment | Sistine Chapel, Vatican City, Rome, Italy | fresco | Gardner | 12 | 22-25 | ||||
| 000507 | 1509-11 | Renaissance | Cinquecento Italian Renaissance | Raphael Sanzio | Philosophy (School of Athens) | Stanza della Segnatura, Vatican Palace, Rome, Italy | fresco | Gardner | 12 | 22-17 | Arnason | 5 | 1.5 | |
| 000508 | 1504 | Renaissance | Cinquecento Italian Renaissance | Raphael Sanzio | Marriage of the Virgin | Chapel of Saint Joseph in Citta di Castello, near Florence, Italy | Pinacoteca di Brera, Milan | oil on wood | Gardner | 12 | 22-18 | |||
| 000509 | 1505 | Renaissance | Cinquecento Italian Renaissance | Raphael Sanzio | Madonna of the Meadows | Kunsthistorisches Museum, Vienna | oil on panel | Gardner | 12 | 22-19 | ||||
| 000510 | 1513 | Renaissance | Cinquecento Italian Renaissance | Raphael Sanzio | Galatea | Sala di Galatea, Villa Farnesina Rome, Italy | fresco | Gardner | 12 | 22-20 | ||||
| 000511 | ca. 1514 | Renaissance | Cinquecento Italian Renaissance | Raphael Sanzio | Baldassare Castiglione | Louvre, France | oil on wood transferred to canvas | Gardner | 12 | 22-21 | ||||
| 000512 | 1519-1534 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | Tomb of Giuliano de Medici | Medici Chapel, San Lorenzo, Florence, Italy | marble | Gardner | 12 | 22-22 | ||||
| 000513 | ca. 1530-1546 | Renaissance | Cinquecento Italian Renaissance | Antonio da Sangallo the Younger |
Palazzo Farnese | Rome, Italy | Gardner | 12 | 22-23 | |||||
| 000514 | designed ca. 1537 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | Capitoline Hill | Rome, Italy | Gardner | 12 | 22-26, 22-27 | |||||
| 000515 | 1546 | Renaissance | Cinquecento Italian Renaissance | Michelangelo Buonarroti | plan and elevation for Saint Peter s | Vatican City, Rome, Italy | Metropolitan Museum of Art, New York | Gardner | 12 | 22-28, 22-29, 22-30 | ||||
| 000516 | 1505 | Renaissance | Cinquecento Italian Renaissance | Giovanni Bellini | San Zaccaria Altarpiece | Santa Zaccaria, Venice, Italy | oil on wood transferred to canvas | Gardner | 12 | 22-31 | ||||
| 000517 | ca. 1508 | Renaissance | Cinquecento Italian Renaissance | Giorgionne da Castelfranco | Pastoral Symphony | Louvre, Paris | oil on canvas | Gardner | 12 | 22-33 | ||||
| 000518 | ca. 1510 | Renaissance | Cinquecento Italian Renaissance | Giorgionne da Castelfranco | The Tempest | Galleria dell Accademia, Venice | oil on canvas | Gardner | 12 | 22-34 | ||||
| 000519 | ca. 1516-1518 | Renaissance | Cinquecento Italian Renaissance | Titian | Assumption of the Virgin | Santa Maria Gloriosa del Frari, Venice, Italy | oil on wood | Gardner | 12 | 22-35 | ||||
| 000520 | 1519-1526 | Renaissance | Cinquecento Italian Renaissance | Titian | Madonna of the Pesaro Family |
Santa Maria dei Frari, Venice, Italy |
oil on canvas | Gardner | 12 | 22-36 | ||||
| 000521 | 1522-1523 | Renaissance | Cinquecento Italian Renaissance | Titian | Meeting of Bacchus and Ariadne | National Gallery, London | oil on canvas | Gardner | 12 | 22-37 | ||||
| 000522 | 1538 | Renaissance | Cinquecento Italian Renaissance | Titian | Venus of Urbino |
Galleria degli Uffizi, Florence | oil on canvas | Gardner | 12 | 22-38 | ||||
| 000523 | 1534-36 | Renaissance | Cinquecento Italian Renaissance | Titian | Isabella d Este | Kunsthistorisches Museum, Vienna | oil on canvas | Gardner | 12 | 22-39 | ||||
| 000524 | 1526-1530 | Renaissance | Cinquecento Italian Renaissance | Antonio Allegri da Correggio |
Assumption of the Virgin |
Dome fresco of Parma Cathedral Parma, Italy | fresco | Gardner | 12 | 22-41 | ||||
| 000525 | 1525-1528 | Renaissance | Mannerism | Jacopo da Pontormo |
Descent from the Cross |
Capponi Chapel, Santa Felicita, Florence, Italy |
oil on wood | Gardner | 12 | 22-42 | ||||
| 000526 | ca. 1535 | Renaissance | Mannerism | Parmigianino | Madonna with the Long Neck | Galleria degli Uffizi, Florence | oil on wood | Gardner | 12 | 22-43 | ||||
| 000527 | ca. 1546 | Renaissance | Mannerism | Bronzino | Venus, Cupid, Folly and Time (The Exposure of Luxury) | National Gallery, London | oil on wood | Gardner | 12 | 22-44 | Arnason | 5 | 1.6 | |
| 000528 | ca. 1530s | Renaissance | Mannerism | Bronzino | Portrait of a Young Man | Metropolitan Museum of Art, New York | oil on wood | Gardner | 12 | 22-45 | ||||
| 000529 | ca. 1555 | Renaissance | Mannerism | Sofonisba Anguissola | Portrait of the Artist s Sisters and Brother | Methuen Collection, Corsham Court, Wiltshire | oil on panel | Gardner | 12 | 22-46 | ||||
| 000530 | ca. 1568 | Renaissance | Cinquecento Italian Renaissance | Giacomo da Vignola | Il Ges˜ | Rome, Italy | Gardner | 12 | 22-51 | |||||
| 000531 | 1548 | Renaissance | Mannerism | Tintoretto | Miracle of the Slave |
oil on canvas | ||||||||
| 000532 | 1594 | Renaissance | Mannerism | Tintoretto | Last Supper | Chancel, San Giorgio Maggiore, Venice, Italy | oil on canvas | Gardner | 12 | 22-52 | ||||
| 000533 | 1573 | Renaissance | Cinquecento Italian Renaissance | Paolo Veronese | Christ in the House of Levi | Galleria dell Accademia, Venice | oil on canvas | Gardner | 12 | 22-53 | ||||
| 000534 | ca. 1585 | Renaissance | Cinquecento Italian Renaissance | Paolo Veronese | Triumph of Venice | ceiling of the Hall of the Grand Council, Palazzo Ducale, Venice, Italy | oil on canvas | Gardner | 12 | 22-54 | ||||
| 000535 | ca.1566-1570 | Renaissance | Cinquecento Italian Renaissance | Andrea Palladio | Villa Rotunda | near Vicenza, Italy | Gardner | 12 | 22-56, 22-57 | |||||
| 000536 | 1597-1603 | Baroque | Italian Baroque | Carlo Maderno | Santa Susana | Rome, Italy | Gardner | 12 | 24-1 | |||||
| 000537 | ca. 1575-1584 | Baroque | Italian Baroque | Giacomo della Porta | facade of Il Ges˜ | Rome, Italy | Gardner | 12 | 22-50 | |||||
| 000538 | 1597-1603 | Baroque | Italian Baroque | Carlo Maderno | Santa Susana | Rome, Italy | Gardner | 12 | 24-1 | |||||
| 000539 | 1606-1612 | Baroque | Italian Baroque | Carlo Maderno | facade of Saint Peter s | Vatican City, Rome, Italy | Gardner | 12 | 24-2 | |||||
| 000540 | 1506-1666 | Baroque | Italian Baroque | Carlo Maderno | aerial view of Saint Peter s | Vatican City, Rome, Italy | Gardner | 12 | 24-3, 24-4 | |||||
| 000541 | 1624-33 | Baroque | Italian Baroque | Gianlorenzo Bernini | baldacchino Saint Peter s | Vatican City, Rome, Italy | gilded bronze | Gardner | 12 | 24-5 | ||||
| 000542 | 1663-1666 | Baroque | Italian Baroque | Gianlorenzo Bernini | Scala Regia | Vatican City, Rome, Italy | Gardner | 12 | 24-6 | |||||
| 000543 | 1623 | Baroque | Italian Baroque | Gianlorenzo Bernini | David | Galleria Borghese, Rome | marble | Gardner | 12 | 24-7 | ||||
| 000544 | 1645-1652 | Baroque | Italian Baroque | Gianlorenzo Bernini | interior of the Cornaro Chapel | Santa Maria della Vittoria, Rome, Italy | marble | Gardner | 12 | 24-8 | ||||
| 000545 | 1645-1652 | Baroque | Italian Baroque | Gianlorenzo Bernini | Ecstasy of Saint Theresa | Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy | marble | Gardner | 12 | 24-9 | ||||
| 000546 | 1665-1676 | Baroque | Italian Baroque | Francesco Borromini | San Carlo alle Quattro Fontane | Rome, Italy | Gardner | 12 | 24-10, 24-11 | |||||
| 000547 | begun 1642 | Baroque | Italian Baroque | Francesco Borromini | Chapel of Saint Ivo College of the Sapienza | Rome, Italy | Gardner | 12 | 24-12, 24-13, 24-14 | |||||
| 000548 | 1679-1692 | Baroque | Italian Baroque | Guarino Guarini | Palazzo Carignano | Turin, Italy | Gardner | 12 | 24-15 | |||||
| 000549 | 1667-1694 | Baroque | Italian Baroque | Guarino Guarini | Chapel of Santissima Sindone | Turin, Italy | Gardner | 12 | 24-16 | |||||
| 000550 | ca. 1509, reconstructed ca. 1600 |
Renaissance | Cinquecento Italian Renaissance | Bramante and Raphael |
Dome of Sant Eligio degli Orefici |
Rome, Italy |
Gardner | 12 | 24-17 | |||||
| 000551 | ca. 1601 | Baroque | Italian Baroque | Caravaggio | Conversion of Saint Paul | Cerasi Chapel, Santa Maria del Popolo Rome, Italy | oil on canvas | Gardner | 12 | 24-18 | ||||
| 000552 | ca. 1597-1601 | Baroque | Italian Baroque | Caravaggio | Calling of Saint Matthew | Contarelli Chapel, San Luigi dei Francesci Rome, Italy | oil on canvas | Gardner | 12 | 24-19 | ||||
| 000553 | ca. 1603 | Baroque | Italian Baroque | Caravaggio | Entombment | from the Chapel of Pietro Vittrice, Santa Maria in Vallicella Rome, Italy | Musei Vaticani, Pinacoteca, Rome | oil on canvas | Gardner | 12 | 24-20 | Arnason | 5 | 1.8 |
| 000554 | 1630 | Baroque | Italian Baroque | Artemisia Gentileschi | Self-Portrait (Allegory of Painting) | oil on canvas | ||||||||
| 000555 | 1610 | Baroque | Italian Baroque | Artemisia Gentileschi | Susannah and the Elders | oil on canvas | ||||||||
| 000556 | ca. 1614-1629 | Baroque | Italian Baroque | Artemisia Gentileschi | Judith Slaying Holofernes | Galleria degli Uffizi, Florence | oil on canvas | Gardner | 12 | 24-21 | ||||
| 000557 | ca. 1612-1613 | Baroque | Italian Baroque | Artemisia Gentileschi | Judith and her Maidservant | oil on canvas | ||||||||
| 000558 | 1603-1604 | Baroque | Italian Baroque | Annibale Carracci | Flight into Egypt | Galleria Doria Pamphili, Rome | oil on canvas | Gardner | 12 | 24-22 | ||||
| 000559 | 1597-1601 | Baroque | Italian Baroque | Annibale Carracci | Loves of the Gods | Gallery, Palazzo Farnese Rome, Italy | fresco | Gardner | 12 | 24-23 | ||||
| 000560 | 1613-1614 | Baroque | Italian Baroque | Guido Reni | Aurora | ceiling fresco in the Casino Rospigliosi, Rome, Italy | fresco | Gardner | 12 | 24-24 | ||||
| 000561 | 1633-1639 | Baroque | Italian Baroque | Pietro da Cortona | Triumph of the Barberini | ceiling fresco in the Gran Salone Palazzo Barberini, Rome, Italy | fresco | Gardner | 12 | 24-25 | ||||
| 000562 | 1495-1499 | Late Gothic | German Late Gothic | Tilman Riemenschneider | The Assumption of the Virgin | center panel of the Creglingen Altarpiece Creglingen, Germany | carved lindenwood | Gardner | 12 | 20-23 | ||||
| 000563 | 1676-1679 | Baroque | Italian Baroque | Giovanni Battista Gaulli | Triumph in the Name of Jesus | ceiling fresco with stucco figures in the vault of Il Gesu, Rome, Italy | fresco | Gardner | 12 | 24-26 | ||||
| 000564 | 1691-1694 | Baroque | Italian Baroque | Fra Andrea Pozzo | Glorification of Saint Ignatius | ceiling fresco with stucco figures in the nave of Sant Ignazio, Rome, Italy | fresco | Gardner | 12 | 24-27 | ||||
| 000565 | ca. 1639 | Baroque | Spanish Baroque | Jose de Ribera |
Martyrdom of Saint Bartholomew | Museo del Prado, Madrid | oil on canvas | Gardner | 12 | 24-28 | ||||
| 000566 | 1628 | Baroque | Spanish Baroque | Francisco de Zurbaran | Saint Serapion | Wadsworth Atheneum, Hatford | oil on canvas | Gardner | 12 | 24-29 | ||||
| 000567 | ca. 1619 | Baroque | Spanish Baroque | Diego Velazquez | Water Carrier of Seville | Victoria and Albert Museum, London | oil on canvas | Gardner | 12 | 24-30 | ||||
| 000568 | ca. 1619 | Baroque | Spanish Baroque | Diego Velazquez | Los Borrachos | oil on canvas | ||||||||
| 000569 | 1634-1635 | Baroque | Spanish Baroque | Diego Velazquez | Surrender of Breda | Museo del Prado, Madrid | oil on canvas | Gardner | 12 | 24-31 | ||||
| 000570 | 1644 | Baroque | Spanish Baroque | Diego Velazquez | King Philip IV of Spain (Fraga Philip) | The Frick Collection, New York | oil on canvas | Gardner | 12 | 24-32 | ||||
| 000571 | 1656 | Baroque | Spanish Baroque | Diego Velazquez | Las Meninas | Museo del Prado, Madrid | oil on canvas | Gardner | 12 | 24-33 | ||||
| 000572 | 1610 | Baroque | Flemish Baroque | Peter Paul Rubens | Elevation of the Cross | Antwerp Cathedral, Antwerp, Belgium | Royal Institute for the Study and Conservation of Belgium s Artistic Heritage | oil on panel | Gardner | 12 | ||||
| 000573 | ca. 1600-1608 | Baroque | Flemish Baroque | Peter Paul Rubens | Drawing of Laocoon | Ambrosiana Library, Milan | black and white chalk drawing with bistre wash | Gardner | 12 | |||||
| 000574 | 1622-1625 | Baroque | Flemish Baroque | Peter Paul Rubens | Arrival of Marie de Medici at Marseilles | Louvre, Paris | oil on canvas | Gardner | 12 | 24-36 | ||||
| 000575 | 1638 | Baroque | Flemish Baroque | Peter Paul Rubens |
Allegory of the Outbreak of War |
Pitti Gallery, Florence | oil on canvas | Gardner | 12 | 24-37 | ||||
| 000576 | ca. 1635 | Baroque | Flemish Baroque | Anthony Van Dyck |
Charles I Dismounted |
Louvre, Paris | oil on canvas | Gardner | 12 | 24-38 | ||||
| 000577 | 1611 | Baroque | Flemish Baroque | Clara Peeters | Still Life with Flowers, Goblet, Dried Fruit and Pretzels | Museo del Prado, Madrid | oil on panel | Gardner | 12 | 24-39 | ||||
| 000578 | 1621 | Baroque | Dutch Baroque | Hendrick ter Brugghen | Calling of Saint Matthew | The Hague | oil on canvas | Gardner | 12 | 24-40 | ||||
| 000579 | 1620 | Baroque | Dutch Baroque | Gerrit van Honthorst | Supper Party | oil on canvas | Gardner | 12 | 24-41 | |||||
| 000580 | ca. 1633 | Baroque | Dutch Baroque | Frans Hals | Archers of Saint Hadrian | Frans Halsmuseum, Haarlem | oil on canvas | Gardner | 12 | 24-42 | ||||
| 000581 | 1664 | Baroque | Dutch Baroque | Frans Hals | The Women Regents of the Old Men s Home at Haarlem | Frans Halsmuseum, Haarlem | oil on canvas | Gardner | 12 | 24-43 | ||||
| 000582 | 1632 | Baroque | Dutch Baroque | Rembrandt van Rijn | Anatomy Lesson of Dr. Tulp | Mauritshuis, The Hague | oil on canvas | Gardner | 12 | 24-44 | ||||
| 000583 | 1642 | Baroque | Dutch Baroque | Rembrandt van Rijn | The Company of Captain Frans Banning Cocq (Night Watch) | Rijksmuseum, Amsterdam | oil on canvas | Gardner | 12 | 24-45 | ||||
| 000584 | ca. 1665 | Baroque | Dutch Baroque | Rembrandt van Rijn | Return of the Prodigal Son | Hermitage Museum, Saint Petersburg | oil on canvas | Gardner | 12 | 24-46 | ||||
| 000585 | ca. 1659-1660 | Baroque | Dutch Baroque | Rembrandt van Rijn | Self-Portrait | The Iveagh Bequest, Kenwood House, London | oil on canvas | Gardner | 12 | 24-47 | ||||
| 000586 | ca. 1649 | Baroque | Dutch Baroque | Rembrandt van Rijn | Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print) | Pierpont Morgan Library, New York | etching | Gardner | 12 | 24-48 | ||||
| 000587 | ca. 1630 | Baroque | Dutch Baroque | Judith Leyster | Self-Portrait | National Gallery of Art, Washington, DC | oil on canvas | Gardner | 12 | 24-49 | ||||
| 000588 | late 1640s | Baroque | Dutch Baroque | Albert Cuyp | A Distant View of Dordrecht, with a Milkmaid and Four Cows and Other Figures (The Large Dort) | National Gallery, London | oil on canvas | Gardner | 12 | 24-50 | ||||
| 000589 | ca. 1670 | Baroque | Dutch Baroque | Jacob van Ruisdael | View of Haarlem from the Dunes at Overveen | Mauritshuis, The Hague | oil on canvas | Gardner | 12 | 24-51 | ||||
| 000590 | 1666 | Baroque | Dutch Baroque | Jan Vermeer | The Letter | Rijksmuseum, Amsterdam | oil on canvas | Gardner | 12 | 24-52 | ||||
| 000591 | 1670-1675 | Baroque | Dutch Baroque | Jan Vermeer | Allegory of the Art of Painting | Kunsthistorisches Museum, Vienna | oil on canvas | Gardner | 12 | 24-53 | ||||
| 000592 | 1670-1675 | Baroque | Dutch Baroque | Jan Vermeer | Girl with the Pearl Earring | oil on canvas | ||||||||
| 000593 | 1660-1665 | Baroque | Dutch Baroque | Jan Steen | The Feast of Saint Nicholas | Rijksmuseum, Amsterdam | oil on canvas | Gardner | 12 | 24-54 | ||||
| 000594 | 1630s | Baroque | Dutch Baroque | Pieter Claesz | Vanitas Still Life | Nationalmuseum, Nuremburg | oil on panel | Gardner | 12 | 24-55 | ||||
| 000595 | 1669 | Baroque | Dutch Baroque | Willem Kalf | Still Life with a Late Ming Ginger Jar | Indianapolis Museum of Art, Indianapolic | oil on canvas | Gardner | 12 | 24-56 | ||||
| 000596 | after 1700 | Baroque | Dutch Baroque | Rachel Ruysch | Flower Still Life | Toledo Museum of Art, Toledo | oil on canvas | Gardner | 12 | 24-57 | ||||
| 000597 | 1619-1622 | Baroque | English Baroque | Inigo Jones | Banqueting House at Whitehall | London, England | Gardner | 12 | 24-73 | |||||
| 000598 | 1675-1710 | Baroque | English Baroque | Christopher Wren | new Saint Paul s Cathedral | London, England | Gardner | 12 | 24-74 | |||||
| 000599 | 1705-1722 | Baroque | English Baroque | John Vanbrugh | Blenheim Palace | Oxfordshire, England | Gardner | 12 | 24-75 | |||||
| 000600 | 1743-1772 |
Baroque | German Baroque | Balthasar Neumann | interior of the pilgrimage chapel of Vierzehnheiligen | near Staffelstein, Germany | Gardner | 12 | 24-76, 24-77 | |||||
| 000601 | 1723 | Baroque | German Baroque | Egid Asam | Assumption of the Virgin | monastery church at Rohr, Germany | Gardner | 12 | 24-78 | |||||
| 000602 | 1645-1650 | Baroque | French Baroque | Georges de La Tour | Adoration of the Shepherds | Louvre, Paris | oil on canvas | Gardner | 12 | 24-64 | ||||
| 000603 | ca. 1640 | Baroque | French Baroque | Louis Le Nain | Family of Country People | Louvre, Paris | oil on canvas | Gardner | 12 | 24-62 | ||||
| 000604 | 1621 | Baroque | French Baroque | Jacques Callot | Hanging Tree | Bibliotheque Nationale, Paris | etching | Gardner | 12 | 24-63 | ||||
| 000605 | ca. 1655 | Baroque | French Baroque | Nicholas Poussin | Et in Arcadia Ego | Louvre, Paris | oil on canvas | Gardner | 12 | 24-58 | ||||
| 000606 | 1648 | Baroque | French Baroque | Nicholas Poussin | Burial of Phocion | Louvre, Paris | oil on canvas | Gardner | 12 | 24-59 | ||||
| 000607 | 1629 | Baroque | French Baroque | Claude Lorrain | Landscape with Cattle and Peasants | Philadelphia Museum of Art, Philadelphia | oil on canvas | Gardner | 12 | 24-60 | ||||
| 000608 | 1701 | Baroque | French Baroque | Hyacinthe Rigaud | Louis XIV | Louvre, Paris | oil on canvas | Gardner | 12 | 24-65 | ||||
| 000609 | 1667-1670 | Baroque | French Baroque | Claude Perrault, Louis Le Vau and Charles Le Brun | east facade of the Louvre | Paris, France | Gardner | 12 | 24-66 | |||||
| 000610 | 1669 | Baroque | French Baroque | Palace at Versailles | Versailles, France | Gardner | 12 | 24-67, 24-68 | ||||||
| 000611 | 1667-1670 | Baroque | French Baroque | Jules Hardouin-Mansart & Charles Le Brun | Galerie des Glaces (Hall of Mirrors) Palace of Versailles | Versailles, France | Gardner | 12 | 24-69 | |||||
| 000612 | 1698-1710 | Baroque | French Baroque | Jules Hardouin-Mansart | Royal Chapel Palace of Versailles | Versailles, France | Gardner | 12 | 24-71 | |||||
| 000613 | ca. 1666-1672 | Baroque | French Baroque | Francois Girardon & Thomas Regnaudin | Apollo Attended by the Nymphs | Grotto of Thetis, Park of Versailles, Versailles, France | marble | Gardner | 12 | 24-70 | ||||
| 000614 | 1671-1682 | Baroque | French Baroque | Pierre Puget | Milo of Crotona | marble | ||||||||
| 000615 | 1676-1706 | Baroque | French Baroque | Jules Hardouin-Mansart | eglise de DÙme Church of the Invalides | Paris, France | Gardner | 12 | 24-72 | |||||
| 000616 | 1761-1762 | Baroque | Italian Baroque | Giambattista Tiepolo | The Apotheosis of the Pisani Family ceiling fresco | Villa Pisani, Stra, Italy | fresco | Gardner | 12 | 24-79 | ||||
| 000617 | 1737-1740 | 18th Century Architecture | Rococo | Germain Boffrand | Salon de la Princesse | HÙtel de Soubise, Paris, France | Gardner | 12 | 28-1 | |||||
| 000618 | early 18th C. | 18th Century Architecture | Rococo | Francois de Cuvillies | the Amalienburg | Nymphenburg Palace Park, Munich, Germany | Gardner | 12 | 28-2 | |||||
| 000619 | ca. 1716 | 18th Century | Rococo | Antoine Watteau | L Indifferent | Louvre, Paris | oil on canvas | Gardner | 12 | 28-3 | ||||
| 000620 | ca. 1715 | 18th Century | Rococo | Antoine Watteau | View through the Trees in the Park of Pierre Crozat (La Perspective) | oil on canvas | ||||||||
| 000621 | 1717-1719 | 18th Century | Rococo | Antoine Watteau | Return from Cythera | Louvre, Paris | oil on canvas | Gardner | 12 | 28-4 | ||||
| 000622 | 1754 | 18th Century | Rococo | Francois Boucher | Cupid a Captive | The Wallace Collection, London | oil on canvas | Gardner | 12 | 28-5 | ||||
| 000623 | 1766 | 18th Century | Rococo | Jean-Honore Fragonard | The Swing | The Wallace Collection, London | oil on canvas | Gardner | 12 | 28-6 | ||||
| 000624 | ca. 1775 | 18th Century | Rococo | Clodion | Nymph and Satyr | Metropolitan Museum of Art, New York | terracotta | Gardner | 12 | 28-7 | ||||
| 000625 | 1635-1638 |
Baroque | French Baroque | Francis Mansart |
Orleans wing of the Ch’teau de Blois |
Blois, France |
Gardner | 12 | 24-61 | |||||
| 000626 | 1774 | 18th Century | Enlightenment | William Hunter | Child in Womb from Anatomy of the Human Gravid Uterus | British Library | Gardner | 12 | 28-8 | |||||
| 000627 | ca. 1763-1765 | 18th Century | Enlightenment | Joseph Wright of Derby | A Philosopher Giving a Lecture at the Orrery | Derby Museums and Art Gallery, Derbyshire | oil on canvas | Gardner | 12 | 28-9 | ||||
| 000628 | 1768 | 18th Century | Enlightenment | Joseph Wright of Derby | Experiment on a Bird in the Air Pump | oil on canvas | ||||||||
| 000629 | 1776-1779 | 18th Century Architecture | Enlightenment | Abraham Darby III and Thomas E. Pritchard | Iron Bridge at Coalbrookdale | Coalbrookdale, England | Gardner | 12 | 28-10 | |||||
| 000630 | 1761 | 18th Century | Enlightenment | Jean-Baptiste Greuze | The Village Bride | Louvre, Paris | oil on canvas | Gardner | 12 | 28-11 | ||||
| 000631 | 1740 | 18th Century | Enlightenment | Jean-Baptiste-Simeon Chardin | Grace at Table | Louvre, Paris | oil on canvas | Gardner | 12 | 28-12 | ||||
| 000632 | ca. 1739 | 18th Century | Enlightenment | Jean-Baptiste-Simeon Chardin | The Soap Bubble | oil on canvas | ||||||||
| 000633 | 1790 | 18th Century | Enlightenment | elisabeth Louise Vigee-Lebrun | Self-Portrait | Galleria degli Uffizi, Florence | oil on canvas | Gardner | 12 | 28-13 | ||||
| 000634 | 1785 | 18th Century | Enlightenment | Adelaide Labille-Guiard | Self-Portrait with Two Pupils | Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 000635 | ca. 1745 | 18th Century | Enlightenment | William Hogarth | Breakfast Scene from Marriage a la Mode | National Gallery, London | oil on canvas | Gardner | 12 | 28-14 | ||||
| 000636 | ca. 1430-1435 | Late Gothic | German Late Gothic | Stephan Lochner | Madonna in the Rose Garden | tempera on wood | Gardner | 12 | 20-20 | |||||
| 000637 | 1765 | 18th Century | Enlightenment | Sir Joshua Reynolds | Lady Sarah Bunbury Sacrificing to the Graces | oil on canvas | ||||||||
| 000638 | 1787 | 18th Century | Enlightenment | Sir Joshua Reynolds | Lord Heathfield | National Gallery, London | oil on canvas | Gardner | 12 | 28-16 | ||||
| 000639 | ca. 1779-81 | 18th Century | Enlightenment | Charles Wilson Peale | George Washington | oil on canvas | ||||||||
| 000640 | 1771 | 18th Century | Enlightenment | Benjamin West | The Death of General Wolfe | National Gallery of Canada, Ottawa | oil on canvas | Gardner | 12 | 28-17 | ||||
| 000641 | ca. 1768-1770 | 18th Century | Enlightenment | John Singleton Copley | Portrait of Paul Revere | Museum of Fine Arts, Boston | oil on canvas | Gardner | 12 | 28-18 | ||||
| 000642 | ca. 1740 | 18th Century | Enlightenment | Antonio Canaletto | Basin of San Marco from San Giorgio Maggiore | The Wallace Collection, London | oil on canvas | Gardner | 12 | 28-19 | ||||
| 000643 | ca. 1785 | 18th Century | Neoclassicism | Angelica Kauffmann | Mother of the Gracchi | Virginia Museum of Fine Arts, Richmond | oil on canvas | Gardner | 12 | 28-20 | ||||
| 000644 | 1781 | 18th Century | Neoclassicism | Jean-Antoine Houdon | Voltaire | marble | ||||||||
| 000645 | 1778 | 18th Century | Neoclassicism | Jean-Antoine Houdon | Voltaire | Metropolitan Museum of Art, New York | marble | |||||||
| 000646 | 1788-92 | 18th Century | Neoclassicism | Jean-Antoine Houdon | George Washington | marble | Gardner | 12 | ||||||
| 000647 | 1784 | 18th Century | Neoclassicism | Jacques-Louis David | Oath of the Horatii | Louvre, Paris | oil on canvas | Gardner | 12 | 28-21 | Arnason | 5 | 1.2 | |
| 000648 | 1787 | 18th Century | Neoclassicism | Jacques-Louis David | Death of Socrates | Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 000649 | 1793 | 18th Century | Neoclassicism | Jacques-Louis David | The Death of Marat | Musees Royaux des Beaux-Arts de Belgique, Brussels | oil on canvas | Gardner | 12 | 28-22 | Arnason | 5 | 1.11 | |
| 000650 | 1805-1808 | 19th Century | Neoclassicism | Jacques-Louis David |
The Coronation of Napoleon | Louvre, Paris | oil on canvas | Gardner | 12 | 28-23 | ||||
| 000651 | 1788 | 18th Century | Neoclassicism | Jacques-Louis David | Monsieur Lavoisier and His Wife | Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 000652 | 1784 | 18th Century Architecture | Neoclassicism | etienne-Louis Boulee | Cenotaph for Isaac Newton | ink and wash drawings | ||||||||
| 000653 | 1755-1792 | 18th Century Architecture | Neoclassicism | Jacques-Germain Soufflot | The Pantheon (Sainte-Genevieve) | Paris, France | Gardner | 12 | ||||||
| 000654 | 1807-1842 | 19th Century Architecture | Neoclassicism | Pierre Vignon | La Madeleine | Paris, France | Gardner | 12 | ||||||
| 000655 | 1808 | 19th Century | Neoclassicism | Antonio Canova | Paulene Borghese as Venus | Galleria Borghese, Rome | marble | Gardner | 12 | 28-26 | ||||
| 000656 | ca. 1800 | 18th Century | Neoclassicism | Antonio Canova | Perseus with the Head of Medusa | Metropolitan Museum of Art, New York | marble | |||||||
| 000657 | 1787-93 | 18th Century | Neoclassicism | Antonio Canova | Cupid and Psyche | marble | ||||||||
| 000658 | 1788-91 | 18th Century Architecture | Neoclassicism | Karl Gotthard Langhans | Brandenburg Gate | Berlin, Germany | ||||||||
| 000659 | begun 1725 | 18th Century Architecture | Neoclassicism | Richard Boyle and William Kent | Chiswick House | near London, England | Gardner | 12 | 28-27 | |||||
| 000660 | 1769-1775 | 18th Century Architecture | Neoclassicism | John Wood the Younger | The Royal Crescent | Bath, England | Gardner | 12 | 28-28 | |||||
| 000661 | 1758 | 18th Century Architecture | Neoclassicism | James Stuart | Doric Portico | Hagley Park, Worcestershire, England | Gardner | 12 | 28-29 | |||||
| 000662 | 1769-1775 | 18th Century | Neoclassicism | Wedgwood and Co. | Vase with Bridal Preparation Scene | black basalt stoneware | ||||||||
| 000663 | begun 1761 | 18th Century Architecture | Neoclassicism | Robert Adam | Etruscan Room Osterley Park House | Middlesex, England | Gardner | 12 | 28-30 | |||||
| 000664 | 1770-1806 | 18th Century Architecture | Neoclassicism | Thomas Jefferson | Monticello | Charlottesville, Virginia | Gardner | 12 | 28-31 | |||||
| 000665 | 1832-1841 | 19th Century | Neoclassicism | Horatio Greenough | George Washington | marble | ||||||||
| 000666 | 1803-1807 | 19th Century | Neoclassicism | Benjamin Latrobe | Capitol Building | Washington, DC | Gardner | 12 | 28-32 | |||||
| 000667 | 1809 | 19th Century | Neoclassicism | Benjamin Latrobe | Tobacco Capital | Washington, DC | marble | |||||||
| 000668 | 1867 | 19th Century | Neoclassicism | Edmonia Lewis | Forever Free | marble | Gardner | 12 | 28-33 | |||||
| 000669 | 1843 | 19th Century | Neoclassicism | Hiram Powers | The Greek Slave | Brooklyn Museum of Art | marble | |||||||
| 000670 | 1827 | 19th Century | Neoclassicism | Jean-Auguste-Dominique Ingres | Apotheosis of Homer | Louvre, Paris | oil on canvas | Gardner | 12 | 28-36 | ||||
| 000671 | 1819 | 19th Century | Neoclassicism | Jean-Auguste-Dominique Ingres | Paganini | pencil drawing | ||||||||
| 000672 | 1814 | 19th Century | Neoclassicism | Jean-Auguste-Dominique Ingres | Grande Odalisque | Louvre, Paris | oil on canvas | Gardner | 12 | 28-37 | ||||
| 000673 | 1787 | 18th Century | Romanticism | Thomas Gainsborough | Mrs. Richard Brinsley Sheridan | National Gallery of Art, Washington, DC | oil on canvas | Gardner | 12 | 28-15 | ||||
| 000674 | 1804 | 19th Century | Romanticism | Antoine-Jean Gros | Napoleon at the Pesthouse at Jaffa | Louvre, Paris | oil on canvas | Gardner | 12 | 28-34 | ||||
| 000675 | 1800 | 18th Century | Romanticism | Jacques-Louis David |
Napoleon at St. Bernard s Pass |
oil on canvas | ||||||||
| 000676 | 1808 | 19th Century | Romanticism | Anne-Louis Trioson | The Burial of Atala | Louvre, Paris | oil on canvas | Gardner | 12 | 28-35 | ||||
| 000677 | ca. 1750 | 18th Century | Romanticism | Giovanni Battista Piranesi | Carceri 14 | Ashmolean Museum, Oxford | etching | Gardner | 12 | 28-38 | ||||
| 000678 | 1781 | 18th Century | Romanticism | Henry Fuseli | The Nightmare | The Detroit Institute of the Arts, Detroit | oil on canvas | Gardner | 12 | 28-39 | ||||
| 000679 | 1794 | 18th Century | Romanticism | William Blake | Ancient of Days frontispiece of Europe: A Prophecy | The Whitworth Art Gallery, University of Manchester | metal relief etching, hand colored | Gardner | 12 | 28-40 | ||||
| 000680 | 1789 | 18th Century | Romanticism | William Blake | Infant Joy from Songs of Innocence | metal relief etching, hand colored | ||||||||
| 000681 | ca. 1798 | 18th Century | Romanticism | Francisco Goya y Lucientes | The Sleep of Reason Produces Monsters from Los Caprichos | Metropolitan Museum of Art, New York | etching and aquatint | Gardner | 12 | 28-41 | ||||
| 000682 | 1800 | 18th Century | Romanticism | Francisco Goya y Lucientes | Family of Charles IV | Museo del Prado, Madrid | oil on canvas | Gardner | 12 | 28-42 | ||||
| 000683 | 1814 | 19th Century | Romanticism | Francisco Goya y Lucientes | The Third of May, 1808 | Museo del Prado, Madrid | oil on canvas | Gardner | 12 | 28-43 | ||||
| 000684 | 1819-1823 | 19th Century | Romanticism | Francisco Goya y Lucientes | Saturn Devouring His Children | Museo del Prado, Madrid | fresco on canvas | Gardner | 12 | 28-44 | ||||
| 000685 | 1818-1819 | 19th Century | Romanticism | Theodore Gericault | Raft of the Medusa | Louvre, Paris | oil on canvas | Gardner | 12 | 28-45 | ||||
| 000686 | 1822-1823 | 19th Century | Romanticism | Theodore Gericault | Insane Woman (Envy) | Musee des Beaux-Arts, Lyon | oil on canvas | Gardner | 12 | 28-46 | ||||
| 000687 | 1831 | 19th Century | Romanticism | Eugene Delacroix | Paganini | oil on cardboard on wood panel | ||||||||
| 000688 | 1826 | 19th Century | Romanticism | Eugene Delacroix | Death of Sardanapalus | Louvre, Paris | oil on canvas | Gardner | 12 | 28-47 | ||||
| 000689 | 1830 | 19th Century | Romanticism | Eugene Delacroix | Liberty Leading the People | Louvre, Paris | oil on canvas | Gardner | 12 | 28-48 | ||||
| 000690 | 1854 | 19th Century | Romanticism | Eugene Delacroix | Tiger Hunt | Louvre, Paris | oil on canvas | Gardner | 12 | 28-49 | ||||
| 000691 | 1833-1836 | 19th Century | Romanticism | Francois Rude | La Marseillaise | Arc de Triomphe, Paris, France | Gardner | 12 | 28-50 | |||||
| 000692 | 1850-51 | 19th Century | Romanticism | Antoine-Louis Barye | Jaguar Devouring a Hare | Louvre, Paris | bronze | Gardner | 12 | 28-51 | ||||
| 000693 | 1818 | 19th Century | Romanticism | Caspar David Friedrich | Wanderer Above the Sea of Fog | oil on canvas | ||||||||
| 000694 | 1823-1825 | 19th Century | Romanticism | Caspar David Friedrich | The Polar Sea (Sea of Ice) | oil on canvas | ||||||||
| 000695 | 1810 | 19th Century | Romanticism | Caspar David Friedrich | Abbey in the Oak Forest | Staatliche Museen au Berlin-Preussicher Kulturbesitz, Nationalgalerie | oil on canvas | Gardner | 12 | 28-52 | ||||
| 000696 | 1809-10 | 19th Century | Romanticism | Caspar David Friedrich | Monk by the Sea | oil on canvas | ||||||||
| 000697 | 1836 | 19th Century | Romanticism | Thomas Cole | The Oxbow | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 28-55 | Arnason | 5 | 2.42 | |
| 000698 | 1868 | 19th Century | Romanticism | Albert Bierstadt | Among the Sierra Nevada Mountains, California | National Museum of American Art, Smithsonian Institution, Washington, DC | oil on canvas | Gardner | 12 | 28-56 | ||||
| 000699 | 1860s | 19th Century | Romanticism | Frederic Edwin Church | Twilight in the Wilderness | Cleveland Museum of Art, Cleveland | oil on canvas | Gardner | 12 | 28-57 | Arnason | 5 | 2.43 | |
| 000700 | 1821 | 19th Century | Romanticism | John Constable |
The Hay Wain |
National Gallery, London | oil on canvas | Gardner | 12 | 28-53 | Arnason | 5 | 1.17 | |
| 000701 | 1840 | 19th Century | Romanticism | Joseph Mallord William Turner | The Slave Ship | Museum of Fine Arts, Boston | oil on canvas | Gardner | 12 | 28-54 | ||||
| 000702 | 1844 | 19th Century | Romanticism | Joseph Mallord William Turner | Rain, Steam and Speed | oil on canvas | ||||||||
| 000703 | 1852 | 19th Century | Pre-Raphaelite | John Everett Millais | Ophelia | Tate Gallery, London | oil on canvas | Gardner | 12 | 29-17 | ||||
| 000704 | ca. 1877 | 19th Century | Pre-Raphaelite | Dante Gabriel Rossetti | Proserpine | oil on canvas | ||||||||
| 000705 | ca. 1863 | 19th Century | Pre-Raphaelite | Dante Gabriel Rossetti | Beata Beatrix | Tate Gallery, London | oil on canvas | Gardner | 12 | 29-18 | ||||
| 000706 | 1886-87 | 19th Century | Pre-Raphaelite | Sir Edward Coley Burne-Jones | The Baleful Head | Statsgalerie, Stutgart | oil on canvas | |||||||
| 000707 | 1886-87 | 19th Century | Pre-Raphaelite | Sir Edward Coley Burne-Jones | The Merciful Knight | oil on canvas | ||||||||
| 000708 | 1886 | 19th Century | Pre-Raphaelite | John William Waterhouse | The Magic Circle | oil on canvas |
||||||||
| 000709 | designed 1835 | 19th Century Architecture | Gothic Revival | Charles Barry & A.W.N. Pugin | Houses of Parliament | London, England | Gardner | 12 | 28-58 | |||||
| 000710 | 1815-1818 | 19th Century Architecture | Romanticism | John Nash | Royal Pavilion | Brighton, England | Gardner | 12 | 28-59 | Arnason | 5 | 4.1 | ||
| 000711 | 1861-1874 | 19th Century Architecture | Baroque Revival | J.L. Charles Garnier | The Opera | Paris, France | Gardner | 12 | 28-60 | Arnason | 5 | 4.5 | ||
| 000712 | 1843-1850 | 19th Century Architecture | Romanticism | Henri Labrouste |
Reading room of the Bibliotheque Saint-Genevieve | Paris, France | Gardner | 12 | 28-61 | Arnason | 5 | 4.4 | ||
| 000713 | 1850-1851 | 19th Century Architecture | Romanticism | Joseph Paxton | Crystal Palace | London, England | Gardner | 12 | 28-62 | Arnason | 5 | 4.3 | ||
| 000714 | ca. 1854 | 19th Century | Early Photography | Eugene Durieu & Eugene Delacroix | Draped Model (back view) | J. Paul Getty Museum, Los Angeles | albumen print | Gardner | 12 | 28-63 | ||||
| 000715 | 1837 | 19th Century | Early Photography | Louis-Jacques-Mande Daguerre | Still Life in Studio | Collection Societe Francaise de Photographie, Paris | Daguerreotype | Gardner | 12 | 28-64 | Arnason | 5 | 2.1 | |
| 000716 | ca. 1847 | 19th Century | Early Photography | Josiah Johnson Hawes and Albert Sands Southworth | Early Operation under Ether, Massachusetts General Hospital | Massachusetts General Hospital Archives and Special Collections, Boston | Daguerreotype | Gardner | 12 | 28-65 | ||||
| 000717 | 1855 | 19th Century | Early Photography | Nadar (Gaspard-Felix Tournachon) | Eugene Delacroix | Bibliotheque Nationale, Paris | gelatin-silver print | Gardner | 12 | 28-66 | ||||
| 000718 | 1865 | 19th Century | Early Photography | Nadar (Gaspard-Felix Tournachon) | Sarah Barnhardt | Bibliotheque Nationale, Paris | gelatin-silver print | Arnason | 5 | 2.7 | ||||
| 000719 | 1867 | 19th Century | Early Photography | Julia Margaret Cameron | Ophelia, Study no. 2 | George Eastman House, Rochester, New York | albumen print | Gardner | 12 | 28-67 | ||||
| 000720 | 1876 | 19th Century | Early Photography | Lewis Carroll | Xie Kitchin reclining with parasol | albumen print | ||||||||
| 000721 | 1863 | 19th Century | Early Photography | Timothy O Sullivan | A Harvest of Death, Gettysburg, Pennsylvania, July 1863 | The New York Public Library, New York | gelatin-silver print | Gardner | 12 | 28-68 | ||||
| 000722 | 1899 | 19th Century | Pictorialism | Gertrude Kasebier | Blessed Art Thou among Women | Museum of Modern Art, New York | platinum print on Japanese tissue | Gardner | 12 | 29-19 | Arnason | 5 | 2.47 | |
| 000723 | 1849 | 19th Century | Realism | Gustave Courbet | The Stone Breakers | Gemaldegalerie, Dresden (destroyed) | oil on canvas | Gardner | 12 | 29-1 | ||||
| 000724 | 1849 | 19th Century | Realism | Gustave Courbet | Burial at Ornans | Musee d Orsay, Paris | oil on canvas | Gardner | 12 | 29-2 | Arnason | 5 | 2.16 | |
| 000725 | 1857 | 19th Century | Realism | Jean-Francois Millet |
The Gleaners |
Musee d Orsay, Paris | oil on canvas | Gardner | 12 | 29-3 | Arnason | 5 | 1.19 | |
| 000726 | 1834 | 19th Century | Realism | Honore Daumier | Rue Transnonian | Philadelphia Museum of Art, Philadelphia | lithograph | Gardner | 12 | 29-4 | Arnason | 5 | 2.15 | |
| 000727 | 1862 | 19th Century | Realism | Honore Daumier | Nadar Raising Photography to the Height of Art | Museum of Fine Arts, Boston | lithograph | Gardner | 12 | 29-5 | ||||
| 000728 | ca. 1862 | 19th Century | Realism | Honore Daumier | The Third-Class Carriage | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 29-6 | Arnason | 5 | 2.14 | |
| 000729 | 1863 | 19th Century | Realism | Edouard Manet | Le Dejuner sur l Herbe | Reunion des Musees Nationaux | oil on canvas | Gardner | 12 | 29-7 | Arnason | 5 | 2.19 | |
| 000730 | 1866 | 19th Century | Realism | Edouard Manet | The Fifer | oil on canvas | ||||||||
| 000731 | 1863 | 19th Century | Realism | Edouard Manet | Olympia | Reunion des Musees Nationaux | oil on canvas | Gardner | 12 | 29-8 | Arnason | 5 | 2.20 | |
| 000732 | 1865 | 19th Century | Realism | Winslow Homer | The Veteran in a New Field | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 29-11 | ||||
| 000733 | 1875 | 19th Century | Realism | Thomas Eakins | The Gross Clinic | Jefferson Medical College of Thomas Jefferson University, Philadelphia | oil on canvas | Gardner | 12 | 29-12 | Arnason | 5 | 2.51 | |
| 000734 | 1878 | 19th Century | Early Photography | Eadweard Muybridge | Horse Galloping | George Eastman House, Rochester, New York | collotype print | Gardner | 12 | 29-13 | ||||
| 000735 | 1884-85 | 19th Century | Early Photography | Eadweard Muybridge | Walking and Throwing a Handkerchief | gelatin-silver print | ||||||||
| 000736 | 1984 | 20th Century | Postmodernism | Kenny Scharf | When Worlds Collide | Whitney Museum of American Art, New York | oil and enamel spraypaint on canvas | |||||||
| 000737 | 1883 | 19th Century | Early Photography | Etienne Jules Marey | Chronophotograph | gelatin-silver print | ||||||||
| 000738 | 1882 | 19th Century | Realism | John Singer Sargent | The Daughters of Edward Darley Boit | Museum of Fine Arts, Boston | oil on canvas | Gardner | 12 | 29-14 | ||||
| 000739 | 1894 | 19th Century | Realism | Henry Ossawa Tanner | The Thankful Poor | Collection of William H. and Camille Cosby | oil on canvas | Gardner | 12 | 29-15 | ||||
| 000740 | 1878-1881 |
19th Century | Realism | Wilhelm Leibl |
Three Woman in a Village Church |
Kunsthalle, Hamburg | oil on canvas | Gardner | 12 | 29-16 | ||||
| 000741 | 1873 | 19th Century | Academic | Adolphe-William Bouguereau | Nymphs and Satyr | Clark Art Institute, Williamstown, Massachusetts | oil on canvas | Gardner | 12 | 29-9 | ||||
| 000742 | 1872 | 19th Century | Academic | Jean-Leon GerÙme | Police Verso | oil on canvas | ||||||||
| 000743 | 1853-1855 | 19th Century | Realism | Rosa Bonheur | The Horse Fair | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 29-10 | Arnason | 5 | 1.20 | |
| 000744 | 1872 | 19th Century | Impressionism | Claude Monet | Impression: Sunrise | Musee Marmottan, Paris | oil on canvas | Gardner | 12 | 29-20 | Arnason | 5 | 2.37 | |
| 000745 | 1874 | 19th Century | Impressionism | Camille Pissarro |
Cowherd on the Route du Chou, Pontoise |
oil on canvas | ||||||||
| 000746 | 1885 | 19th Century | Impressionism | Camille Pissarro | Snow Effect at Eragny, Road to Gisors | oil on canvas | ||||||||
| 000747 | 1887 | 19th Century | Impressionism | Paul Gauguin | Martinique Landscape | oil on canvas | ||||||||
| 000748 | ca. 1860-1865 | 19th Century | Early Photography | Hippolyte Jouvin | The Point Neuf, Paris | George Eastman House, Rochester, New York | albumen stereograph | Gardner | 12 | 29-24 | ||||
| 000749 | 1986 | 20th Century | Postmodernism | Jeff Koons | Rabbit | Broad Art Foundation, Santa Monica | stainless steel | |||||||
| 000750 | 1877 | 19th Century | Impressionism | Claude Monet |
Saint-Lazare Train Station | Musee d Orsay, Paris | oil on canvas | Gardner | 12 | 29-21 | ||||
| 000751 | 1877 | 19th Century | Impressionism | Gustave Caillebotte | Paris: A Rainy Day | The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 29-22 | ||||
| 000752 | 1898 | 19th Century | Impressionism | Camille Pissarro | La Place du The’tre Francais | Los Angeles County Museum of Art, Los Angeles | oil on canvas | Gardner | 12 | 29-23 | ||||
| 000753 | 1876 | 19th Century | Impressionism | Pierre-Auguste Renoir | Le Moulin de la Galette | Reunion des Musees Nationaux | oil on canvas | Gardner | 12 | 29-25 | Arnason | 5 | 2.31 | |
| 000754 | 1882 | 19th Century | Impressionism | Edouard Manet | A Bar at the Folies-Bergere | Courtauld Institute of Art Gallery, London | oil on canvas | Gardner | 12 | 29-26 | ||||
| 000755 | 1874 | 19th Century | Impressionism | Edgar Degas |
Ballet Rehearsal |
Glasgow Art Museum and Galleries, Glasgow | oil on canvas | Gardner | 12 | 29-27 | ||||
| 000756 | 1879-81 | 19th Century | Impressionism | Edgar Degas | Little Fourteen-Year-Old Dancer | Collection Mr. and Mrs. Paul Mellon, Upperville, Virginia | bronze, paint, tulle, satin, wood | Arnason | 5 | 6.2 | ||||
| 000757 | 1876 | 19th Century | Impressionism | Edgar Degas | L absinthe | oil on canvas | ||||||||
| 000758 | 1874 | 19th Century | Impressionism | Berthe Morisot | Villa at the Seaside | Norton Simon Art Foundation, Los Angeles | oil on canvas | Gardner | 12 | 29-28 | ||||
| 000759 | 1894 | 19th Century | Impressionism | Claude Monet | Rouen Cathedral: The Portal (in Sun) | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 29-29 | ||||
| 000760 | 1892-95 | 19th Century | Impressionism | Claude Monet |
Rouen Cathedral: The Portal | oil on canvas | ||||||||
| 000761 | 1886 | 19th Century | Impressionism | Edgar Degas | The Tub | Musee d Orsay, Paris | pastel | Gardner | 12 | 29-30 | Arnason | 5 | 2.35 | |
| 000762 | 1878 | 19th Century | Impressionism | Mary Cassatt | Little Girl in a Blue Armchair | National Gallery of Art, Washington, DC | oil on canvas | Arnason | 5 | 2.37 | ||||
| 000763 | ca. 1892 | 19th Century | Impressionism | Mary Cassatt | The Bath | The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 29-31 | ||||
| 000764 | ca. 1875 | 19th Century | Impressionism | James Abbott McNeil Whistler | Nocturne in Black and Gold (The Falling Rocket) | Detroit Institute of Arts, Detroit | oil on canvas | Gardner | 12 | 29-33 | Arnason | 5 | 2.24 | |
| 000765 | 1892-1895 | 19th Century | Post-Impressionsim | Henri de Toulouse-Lautrec |
At the Moulin Rouge |
The Art Institute of Chicago, Chicago | oil in canvas | Gardner | 12 | 29-32 | ||||
| 000766 | 1888 | 19th Century | Post-Impressionsim | Vincent van Gogh | The Night Cafe | Yale University Art Gallery, New Haven | oil on canvas | Gardner | 12 | 29-34 | Arnason | 5 | 3.20 | |
| 000767 | 1889 | 19th Century | Post-Impressionsim | Vincent van Gogh | Starry Night | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 29-35 | Arnason | 5 | 3.22 | |
| 000768 | 1888 | 19th Century | Post-Impressionsim | Paul Gauguin | The Vision after the Sermon | National Gallery of Scotland, Edinburgh | oil on canvas | Gardner | 12 | 29-36 | Arnason | 5 | 3.17 | |
| 000769 | 1897 | 19th Century | Post-Impressionsim | Paul Gauguin | Where Do We Come From? What Are We? Where Are We Going? | Museum of Fine Arts, Boston | oil on canvas | Gardner | 12 | 29-37 | Arnason | 5 | 3.19 | |
| 000770 | ca. 1895 | 19th Century | Post-Impressionsim | Paul Cezanne |
Still Life with Basket of Apples | The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 29-41 | Arnason | 5 | 3.7 | |
| 000771 | 1885 | 19th Century | Post-Impressionsim | Paul Cezanne | Mount Sainte Victoire | oil on canvas | ||||||||
| 000772 | 1897 | 19th Century | Post-Impressionsim | Paul Cezanne | Mount Sainte Victoire | oil on canvas | ||||||||
| 000773 | 1902-1904 | 20th Century | Post-Impressionsim | Paul Cezanne | Mount Sainte Victoire | Philadelphia Museum of Art, Philadelphia | oil on canvas | Gardner | 12 | 29-40 | ||||
| 000774 | 1884-1886 | 19th Century | Neo-Impressionism | Georges Seurat | A Sunday on La Grande Jatte | The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 29-38, 29-39 | Arnason | 5 | 3.1 | |
| 000775 | 1884 | 19th Century | Symbolism | Pierre Puvis de Chavannes |
The Sacred Grove |
The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 29-42 | ||||
| 000776 | 1872 | 19th Century | Symbolism | Arnold Bocklin | Self-Portrait with Death Playing the Violin | oil on canvas | ||||||||
| 000777 | ca. 1875 | 19th Century | Symbolism | Gustave Moreau | Jupiter and Semele | Reunion des Musees Nationaux | oil on canvas | Gardner | 12 | 29-43 | ||||
| 000778 | 1898 | 19th Century | Symbolism | Odilon Redon | The Cyclops | Kroller-Muller Foundation, Otterlo, The Netherlands | oil on canvas | Gardner | 12 | 29-44 | ||||
| 000779 | 1897 | 19th Century | Symbolism | Henri Rousseau | The Sleeping Gypsy | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 29-45 | ||||
| 000780 | 1893 | 19th Century | Symbolism | Edvard Munch |
The Scream |
Nasjonalgalleriet, Oslo | oil, pastel and casein on cardboard | Gardner | 12 | 29-46 | ||||
| 000781 | 1900 | 19th Century | Symbolism | Edvard Munch |
The Dance of Life | Nasjonalgalleriet, Oslo | oil on canvas | Arnason | 5 | 5.19 | ||||
| 000782 | 1865-1867 | 19th Century | Symbolism | Jean-Baptiste Carpeaux | Ugolino and His Children | Metropolitan Museum of Art, New York | marble | Gardner | 12 | 29-47 | ||||
| 000783 | 1891 | 19th Century | Symbolism | Augustus Saint-Gaudens | Adams Memorial | Rock Creek Cemetery, Washington, DC | bronze | Gardner | 12 | 29-48 | Arnason | 5 | 2.54 | |
| 000784 | 1905 | 20th Century | Symbolism | Auguste Rodin | Walking Man | Reunion des Musees Nationaux | bronze | Gardner | 12 | 29-49 | ||||
| 000785 | 1884-1889 | 19th Century | Symbolism | Auguste Rodin |
Burghers of Calais |
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC | bronze | Gardner | 12 | 29-50 | Arnason | 5 | 6.8 | |
| 000786 | 1867 | 19th Century | Symbolism | William Morris | Green Dining Room | Victoria and Albert Museum, London | Gardner | 12 | 29-51 | |||||
| 000787 | 1900-1902 | 20th Century Architecture | Art Nouveau | Charles Rennie Mackintosh | Ingram Street Tea Room | Glasgow, Scotland | Glasgow Art Galleries and Museum, Glasgow | Gardner | 12 | 29-52 | ||||
| 000788 | 1896 | 19th Century Architecture | Art Nouveau | Victor Horta | staircase in the Van Eetvelde House | Brussels, Belgium | Gardner | 12 | 29-53 | |||||
| 000789 | 1894 | 19th Century | Art Nouveau | Aubrey Beardsley | The Peacock Skirt for Oscar Wilde s Salome | pen-and-ink illustration | Gardner | 12 | 29-54 | |||||
| 000790 | 1907 | 20th Century Architecture | Art Nouveau | Antonio Gaudi |
Casa Mila | Barcelona, Spain | Gardner | 12 | 29-55 | |||||
| 000791 | 1907-1908 | 20th Century | Art Nouveau | Gustav Klimt | The Kiss | Austrian Gallery, Vienna | oil on canvas | Gardner | 12 | 29-56 | ||||
| 000792 | 1908-11 | 20th Century | Art Nouveau | Gustav Klimt | Death and Life | Private Collection | oil on canvas | Arnason | 5 | 5.6 | ||||
| 000793 | ca. 1905 | 20th Century | Art Nouveau | Louis Comfort Tiffany | Lotus Table Lamp | leaded favrile glass, mosaic and bronze | Gardner | 12 | 29-62 | |||||
| 000794 | 1889 | 19th Century Architecture | Art Nouveau | Alexandre-Gustave Eiffel | Eiffel Tower | Paris, France | wrought iron | Gardner | 12 | 29-57 | ||||
| 000795 | 1885-1887 | 19th Century Architecture | Art Nouveau | Henry Hobson Richardson |
Marshall Field wholesale store | Chicago, Illinois | Gardner | 12 | 29-58 | Arnason | 5 | 4.10 | ||
| 000796 | 1894-1896 | 19th Century Architecture | Art Nouveau | Louis Henry Sullivan | Guaranty Building | Buffalo, New York | Gardner | 12 | 29-59 | Arnason | 5 | 4.12 | ||
| 000797 | 1899-1904 | 19th Century Architecture | Art Nouveau | Louis Henry Sullivan | Carson, Pirie Scott Building | Chicago, Illinois |
Gardner | 12 | 29-60 | |||||
| 000798 | 1905 | 20th Century | Fauvism | Henri Matisse | Woman with the Hat | San Francisco Museum of Modern Art, San Francisco | oil on canvas | Gardner | 12 | 33-1 | ||||
| 000799 | 1908-1909 | 20th Century | Fauvism | Henri Matisse | Red Room (Harmony in Red) | State Hermitage Museum, Sint Petersburg | oil on canvas | Gardner | 12 | 33-2 | Arnason | 5 | 7.18 | |
| 000800 | 1909-10 | 20th Century | Fauvism | Henri Matisse |
Dance II |
State Hermitage Museum, Sint Petersburg | oil on canvas | Arnason | 5 | 7.19 | ||||
| 000801 | 1906 | 20th Century | Fauvism | Andre Derain |
The Dance |
Fridart Foundation, London | oil on canvas | Gardner | 12 | 33-3 | ||||
| 000802 | 1906 | 20th Century | Fauvism | Andre Derain | Turning Road, L Estaque | Museum of Fine Arts, Houston | oil on canvas | Arnason | 5 | 7.10 | ||||
| 000803 | 1908 | 20th Century | Fauvism | Ernst Ludwig Kirchner | Nudes in the Forest | oil on canvas | ||||||||
| 000804 | 1909 | 20th Century | German Expressionism: Die Brucke | Otto Muller | Couple in a Landscape | lithograph on paper | ||||||||
| 000805 | 1908 | 20th Century | German Expressionism: Die Brucke | Ernst Ludwig Kirchner |
Street, Dresden |
Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-4 | Arnason | 5 | 8.3 | |
| 000806 | 1912 | 20th Century | German Expressionism: Die Brucke | Emil Nolde | Saint Mary of Egypt among Sinners | Hamburger Kunsthalle, Hamburg | oil on canvas | Gardner | 12 | 33-5 | ||||
| 000807 | 1908-09 | 20th Century | German Expressionism: Der Blaue Reiter | Gabriele Munter | Jawlensky and Werefkin | oil on canvas | ||||||||
| 000808 | 1908-09 | 20th Century | German Expressionism: Der Blaue Reiter | Vasily Kandinsky | Blue Mountain No. 84 | oil on canvas | ||||||||
| 000809 | 1910 | 20th Century | German Expressionism: Der Blaue Reiter | Vassily Kandinsky | Sketch for Composition Number 2 | Solomon R. Guggenheim Museum, New York | oil on canvas | Arnason | 5 | 8.17 | ||||
| 000810 | 1912 | 20th Century | German Expressionism: Der Blaue Reiter | Vassily Kandinsky |
Improvisation 28 |
Solomon R. Guggenheim Museum, New York | oil on canvas | Gardner | 12 | 33-6 | ||||
| 000811 | 1911 | 20th Century | German Expressionism: Der Blaue Reiter | Franz Marc | The Large Blue Horses | Walker Art Center, Minneapolis | oil on canvas | Arnason | 5 | 8.19 | ||||
| 000812 | 1913 | 20th Century | German Expressionism: Der Blaue Reiter | Franz Marc | Fate of the Animals | Kunstmuseum, Basel | oil on canvas | Gardner | 12 | 33-7 | ||||
| 000813 | 1908 | 20th Century | Cubism | Georges Braque | Houses of L Estaque | Kunstmuseum, Bern | oil on canvas | Arnason | 5 | 10.11 | ||||
| 000814 | 1906-1907 | 20th Century | Cubism | Pablo Picasso | Gertrude Stein | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 33-8 | Arnason | 5 | 10.4 | |
| 000815 | 1907 | 20th Century | Cubism | Pablo Picasso | Les Demoiselles d Avignon |
Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-9 | Arnason | 5 | 10.6 | |
| 000816 | 1911 | 20th Century | Analytic Cubism | Georges Braque | The Portuguese | offentliche Kunstsammlung Basel, Kunstmuseum, Basel | oil on canvas | Gardner | 12 | 33-10 | Arnason | 5 | 10.20 | |
| 000817 | 1911 | 20th Century | Analytic Cubism | Pablo Picasso | Ma Jolie | oil on canvas | ||||||||
| 000818 | 1912 | 20th Century | Synthetic Cubism | Pablo Picasso | Still Life with Chair-Caning | Musee Picasso, Paris | oil and oilcloth on canvas | Gardner | 12 | 33-12 | Arnason | 5 | 10.21 | |
| 000819 | 1913 | 20th Century | Synthetic Cubism | Georges Braque | Bottle, Newspaper, Pipe and Glass | Private collection, New York | charcoal and various papers pasted on paper | Gardner | 12 | |||||
| 000820 | 1912 | 20th Century | Synthetic Cubism | Pablo Picasso | maquette for Guitar |
Museum of Modern Art, New York | cardboard, string and wire | Gardner | 12 | 33-14 | Arnason | 5 | 10.27 | |
| 000821 | 1917 | 20th Century | Cubism | Jacques Lipchitz | Bather | Nelson-Atkins Museum of Art, Kansas City | bronze | Gardner | 12 | 33-15 | ||||
| 000822 | 1915 | 20th Century | Constructivism | Aleksandr Archipenko | Woman Combing Her Hair |
Tate Gallery, London | bronze | Gardner | 12 | 33-16 | ||||
| 000823 | 1919 | 20th Century | Purism | Fernand Leger | The City | Philadelphia Museum of Art, Philadelphia, Pennsylvania | oil on canvas | Gardner | 12 | 33-18 | Arnason | 5 | 10.42 | |
| 000824 | 1921 | 20th Century | Cubism | Stuart Davis | Lucky Strike | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-34 | ||||
| 000825 | 1911 | 20th Century | Orphism | Robert Delaunay | Champs de Mars |
Art Institute of Chicago, Chicago, Illinois | oil on canvas | Gardner | 12 | 33-11 | ||||
| 000826 | ca. 1930-1933 | 20th Century | Cubism | Julio Gonzalez | Woman Combing Her Hair |
Moderna Museet, Stockholm, Sweden | iron | Gardner | 12 | 33-17 | ||||
| 000827 | 1909, 1913, 1916-17 | 20th Century | Cubism | Henri Matisse | Back I, Back II, Back III | Hirshhorn Museum and Sculpture Garden, Washington, DC | bronze relief | Arnason | 5 | 9.5 | ||||
| 000828 | 1902 | 20th Century | Ashcan School | Robert Henri | Snow in New York |
oil on canvas | ||||||||
| 000829 | ca. 1900 | 20th Century | Ashcan School | Robert Henri | The Irish Girl | oil on canvas | ||||||||
| 000830 | 1909 | 20th Century | Ashcan School | George Bellows | Stag at Sharkey's | oil on canvas | ||||||||
| 000831 | 1912 | 20th Century | Ashcan School | John Sloan | Sunday, Women Drying their Hair | oil on canvas | ||||||||
| 000832 | 1998 | 20th Century | Armory Show | Armory Show stamp | postage stamp | |||||||||
| 000833 | 1913 | 20th Century | Armory Show | Armory Show Poster | Altshuler | 1998 | p 64 | |||||||
| 000834 | 1913 | 20th Century | Armory Show | Armory Show Entrance | Altshuler | 1998 | p 66 | |||||||
| 000835 | 1913 | 20th Century | Armory Show | Armory Show Plan | ||||||||||
| 000836 | 1913 | 20th Century | Armory Show | Armory Show Gallery A | Altshuler | 1998 | p 66 | |||||||
| 000837 | 1912 | 20th Century | Ashcan School | Walt Kuhn | Morning | oil on canvas | ||||||||
| 000838 | ca. 1912 | 20th Century | Ashcan School | Arthur B. Davies | A Line of Mountains | oil on canvas | ||||||||
| 000839 | 1911 | 20th Century | Ashcan School | Arthur B. Davies | Reclining Woman | pastel on gray paper | ||||||||
| 000840 | 1910-11 | 20th Century | Ashcan School | William Glackens | Family Group | oil on canvas | ||||||||
| 000841 | 1910 | 20th Century | Ashcan School | John Sloan | Night Windows | etching | ||||||||
| 000842 | 1912 | 20th Century | Ashcan School | Marsden Hartley | Still Life No. 1 | oil on canvas | ||||||||
| 000843 | 1912 | 20th Century | Ashcan School | Stuart Davis | The Front Page (The Musician) | watercolor gouache and graphite on paper | ||||||||
| 000844 | 1913 | 20th Century | Cubism | Charles Sheeler | Landscape | oil on canvas | ||||||||
| 000845 | 1913 | 20th Century | Armory Show | Armory Show Gallery H | Gardner | 12 | 33-28 | Altshuler | 1998 | p 67 | ||||
| 000846 | 1869 | 19th Century | Symbolism | Puvis de Chavannes | Beheading of Saint John the Baptist | oil on canvas | ||||||||
| 000847 | 1889 | 19th Century | Post-Impressionism | Vincent van Gogh | Mountains at Saint Remy | oil on canvas | ||||||||
| 000848 | 1892 | 19th Century | Post-Impressionism | Paul Gauguin | Words of the Devil | oil on canvas | ||||||||
| 000849 | 1896-1902 | 20th Century | Symbolism | Edvard Munch | Madonna | lithograph, four colors | ||||||||
| 000850 | 1906 | 20th Century | Fauvism | Georges Braque |
Le Port d Anvers |
oil on canvas |
||||||||
| 000851 | 1910 | 20th Century | Symbolism | Henri Rousseau | Horse Attacked by a Jaguar | oil on canvas | ||||||||
| 000852 | 1907 | 20th Century | Fauvism | Henri Matisse | Blue Nude (Souvenir de Biskra) | Baltimore Museum of Art, Baltimore | oil on canvas | Altshuler | 1998 | p 61 | Arnason | 5 | 7.7 | |
| 000853 | 1911 | 20th Century | Fauvism | Henri Matisse | Goldfish and Sculpture | oil on canvas | ||||||||
| 000854 | 1907-08 | 20th Century | Fauvism | Henri Matisse | Le Luxe II | Statens Museum for Kunst, Copenhagen | casein | Arnason | 5 | 7.8 | ||||
| 000855 | 1912 | 20th Century | German Expressionism: Der Blaue Reiter | Wassily Kandinsky | Improvisation No. 27 (Garden of Love) | Metropolitan Museum of Art, New York | oil on canvas | Altshuler | 1998 | p 70 | ||||
| 000856 | ca. 1910 | 20th Century | Symbolism | Odilon Redon | Roger and Angelica | Museum of Modern Art, New York | pastel on paper on canvas | Altshuler | 1998 | p 75 | Arnason | 5 | 3.14 | |
| 000857 | 1912 | 20th Century | Analytic Cubism | Georges Braque | L Affiche de Kubelick (Le Violon) | oil on canvas | ||||||||
| 000858 | 1912 | 20th Century | Cubo-Futurism | Marcel Duchamp | The King and Queen Surrounded by Swift Nudes | oil on canvas | ||||||||
| 000859 | 1912 | 20th Century | Cubo-Futurism | Marcel Duchamp | Nude Descending a Staircase No. 2 | Philadelphia Museum of Art, Philadelphia | oil on canvas | Gardner | 12 | 33-29 | Arnason | 5 | 10.48 | |
| 000860 | 1882 | 19th Century | Early Photography | Etienne Jules Marey | Chronophotographs | gelatin-silver prints | ||||||||
| 000861 | March 20, 1913 | 20th Century | Cubo-Futurism | J. F. Griswold | Seeing New York with a Cubist: The Rude Descending a Staircase, In The Evening Sun | newspaper | Altshuler | 1998 | 72 | |||||
| 000862 | 1912 | 20th Century | Cubism | Francis Picabia | Dances at the Spring | oil on canvas | ||||||||
| 000863 | 1909-11 | 20th Century | Constantin Brancusi | Sleeping Muse | Hirshhorn Museum and Sculpture Garden, Washington, DC | white marble | Arnason | 5 | 9.11 | |||||
| 000864 | 1912 | 20th Century | Constantin Brancusi | Madamoiselle Pogany | white marble | |||||||||
| 000865 | 1914 | 20th Century | Cubism | Marsden Hartley | Indian Fantasy | oil on canvas | ||||||||
| 000866 | 1914 | 20th Century | Cubism | Marsden Hartley | Portrait of a German Officer | Metropolitan Museum of Art, New York | oil on canvas | Gardner | 12 | 33-33 | Arnason | 5 | 18.13 | |
| 000867 | 1914-15 | 20th Century | Cubism | Arthur B. Davies | Dancers | oil on canvas | ||||||||
| 000868 | 1927 | 20th Century | Cubism | Stuart Davis | The Percolator | oil on canvas | ||||||||
| 000869 | 1928 | 20th Century | Cubism | Stuart Davis | The Eggbeater | oil on canvas | ||||||||
| 000870 | 1917 | 20th Century | Dada | Marcel Duchamp | Fountain | Philadelphia Museum of Art, Philadelphia | Ready-made sanitary china with black paint | Gardner | 12 | 33-23 | ||||
| 000871 | 1907 | 20th Century | 291 Group | Alfred Stieglitz | Self-portrait | platinum print | ||||||||
| 000872 | 1903 | 20th Century | 291 Group | Alfred Stieglitz | Flatiron | photogravure on Japanese tissue paper | ||||||||
| 000873 | 1911 | 20th Century | 291 Group | Alfred Stieglitz | New York Two Towers | gelatin-silver print | ||||||||
| 000874 | 1915 | 20th Century | 291 Group | Alfred Stieglitz | Picasso-Braque Exhibition at 291 | gelatin-silver print | ||||||||
| 000875 | 1915 | 20th Century | 291 Group | Alfred Stieglitz |
Back Window of 291 |
gelatin-silver print | ||||||||
| 000876 | 1920-22 | 20th Century | 291 Group | Joseph Stella | Voice of the City of New York Interpreted - The Brooklyn Bridge | oil and tempera on canvas | ||||||||
| 000877 | 1920 | 20th Century | 291 Group | Charles Sheeler | Church Street El | oil on canvas | ||||||||
| 000878 | 1927 | 20th Century | 291 Group | Georgia O Keeffe | Radiator Building at Night | oil on canvas | ||||||||
| 000879 | 1930 | 20th Century | 291 Group | Georgia O Keeffe | Jack in the Pulpit | oil on canvas | ||||||||
| 000880 | February 20, 1909 | 20th Century | Futurism | Filippo Tommaso Marinetti | Founding Manifesto , Le Figaro | newspaper | ||||||||
| 000881 | 1909 | 20th Century | Futurism | Giacomo Balla | Street Light | Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 11.2 | ||||
| 000882 | 1912 | 20th Century | Futurism | Giacomo Balla | Dynamism of a Dog on a Leash (Leash in Motion) | Albright-Knox Art Gallery, Buffalo, New York | oil on canvas | Gardner | 12 | 33-19 | Arnason | 5 | 11.3 | |
| 000883 | 1913 | 20th Century | Futurism | Giacomo Balla | Abstract Speed - The Car Has Passed | oil on canvas | ||||||||
| 000884 | 1915 | 20th Century | Futurism | Umberto Boccioni | Cavalry Charge (Charge of the Lancers) | tempera and collage on pasteboard | ||||||||
| 000885 | 1914 | 20th Century | Futurism | Carlo Carra | Patriotic Celebration | Private Collection | collage | Arnason | 5 | 11.7 | ||||
| 000886 | 1915 | 20th Century | Futurism | Gino Severini | Red Cross Train Passing a Village | Solomon R. Guggenheim Museum, New York | oil on canvas | Arnason | 5 | 11.6 | ||||
| 000887 | 1915 | 20th Century | Futurism | Gino Severini | The Armored Train | Collection of Richard S. Zeisler, New York | oil on canvas | Gardner | 12 | 33-21 | ||||
| 000888 | 1913 | 20th Century | Futurism | Giacomo Balla | Flight of the Swifts | watercolor on paper | ||||||||
| 000889 | 1913 | 20th Century | Futurism | Giacomo Balla | Speed of an Automobile | charcoal on paper | ||||||||
| 000890 | 1913 | 20th Century | Futurism | Antonio Giulio Bragaglia | The Cellist | gelatin-silver print | Arnason | 5 | 11.4 | |||||
| 000891 | 1913 | 20th Century | Futurism | Antonio Giulio Bragaglia | Dynamism of a Typist | gelatin-silver print | ||||||||
| 000892 | 1912-13 | 20th Century | Futurism | Antonio Giulio Bragaglia | Polyphysiognomic Portrait of Boccioni | gelatin-silver print | ||||||||
| 000893 | 1913 | 20th Century | Futurism | Umberto Boccioni | Dynamism of a Soccer Player | oil on canvas | ||||||||
| 000894 | 1913 | 20th Century | Futurism | Umberto Boccioni | Unique Forms of Continuity in Space | Museum of Modern Art, New York | bronze | Gardner | 12 | 33-20 | Arnason | 5 | 11.11 | |
| 000895 | 1912 | 20th Century | Futurism | Umberto Boccioni | Table+Bottle+House | Civico Gabinetto del Disegni, Castello Sforzesco, Milan | pencil on paper | Arnason | 5 | 11.10 | ||||
| 000896 | 1912 | 20th Century | Futurism | Umberto Boccioni | Development of a Bottle in Space | Museum of Modern Art, New York | silvered bronze | Arnason | 5 | 11.9 | ||||
| 000897 | 1912 | 20th Century | Futurism | Umberto Boccioni | Materia | oil on canvas | ||||||||
| 000898 | 1912 | 20th Century | Futurism | Gino Severini | Dynamic Heiroglyphic of the Bal Tabarin | Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 11.5 | ||||
| 000899 | 1914 | 20th Century | Cubo-Futurism | Raymond Duchamp-Villon | The Horse (Le Cheval) | Museum of Modern Art, New York | bronze | Arnason | 5 | 10.32 | ||||
| 000900 | 1912 | 20th Century | Cubo-Futurism | Francis Picabia |
Dances at the Spring |
Philadelphia Museum of Art, Philadelphia | oil on canvas | Altshuler | 1998 | p 38 | ||||
| 000901 | 1912 |
20th Century | Russian Avant- Garde | Natalia Goncharova | Icon Painting Motifs | State Tretyakov Gallery, Moscow | watercolor on cardboard | Arnason | 5 | 11.14 | ||||
| 000902 | 1910 | 20th Century | Russian Avant- Garde | Natalia Goncharova | The Archangel Michael | oil on canvas | ||||||||
| 000903 | 1911 | 20th Century | Russian Avant- Garde | Natalia Goncharova | Haycutting | oil on canvas | ||||||||
| 000904 | 1912 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Natalia Goncharova | Linen | Tate Gallery, London | oil on canvas | Arnason | 5 | 11.13 | ||||
| 000905 | 1916 | 20th Century | Russian Avant- Garde: Rayonism | Mikhail Larinov | Rayonist Composition | Private Collection | gouache on paper | Arnason | 5 | 11.12 | ||||
| 000906 | ca. 1912 | 20th Century | Russian Avant- Garde: Rayonism | Natalia Goncharova | Green Forest | oil on canvas | ||||||||
| 000907 | 1913 | 20th Century | Russian Avant- Garde: Rayonism | Natalia Goncharova | Cats | oil on canvas | ||||||||
| 000908 | 1912 | 20th Century | Russian Avant- Garde | Kasimir Malevich | Woodcutter | oil on canvas | ||||||||
| 000909 | 1912 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Kasimir Malevich | Morning in the Country after Snowstorm | Solomon R. Guggenheim Museum, New York | oil on canvas | Arnason | 5 | 11.17 | ||||
| 000910 | 1914 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Kasimir Malevich | An Englishman in Moscow | oil on canvas | ||||||||
| 000911 | 1914 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Liubov Popova | Subject from a Dyer s Shop | Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 11.15 | ||||
| 000912 | 1913 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Liubov Popova | Composition with Figures | oil on canvas | ||||||||
| 000913 | 1915 | 20th Century | Russian Avant- Garde: Cubo-Futurism | Liubov Popova | Relief | oil on canvas | ||||||||
| 000914 | 1913 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Black Circle | oil on canvas | ||||||||
| 000915 | 1913 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Black Square | |||||||||
| 000916 | 1915 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Black Square and Red Square | oil on canvas | ||||||||
| 000917 | December 19, 1915 - January 19, 1916 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | 0-10 The Last Futurist Exhibition of Pictures | Petrograd, Russia | Altshuler | 1998 | p 84 | Arnason | 5 | 11.18 | ||
| 000918 | 1915 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Suprematist Composition: Aeroplane Flying | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-52 | Arnason | 5 | 11.19 | |
| 000919 | 1916 | 20th Century | Russian Avant- Garde: Suprematism | Olga Rozanova | Flight of an Airplane: Non-objective Composition | oil on canvas | ||||||||
| 000920 | 1916 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Supresmus No. 56 | oil on canvas | ||||||||
| 000921 | 1918 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich | Suprematist Composition: White Square on White | oil on canvas | ||||||||
| 000922 | 1917 | 20th Century | Russian Avant- Garde: Constructivism | Olga Rozanova | Color: Non-objective Composition | oil on canvas | ||||||||
| 000923 | 1917-18 | 20th Century | Russian Avant- Garde: Constructivism | Olga Rozanova | The Green Stripe | Rostovo-Yaroslavskij Arkhitekturno-Khudozhestrennyi Muzej-Zapovednik, Rostovo-Yaroslavskij, Russia | oil on canvas | Arnason | 5 | 11.30 | ||||
| 000924 | 1918 | 20th Century | Russian Avant- Garde: Suprematism | Liubov Popova |
Painterly Architectonic |
oil on canvas | ||||||||
| 000925 | 1920-21 | 20th Century | Russian Avant- Garde: Suprematism | Liubov Popova |
Non-objective Composition |
oil on canvas | ||||||||
| 000926 | 1923 | 20th Century | Russian Avant- Garde: Suprematism | Kasimir Malevich |
Tea Service |
porcelain | ||||||||
| 000927 | 1915 | 20th Century | Russian Avant- Garde: Constructivism | Alexander Rodchenko |
Vladimir Tatlin |
gelatin-silver print | ||||||||
| 000928 | 1915 | 20th Century | Russian Avant- Garde: Constructivism | Vladimir Tatlin |
Counter Relief |
wood, metal, paint | Arnason | 5 | 11.24 | |||||
| 000929 | 1915 | 20th Century | Russian Avant- Garde: Constructivism | Vladimir Tatlin |
Corner-Counter Reliefs |
wood, metal, paint | Altshuler | 1998 | p 81 | |||||
| 000930 | 1919-20 | 20th Century | Russian Avant- Garde: Constructivism | Vladimir Tatlin |
Monument to the 3rd International | wood, iron and glass | Arnason | 5 | 11.25 | |||||
| 000931 | 1923 | 20th Century | Russian Avant- Garde: Suprematism | El Lissitsky |
Prouenraum (Proun Room) |
Stedelijk Van Abbemuseum, Eindhoven, the Netherlands | wood, metal, paint | Arnason | 5 | 11.21 | ||||
| 000932 | 1919 | 20th Century | Russian Avant-Garde: Early Soviet | El Lissitsky |
Beat the Whites with the Red Wedge | oil on canvas | ||||||||
| 000933 | 1923 | 20th Century | Russian Avant-Garde: Early Soviet | El Lissitsky |
Book Design and Typography for Mayakovky s For the Voice | ink on paper | ||||||||
| 000934 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | El Lissitsky |
The Constructor (Self-Portrait) |
Stedelijk Van Abbemuseum, Eindhoven, the Netherlands | gelatin-silver print | Arnason | 5 | 11.22 | ||||
| 000935 | 1920 | 20th Century | Russian Avant- Garde: Constructivism | Alexander Rodchenko |
Spatial Construction 12 | wood | ||||||||
| 000936 | 1919 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Design for Kiosk | ink on paper | ||||||||
| 000937 | 1923 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Poster for Dobrolet Airline |
ink on paper | ||||||||
| 000938 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Lili Brik | gelatin-silver print | ||||||||
| 000939 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Poster for Leningrad Publishing House |
Rodchenko-Stepanova Archive, Moscow | gouache and photomontage on paper | Arnason | 5 | 11.27 | ||||
| 000940 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Poster for Leningrad Publishing House |
ink on paper |
||||||||
| 000941 | 1925 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Poster for Battleship Potemkin |
ink on paper | ||||||||
| 000942 | 1925 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Workers Club | |||||||||
| 000943 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Vladimir Mayakovsky |
gelatin-silver print | ||||||||
| 000944 | 1924 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Osip Brik for LEF Magazine |
|||||||||
| 000945 | 1928 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Assembling for a Demonstration |
Museum of Modern Art, New York | gelatin-silver print |
Arnason | 5 | 11.28 | ||||
| 000946 | 1930 | 20th Century | Russian Avant-Garde: Early Soviet | Alexander Rodchenko |
Pioneer Girl | gelatin-silver print |
||||||||
| 000947 | 1931 | 20th Century | Soviet Socialist Realism | Alexander Rodchenko |
Band at Construction of White Sea Canal |
gelatin-silver print |
||||||||
| 000948 | 1935 | 20th Century | Soviet Socialist Realism | Alexander Rodchenko |
Marching Column of the Dynamo Sporting Club |
gelatin-silver print |
||||||||
| 000949 | ca. 1918 |
20th Century | Dada | Tristan Tzara |
Tristan Tzara |
|||||||||
| 000950 | 1916 | 20th Century | Dada | Hugo Ball |
Reciting Karawane at the Cabaret Voltaire, Zurich | Altshuler | 1998 | p 101 | Arnason | 5 | 13.10 | |||
| 000951 | 1916 | 20th Century | Dada | Hugo Ball |
Karawane |
|||||||||
| 000952 | 1916-17 | 20th Century | Dada | Jean Arp | Collage Arranged According to the Laws of Chance | Museum ofr Modern Art, New York | torn and pasted paper | Arnason | 5 | 13.11 | Gardner | 12 | 33-22 | |
| 000953 | 1917 | 20th Century | Dada | Francis Picabia |
Amorous Procession |
oil on cardboard | ||||||||
| 000954 | 1915-23 |
20th Century | Dada | Marcel Duchamp |
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) | Philadelphia Museum of Art, Philadelphia | oil, lead wire, foil, dust, varnish, glass | Arnason | 5 | 13.20 | Gardner | 12 | 33-24 | |
| 000955 | 1918 | 20th Century | Dada | Marcel Duchamp |
Tu m | Yale University Art Gallery, New Haven, Connecticut | oil and graphite on canvas, brush, safety pins, nut and bolt | Arnason | 5 | 13.19 | ||||
| 000956 | 1913 | 20th Century | Dada | Marcel Duchamp |
Bicycle Wheel |
Museum ofr Modern Art, New York | assemblage | Arnason | 5 | 13.17 | ||||
| 000957 | ca. 1848 | Early American | Quaker | Edward Hicks | Peaceable Kingdom | Albright-Knox Museum of Art, Buffalo | oil on canvas | Gardner | 12 | 33-23 | ||||
| 000958 | 1919 | 20th Century | Dada | Marcel Duchamp |
L.H.O.O.Q. |
drawing on photographic reproduction | ||||||||
| 000959 | 1924 | 20th Century | Dada | Man Ray |
Rrose Selavy |
gelatin-silver print | ||||||||
| 000960 | 1921 | 20th Century | Dada | Man Ray |
Gift | Collection Morton G. Neumann Family, Chicago | flatiron with nails | Arnason | 5 | 13.24 | Gardner | 12 | 33-32 | |
| 000961 | 1927 | 20th Century | Dada | Man Ray |
Rayograph | gelatin-silver print |
||||||||
| 000962 | 1920 | 20th Century | Dada | Raoul Hausmann |
Tatlin at Home |
Berlinische Gallery, Berlin | collage | Altshuler | 1998 | p 113 | ||||
| 000963 | 1920 | 20th Century | Dada | Raoul Hausmann |
Dada Siegt! |
watercolor and collage on paper on board |
Altshuler | 1998 | p 99 | |||||
| 000964 | 1920 | 20th Century | Dada | Kurt Schwitters |
Merzbild 25A |
assemblage | ||||||||
| 000965 | 1919 | 20th Century | Dada | Kurt Schwitters |
Picture with Light Center |
Museum of Modern Art, New York | collage of cut-and-pasted papers and oil on cardboard | Arnason | 5 | 13.29 | ||||
| 000966 | ca.1931 |
20th Century | Dada | Kurt Schwitters |
Hanover Merzbau |
assemblage | Arnason | 5 | 13.31 | |||||
| 000967 | 1919-20 |
20th Century | Dada | Hannah Hoch |
Cut with the Cake Knife |
Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie, Berlin | photomontage | Arnason | 5 | 13.27 | Gardner | 12 | 33-25 | |
| 000968 | 1920 | 20th Century | Dada | First International Dada Art Fair |
Berlin | Altshuler | 1998 | p 100 | ||||||
| 000969 | 1920 | 20th Century | Dada | First International Dada Art Fair |
Berlin | Altshuler | 1998 | p 102, 103 | ||||||
| 000970 | 1924 | 20th Century | Dada | Max Ernst |
Two Children Are Threatened by a Nightingale | Museum of Modern Art, New York | oil on wood with wood construction | Arnason | 5 | 15.5 | Gardner | 12 | 33-45 | |
| 000971 | 1924 | 20th Century | Dada | Max Ernst |
Untitled | collage | ||||||||
| 000972 | 1920 | 20th Century | Neue Sachlichkeit | Max Beckmann |
Family Picture |
oil on canvas | ||||||||
| 000973 | 1918-19 | 20th Century | Neue Sachlichkeit | Max Beckmann |
The Night |
Kunstsammlung Nordhein-Westfalen, Dusseldorf | oil on canvas | Gardner | 12 | 33-39 | ||||
| 000974 | 1927 | 20th Century | Neue Sachlichkeit | Max Beckmann |
Self-Portrait in a Tuxedo |
Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, Massachusetts | oil on canvas | Arnason | 5 | 13.41 | ||||
| 000975 | 1932-33 | 20th Century | Neue Sachlichkeit | Max Beckmann |
Departure | Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 13.42 | ||||
| 000976 | 1938 | 20th Century | Neue Sachlichkeit | Max Beckmann |
Hell of the Birds |
oil on canvas | ||||||||
| 000977 | 1916-17 | 20th Century | Neue Sachlichkeit | George Grosz |
Fit for Active Service (The Faith Healers) |
Museum of Modern Art, New York | pen, brush, ink on paper | Gardner | 12 | 33-38 | Arnason | 5 | 13.35 | |
| 000978 | 1917 | 20th Century | Neue Sachlichkeit | George Grosz |
Explosion | oil on panel | ||||||||
| 000979 | 1920 | 20th Century | Neue Sachlichkeit | George Grosz |
Republican Automatons | watercolor | ||||||||
| 000980 | 1920 | 20th Century | Neue Sachlichkeit | Otto Dix |
Prague Street |
oil and collage on canvas | ||||||||
| 000981 | 1923 (destroyed 1943-45) | 20th Century | Neue Sachlichkeit | Otto Dix |
The Trench |
oil on canvas | Arnason | 5 | 13.36 | |||||
| 000982 | 1929-1932 | 20th Century | Neue Sachlichkeit | Otto Dix | Der Kreig | Staatliche Kunstsammlungen, Gemaldegalerie Neue Meister, Dresden | oil and tempera on wood | Gardner | 12 | 34-64 | Arnason | 5 | 24.26 | |
| 000983 | 1924 | 20th Century | Neue Sachlichkeit | Otto Dix |
Trench Suicide |
ink on paper | ||||||||
| 000984 | 1926 | 20th Century | Neue Sachlichkeit | Albert Renger-Patsch |
Fagus Factory |
gelatin-silver print | ||||||||
| 000985 | ca. 1926 | 20th Century | Neue Sachlichkeit | Albert Renger-Patsch |
Flatirons for Shoe Manufacture |
Galerie Wilde, Cologne | gelatin-silver print | Arnason | 5 | 13.39 | ||||
| 000986 | 1925-6 | 20th Century | Neue Sachlichkeit | Albert Renger-Patsch |
Illsender Factory Generators |
gelatin-silver print | ||||||||
| 000987 | 1936 | 20th Century | Neue Sachlichkeit | Karl Blossfeldt |
Forsythia suspensa Tip of a forsythia twig with buds Magnified ten times from Urformen de Kunst | gelatin-silver print | ||||||||
| 000988 | 1936 | 20th Century | Neue Sachlichkeit | Karl Blossfeldt |
Cucurbita Tendrils of a pumpkin Magnified four times from Urformen de Kunst | gelatin-silver print | ||||||||
| 000989 | 1936 | 20th Century | Neue Sachlichkeit | Karl Blossfeldt |
Adiantum pedatum Maiden-hair fern Young curled fronds magnified eight times from Urformen de Kunst | gelatin-silver print | ||||||||
| 000990 | ca. 1936 | 20th Century | Neue Sachlichkeit | Karl Blossfeldt |
Working Collage |
photographic prints | ||||||||
| 000991 | 1930 | 20th Century | Neue Sachlichkeit | August Sander |
Wandering People | Museum of Modern Art, New York | gelatin-silver print | Arnason | 5 | 13.38 | ||||
| 000992 | 1928 | 20th Century | Neue Sachlichkeit | August Sander |
Pastry Cook |
gelatin-silver print | ||||||||
| 000993 | 1920 | 20th Century | Neue Sachlichkeit | August Sander |
Bricklayer | gelatin-silver print | ||||||||
| 000994 | 1912 | 20th Century | Neue Sachlichkeit | August Sander |
Young Farmers, Westerwald |
gelatin-silver print | ||||||||
| 000995 | 1932 | 20th Century | Neue Sachlichkeit | John Heartfield |
Adolf the Superman: Swallows Gold and Spouts Junk |
photomontage | ||||||||
| 000996 | 1932 | 20th Century | Neue Sachlichkeit | John Heartfield |
The Real Meaning of the Hitler Salute |
photomontage | ||||||||
| 000997 | 1936 | 20th Century | Neue Sachlichkeit | John Heartfield | Have No Fear, He s a Vegetarian |
photomontage | ||||||||
| 000998 | 1920 | 20th Century | Precisionism | Charles Sheeler |
Church Street El |
Cleveland Museum of Art, Cleveland | oil on canvas | Arnason | 5 | 18.26 | ||||
| 000999 | 1927 | 20th Century | Precisionism | Charles Sheeler |
River Rouge Plant Power House |
gelatin-silver print | ||||||||
| 001000 | 1939 | 20th Century | Precisionism | Charles Sheeler |
Drive Wheels |
Smith College Museum of Art, Northampton, Massachusetts | gelatin-silver print | Arnason | 5 | 18.27 | ||||
| 001001 | 1928 | 20th Century | Precisionism | Charles Demuth |
I Saw the Figure 5 in Gold |
Metropolitan Museum of Art, New York | oil on composition board | Arnason | 5 | 18.29 | ||||
| 001002 | 1926 | 20th Century | Stieglitz Circle | Alfred Stieglitz |
Equivalent | The Art Institute of Chicago | chloride print | Arnason | 5 | 18.10 | ||||
| 001003 | 1919 | 20th Century | Stieglitz Circle | Alfred Stieglitz |
Georgia O Keeffe |
gelatin-silver print | ||||||||
| 001004 | 1919 | 20th Century | Stieglitz Circle | Georgia O Keeffe |
Music Pink and Blue, II | Whitney Museum of American Art, New York | oil on canvas | Arnason | 5 | 18.18 | ||||
| 001005 | 1927 | 20th Century | Stieglitz Circle | Georgia O Keeffe |
Radiator Building Night |
Carl van Vechten Gallery of Fine Arts, Fisk University, Nashville | oil on canvas | Arnason | 5 | 18.19 | ||||
| 001006 | 1930 | 20th Century | Stieglitz Circle | Georgia O Keeffe | Jack in the Pulpit IV |
oil on canvas | ||||||||
| 001007 | 1927 | 20th Century | Group f64 | Edward Weston |
Shell | gelatin-silver print | Arnason | 5 | 9.15 | |||||
| 001008 | 1930 | 20th Century | Group f64 | Edward Weston |
Pepper No. 30 |
gelatin-silver print | ||||||||
| 001009 | 1925 | 20th Century | Group f64 | Edward Weston |
Excusado | gelatin-silver print | ||||||||
| 001010 | 1925 | 20th Century | Group f64 | Edward Weston |
Nude | gelatin-silver print | Gardner | 12 | 33-31 | |||||
| 001011 | 1936 | 20th Century | Group f64 | Edward Weston |
Nude | gelatin-silver print | ||||||||
| 001012 | 1924 | 20th Century | Group f64 | Edward Weston |
Tina Modotti |
gelatin-silver print | ||||||||
| 001013 | 1925 | 20th Century | Group f64 | Tina Modotti |
Staircase, Mexico |
gelatin-silver print | ||||||||
| 001014 | 1925 | 20th Century | Group f64 | Tina Modotti |
Roses | gelatin-silver print | ||||||||
| 001015 | 1929 | 20th Century | Group f64 | Imogen Cunningham |
Two Callas |
gelatin-silver print | Arnason | 5 | 18.22 | |||||
| 001016 | 1931 | 20th Century | Group f64 | Imogen Cunningham |
Frida Kahlo Rivera |
gelatin-silver print | ||||||||
| 001017 | 1923 | 20th Century | Group f64 | Imogen Cunningham |
Triangles | gelatin-silver print | ||||||||
| 001018 | 1926 | 20th Century | Group f64 | Ansel Adams |
Monolith, the Face of Half Dome |
gelatin-silver print | ||||||||
| 001019 | 1932 | 20th Century | Group f64 | Ansel Adams |
Frozen Lakes and Cliffs, The Sierra Nevada, Sequoia National Park, California | gelatin-silver print | Arnason | 5 | 18.23 | |||||
| 001020 | 1941 | 20th Century | Group f64 | Ansel Adams |
Moonrise, Hernandez, New Mexico |
gelatin-silver print | ||||||||
| 001021 | 1940 | 20th Century | Group f64 | Ansel Adams |
Surf Sequence, 1-5, San Mateo County, California |
gelatin-silver prints | ||||||||
| 001022 | 1908 | 20th Century | De Stijl | Piet Mondrian |
Mill in Sunlight |
oil on canvas | ||||||||
| 001023 | 1908 | 20th Century | De Stijl | Piet Mondrian |
Red Tree |
oil on canvas | ||||||||
| 001024 | ca. 1908 | 20th Century | De Stijl | Piet Mondrian |
Apple Tree (Pointillist Version) |
Dallas Museum of Art, Dallas | oil on composition board |
Arnason | 5 | 11.32 | ||||
| 001025 | 1911 | 20th Century | De Stijl | Piet Mondrian |
Gray Tree |
oil on canvas | ||||||||
| 001026 | 1915 | 20th Century | De Stijl | Piet Mondrian |
Ocean 5 |
charcoal and gouache on paper | ||||||||
| 001027 | 1913 | 20th Century | De Stijl | Piet Mondrian |
Composition No. 2: Composition in Line and Color | oil on canvas | ||||||||
| 001028 | 1918 | 20th Century | De Stijl | Piet Mondrian |
Composition with Gray & Light Brown |
oil on canvas | ||||||||
| 001029 | 1920 | 20th Century | De Stijl | Piet Mondrian |
Composition A |
oil on canvas | ||||||||
| 001030 | 1925 | 20th Century | De Stijl | Piet Mondrian |
Lozenge Composition with Red, Black, Blue and Yellow |
oil on canvas | ||||||||
| 001031 | 1930 | 20th Century | De Stijl | Piet Mondrian |
Composition with Red, Blue and Yellow | Collection The Fukuoka City Bank, Ltd., Japan | oil on canvas | Gardner | 12 | 33-55 | Arnason | 5 | 17.22 | |
| 001032 | ca. 1935 |
20th Century | De Stijl | Piet Mondrian |
Rhythm of Black Lines |
oil on canvas | ||||||||
| 001033 | 1941-42 | 20th Century | De Stijl | Piet Mondrian |
New York City |
oil on canvas | ||||||||
| 001034 | 1943 | 20th Century | De Stijl | Piet Mondrian |
Broadway Boogie Woogie |
Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 17.26 | ||||
| 001035 | 1917 | 20th Century | De Stijl | Theo van Doesburg |
Composition IX (Card Players) |
oil on canvas | ||||||||
| 001036 | 1920 | 20th Century | De Stijl | Theo van Doesburg |
Composition XXII |
oil on canvas | ||||||||
| 001037 | 1929 | 20th Century | De Stijl | Theo van Doesburg |
Simultaneous Counter Composition |
oil on canvas |
||||||||
| 001038 | 1932 | 20th Century | De Stijl | Theo van Doesburg |
Design | ink and gouache on paper |
||||||||
| 001039 | 1926-28 (destroyed 1940) |
20th Century Architecture | De Stijl | Theo van Doesburg |
Cafe l Aubette |
Strasbourg, France | ||||||||
| 001040 | 1925 | 20th Century Architecture | De Stijl | Gerrit Reitveld |
Schroeder House |
Utrecht, Netherlands | Gardner | 12 | 33-56 | |||||
| 001041 | 1925 | 20th Century Architecture | De Stijl | Gerrit Reitveld |
Schroeder House |
Utrecht, Netherlands | Arnason | 5 | 12.21 | |||||
| 001042 | 1925 | 20th Century Architecture | De Stijl | Gerrit Reitveld |
Schroeder House and furniture | Utrecht, Netherlands | Arnason | 5 | 12.22 | |||||
| 001043 | 1925 | 20th Century Architecture | De Stijl | J.J.P.Oud |
Cafe de Unie |
Rotterdam, Netherlands | Arnason | 5 | 12.20 | |||||
| 001044 | 1925-26 |
20th Century Architecture | Bauhaus | Walter Gropius |
Bauhaus | Dessau, Germany |
Gardner | 12 | 33-59 | Arnason | 5 | 16.5 | ||
| 001045 | ca. 1920 |
20th Century Architecture | Bauhaus | Walter Gropius |
Walter Gropius |
|||||||||
| 001046 | 1911-25 |
20th Century Architecture | Bauhaus | Walter Gropius and Adolph Meyer |
Fagus Shoe Factory |
Alfeld, Germany |
Arnason | 5 | 16.2 | |||||
| 001047 | 1914 | 20th Century Architecture | Bauhaus | Walter Gropius and Adolph Meyer |
Model Factory at the Werkbund Exhibition | Germany | ||||||||
| 001048 | 1922 | 20th Century Architecture | Bauhaus | Walter Gropius and Adolph Meyer |
Design for Chicago Tribune Tower |
|||||||||
| 001049 | ca. 1922 |
20th Century Architecture | Bauhaus | Walter Gropius |
Walter Gropius with Chicago Tribune Design |
|||||||||
| 001050 | 1929 | 20th Century Architecture | Bauhaus | Ludwig Mies Van Der Rohe |
German Pavilion, Barcelona |
Barcelona, Spain |
||||||||
| 001051 | 1927 | 20th Century | Bauhaus | Marcel Breuer |
Armchair, Model B3 Chairs |
Museum of Modern Art, New York | chrome-plated tubular steel with canvas slings | Arnason | 5 | 16.1 | ||||
| 001052 | 1920s | 20th Century Architecture | Bauhaus | Marcel Breuer |
||||||||||
| 001053 | 1931 | 20th Century | Bauhaus | Heinrich Loeffelhardt |
Teapot for Jaener Company |
blown glass | ||||||||
| 001054 | 1924 | 20th Century | Bauhaus | Josef Hartwig |
Chess Set |
wood | ||||||||
| 001055 | 1925 | 20th Century | Bauhaus | Herbert Bayer |
Bayer Universel |
typeface | ||||||||
| 001056 | 1924 | 20th Century | Bauhaus | Willie Baumeister |
Invitation Card-example of reading order |
|||||||||
| 001057 | 1928 | 20th Century | Bauhaus | Jan Tschischold |
Examples from The New Typography |
|||||||||
| 001058 | 1928 | 20th Century | Bauhaus | Jan Tschischold |
Ad-Example for The New Typography |
|||||||||
| 001059 | ca.1940 | 20th Century | Bauhaus | Laszlo Moholy-Nagy |
Untitled | photogram, silver-bromide print | ||||||||
| 001060 | ca. 1928 | 20th Century | Bauhaus | Laszlo Moholy-Nagy |
Untitled (looking down from the Radio Tower, Berlin) |
Art Institute of Chicago | gelatin-silver print | Gardner | 12 | 33-57 | Arnason | 5 | 17.3 | |
| 001061 | 1922-30 | 20th Century | Bauhaus | Laszlo Moholy-Nagy | Light-Space Modulator |
Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, Massachusetts | kinetic sculpture with steel, plastic, wood, electric motor | Arnason | 5 | 17.1 | ||||
| 001062 | 1922-30 | 20th Century | Bauhaus | Laszlo Moholy-Nagy | Light-Space Modulator |
kinetic sculpture with steel, plastic, wood, electric motor | ||||||||
| 001063 | ca. 1929 | 20th Century | Bauhaus | Theo Ballmer |
Photoexperiment (assignment given by Walter Peterhans) | gelatin-silver prints mounted on board | ||||||||
| 001064 | 1930-31 | 20th Century | Bauhaus | Kurt Kranz |
Eye Series |
16 gelatin-silver prints mounted on board | ||||||||
| 001065 | 1929 | 20th Century | Bauhaus | Paul Klee |
In the Current Six Thresholds |
Solomon R. Guggenheim Museum, New York | oil and tempera on canvas | Arnason | 5 | 17.14 | ||||
| 001066 | 1932 | 20th Century | Bauhaus | Paul Klee |
Ad Parnassum | Kunstmuseum, Bern | oil and casein on canvas | Arnason | 5 | 17.15 | ||||
| 001067 | 1923 | 20th Century | Bauhaus | Vasily Kandinsky |
Composition VIII |
Solomon R. Guggenheim Museum, New York | oil on canvas | Arnason | 5 | 17.17 | ||||
| 001068 | 1926 | 20th Century | Bauhaus | Vasily Kandinsky |
Several Circles, No. 323 | Solomon R. Guggenheim Museum, New York | oil on canvas | Arnason | 5 | 17.18 | ||||
| 001069 | 1926 | 20th Century | Bauhaus | Anni Albers |
Blanket WE 493 |
wool | ||||||||
| 001070 | 1938 | 20th Century Architecture | Bauhaus | Walter Gropius |
Gropius House |
Lincoln, Massachusetts |
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| 001071 | 1917 | 20th Century | Pittura Metafisica | Giorgio De Chirico |
The Great Metaphysician |
Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 13.7 | ||||
| 001072 | 1914 | 20th Century | Pittura Metafisica | Giorgio De Chirico |
The Melancholy and Mystery of a Street |
Private Collection | oil on canvas | Gardner | 12 | 33-44 | Arnason | 5 | 13.6 | |
| 001073 | 1913 | 20th Century | Pittura Metafisica | Giorgio De Chirico |
The Soothsayer s Recompense |
Philadelphia Museum of Art, Philadelphia | oil on canvas | Arnason | 5 | 13.5 | ||||
| 001074 | 1920 | 20th Century | Dada | Andre Breton |
Performing Far-Sighted Manifesto | Altshuler | 1998 | p 119 | ||||||
| 001075 | 1925 |
20th Century | Surrealism | Andre Breton |
Self-portrait |
Morton G. Neumann Family Collection | photomontage | Arnason | 5 | 15.1 | ||||
| 001076 | 1928 | 20th Century | Surrealism | Man Ray, Yves Tanguy, Joan Miro, Max Morise |
Exquisite Corpse |
ink on paper |
||||||||
| 001077 | ca. 1930 | 20th Century | Surrealism | Andre Breton, Valentine Hugo, Greta Knutson, Tristan Tzara | Exquisite Corpse | ink on paper |
||||||||
| 001078 | 1922 | 20th Century | Surrealism | Max Ernst |
Untitled, from Les Malheurs des Immortels |
collage | ||||||||
| 001079 | 1940 | 20th Century | Surrealism | Max Ernst |
The Robing of the Bride | oil on canvas | ||||||||
| 001080 | 1926 | 20th Century | Surrealism | Max Ernst |
The Virgin Spanking the Christ Child Before Three Witnesses: Andre Breton, Paul Elouard, and the Painter | oil on canvas | ||||||||
| 001081 | 1936 | 20th Century | Surrealism | Max Ernst |
La Joie de Vivre | Collection Sir Roland Penrose, London | oil on canvas | Altshuler | 1998 | p 131 | ||||
| 001082 | 1940-42 |
20th Century | Surrealism | Max Ernst |
Europe After the Rain |
Wadswoth Atheneum, Hartford, Connecticut | oil on canvas | Arnason | 5 | 15.7 | ||||
| 001083 | 1932 | 20th Century | Surrealism | Salvador Dali |
Anthropomorphic Bread | oil on canvas | ||||||||
| 001084 | 1931 | 20th Century | Surrealism | Salvador Dali |
The Persistence of Memory |
Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-46 | Arnason | 5 | 15.26 | |
| 001085 | 1937 | 20th Century | Surrealism | Salvador Dali |
The Metamorphosis of Narcissus |
oil on canvas | ||||||||
| 001086 | 1954 | 20th Century | Surrealism | Salvador Dali |
Young Virgin Autosodomized by Her Own Chastity | Collection Carlos Alemany, New York City | oil on canvas | |||||||
| 001087 | 1929 | 20th Century | Surrealism | Salvador Dali and Louis BuÒuel |
Un Chien Andalou | motion picture | ||||||||
| 001088 | 1938 | 20th Century | Surrealism | Salvador Dali |
Rainy Taxi | installation | Altshuler | 1998 | p 123 | |||||
| 001089 | 1938 | 20th Century | Surrealism | Salvador Dali, Joan Miro, Max Ernst, Oscar Domenguez | International Surrealist Exhibition Mannequins | installation | Altshuler | 1998 | p 126, 127 | |||||
| 001090 | 1928 | 20th Century | Surrealism | Rene Magritte |
The False Mirror |
Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 15.30 | ||||
| 001091 | 1952 | 20th Century | Surrealism | Rene Magritte |
The Empire of Light |
oil on canvas | ||||||||
| 001092 | 1934 | 20th Century | Surrealism | Rene Magritte |
The Rape |
oil on canvas | ||||||||
| 001093 | 1928-29 | 20th Century | Surrealism | Rene Magritte |
The Treachery of Images |
Los Angeles County Museum of Art, Los Angeles | oil on canvas | Gardner | 12 | 33-47 | Arnason | 5 | 15.29 | |
| 001094 | 1938 | 20th Century | Surrealism | Rene Magritte |
Time Transfixed | Art Institute of Chicago, Chicago | oil on canvas | Arnason | 5 | 15.33 | ||||
| 001095 | 1939 | 20th Century | Surrealism | Salvador Dali |
Dream of Venus |
Flushing, Queens, New York | installation | |||||||
| 001096 | 1942 | 20th Century | Surrealism | First Papers of Surrealism Exhibition, New York |
installation | Altshuler | 1998 | p 153 | ||||||
| 001097 | 1942 | 20th Century | Surrealism | Art of This Century Gallery, New York |
Altshuler | 1998 | p 148, 150 | Arnason | 5 | 15.22 | ||||
| 001098 | 1944 | 20th Century | Surrealism | Frida Kahlo |
The Broken Column |
oil on canvas |
||||||||
| 001099 | 1932 | 20th Century | Surrealism | Frida Kahlo |
Henry Ford Hospital |
oil on metal | ||||||||
| 001100 | 1944 |
20th Century | Surrealism | Matta | Disasters of Mysticism |
Estate of James Thrall Soby, New Canaan, Connecticut | oil on canvas |
Arnason | 5 | 15.23 | ||||
| 001101 | 1943 | 20th Century | Surrealism | Wilfredo Lam |
The Jungle | Museum of Modern Art, New York | gouache on paper on canvas | Arnason | 5 | 15.24 | ||||
| 001102 | 1935-36 | 20th Century | Surrealism | Brassai | Staircase, Montmartre, Paris |
gelatin-silver print | ||||||||
| 001103 | 1933 | 20th Century | Surrealism | Brassai | Bijou | gelatin-silver print | ||||||||
| 001104 | 1932 | 20th Century | Surrealism | Brassai | Lesbian Couple at Le Monocle, Paris |
gelatin-silver print | ||||||||
| 001105 | 1933 | 20th Century | Surrealism | Andre Kertesz | Distortion No. 40 | gelatin-silver print | ||||||||
| 001106 | 1933 | 20th Century | Surrealism | Andre Kertesz |
Distortion No. 172 |
gelatin-silver print | ||||||||
| 001107 | 1929 | 20th Century | Surrealism | Man Ray |
Anatomies | gelatin-silver print | ||||||||
| 001108 | 1929 | 20th Century | Surrealism | Man Ray |
Primacy of Matter over Thought |
gelatin-silver print | ||||||||
| 001109 | 1930 | 20th Century | Surrealism | Man Ray |
Fingers | Museum of Modern Art, New York | gelatin-silver print | Arnason | 5 | 15.60 | ||||
| 001110 | 1924 | 20th Century | Surrealism | Man Ray |
Le Violin d Ingres |
gelatin-silver print | ||||||||
| 001111 | 1932-33 |
20th Century | Surrealism | Man Ray |
Larmes (Tears) |
gelatin-silver print | ||||||||
| 001112 | 1930 | 20th Century | Surrealism | Man Ray |
Prayer | gelatin-silver print | ||||||||
| 001113 | 1934 | 20th Century | Surrealism | Man Ray |
Minotaur | gelatin-silver print | ||||||||
| 001114 | 1936 | 20th Century | Surrealism | Man Ray | Yves Tanguy | gelatin-silver print | ||||||||
| 001115 | 1937 | 20th Century | Surrealism | Yves Tanguy |
The Sun in Its Jewel Case | Solomon R. Guggenheim Museum, New York | oil on canvas | Altshuler | 1998 | p 134 | ||||
| 001116 | 1942 | 20th Century | Surrealism | Yves Tanguy |
Infinite Divisibility |
oil on canvas | ||||||||
| 001117 | 1954 | 20th Century | Surrealism | Yves Tanguy |
Multiplication of the Arcs |
Museum of Modern Art, New York | oil on canvas | Arnason | 5 | 15.21 | ||||
| 001118 | 1941 | 20th Century | Surrealism | Joan Miro |
Ciphers and Constellations in Love with a Woman |
oil on canvas |
||||||||
| 001119 | 1936 | 20th Century | Surrealism | Oscar Dominguez |
Untitled | gouache transfer on paper | ||||||||
| 001120 | 1937 | 20th Century | Surrealism | Andre Masson |
Death of Ophelia |
oil on canvas | Altshuler | 1998 | p 117 | |||||
| 001121 | 1925 | 20th Century | Surrealism | Andre Masson |
Vegetable Delerium |
ink on paper | ||||||||
| 001122 | 1942 | 20th Century | Surrealism | Andre Masson | The Seeded Earth | oil on canvas | ||||||||
| 001123 | 1936 | 20th Century | Surrealism | Meret Oppenheim |
Object | Museum of Modern Art, New York | fur-covered cup, saucer and spoon | Gardner | 12 | 33-48 | Arnason | 5 | 15.36 | |
| 001124 | 1930-31 |
20th Century | Surrealism | Alberto Giacometti |
Suspended Ball |
iron and plaster |
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| 001125 | 1932 | 20th Century | Surrealism | Alberto Giacometti |
Woman with Her Throat Cut |
Museum of Modern Art, New York | bronze | Arnason | 5 | 15.56 | ||||
| 001126 | 1932-33 | 20th Century | Surrealism | Alberto Giacometti |
The Palace at 4 a.m. |
Museum of Modern Art, New York | wood, glass, wire and string | Arnason | 5 | 15.57 | ||||
| 001127 | 1936 | 20th Century | Surrealism | Hans Bellmer |
Doll | marble | ||||||||
| 001128 | 1934 | 20th Century | Surrealism | Hans Bellmer |
Doll | wood, metal, papier-m’che | Altshuler | 1998 | p 122 | |||||
| 001129 | 1936 | 20th Century | Surrealism | Hans Bellmer |
Doll | |||||||||
| 001130 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition Poster | Munich, Germany | poster | ||||||||
| 001131 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition | Munich, Germany | Altshuler | 1998 | p 141 | ||||||
| 001132 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition Catalog | Munich, Germany | |||||||||
| 001133 | 1937 | 20th Century | German Expressionism, Entartete Kunst | Ludwig Gies | Crucified Christ, Entartete Kunst Exhibition | Munich, Germany | Altshuler | 1998 | p 137 | |||||
| 001134 | 1917 | 20th Century | Neue Sachlichkeit, Entartete Kunst | Max Beckmann | Christ with the Woman Taken in Adultery | Saint Louis Art Museum, Saint Louis | oil on canvas | Altshuler | 1998 | p 139 | ||||
| 001135 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition | Munich, Germany | Altshuler | 1998 | p 146 | ||||||
| 001136 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition | Munich, Germany | Arnason | 5 | 13.44 | ||||||
| 001137 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition | Munich, Germany | Altshuler | 1998 | p 144 | ||||||
| 001138 | 1937 | 20th Century | German Expressionism, Entartete Kunst | Otto Freundlich | The New Man, Entartete Kunst Exhibition | Munich, Germany | ||||||||
| 001139 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition, View of Room 3, 2nd Floor | Munich, Germany | |||||||||
| 001140 | 1937 | 20th Century | Entartete Kunst | Entartete Kunst Exhibition Entrance | Munich, Germany | Altshuler | 1998 | p 138 | ||||||
| 001141 | 1941 | 20th Century | German National Socialist (Nazi) | Theodor Rieger | Boy from Hitler Youth | oil on canvas | ||||||||
| 001142 | July 16, 1939 | 20th Century Architecture | German National Socialist (Nazi) | Opening of the Great German Art Exhibition | Munich, Germany | |||||||||
| 001143 | October 15, 1933 | 20th Century Architecture | German National Socialist (Nazi) | Laying the Cornerstone for the Haus Der Deutschen Kunst (House of German Art) | Munich, Germany | |||||||||
| 001144 | 1937 | 20th Century Architecture | German National Socialist (Nazi) | Paul Ludwig Troost | House of German Art | Munich, Germany | ||||||||
| 001145 | 1938 | 20th Century Architecture | German National Socialist (Nazi) | Great German Art Exhibition | Munich, Germany | |||||||||
| 001146 | July 18, 1937 | 20th Century Architecture | German National Socialist (Nazi) | Day of German Art | Munich, Germany | |||||||||
| 001147 | July 18, 1937 | 20th Century Architecture | German National Socialist (Nazi) | Opening of House of German Art | Munich, Germany | |||||||||
| 001148 | 1940 | 20th Century | German National Socialist (Nazi) | Conrad Hommel | The Fuhrer and Commander-in-Chief of the Army | Adam | 1992 | p 105 | ||||||
| 001149 | 20th Century Architecture | German National Socialist (Nazi) | Hermann Otto Hoyer | In the Beginning was the Word | Adam | 1992 | p 172 | |||||||
| 001150 | 1939 | 20th Century | German National Socialist (Nazi) | Adolph Wissel |
Farm Family from Kalenberg |
oil on panel | Adam | 1992 | p 148 | |||||
| 001151 | 1938 | 20th Century | German National Socialist (Nazi) | Karl Alexander Flugel | Harvest | Adam | 1992 | p 108 | ||||||
| 001152 | 1938 | 20th Century | German National Socialist (Nazi) | Adolph Ziegler | The Elements | |||||||||
| 001153 | 1939-40 | 20th Century | German National Socialist (Nazi) | Ivo Saliger | Diana s Rest | Adam | 1992 | p 223 | ||||||
| 001154 | 1940 | 20th Century | German National Socialist (Nazi) | Sepp Hilz | Peasant Venus | |||||||||
| 001155 | 1936 | 20th Century | German National Socialist (Nazi) | Albert Janesch | Water Sports | Adam | 1992 | p 64 | ||||||
| 001156 | 20th Century | German National Socialist (Nazi) | Hans Schmitz-Wiedenbruck | Workers, Soldiers, Farmer | Adam | 1992 | p 162-63 | |||||||
| 001157 | 1942-43 | 20th Century | German National Socialist (Nazi) | Emil Scheibe | Hitler at the Front | Adam | 1992 | p 173 | ||||||
| 001158 | 1936 | 20th Century | German National Socialist (Nazi) | Lothar Heinenmann | Germany: The Land of Music | poster | ||||||||
| 001159 | 1938 | 20th Century | German National Socialist (Nazi) | Arno Breker | The Wehrmacht | |||||||||
| 001160 | ca. 1937 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Albert Speer and Adolph Hitler discuss The German Pavilion | |||||||||
| 001161 | 1937 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | The German Pavilion International Exposition | Paris, France | ||||||||
| 001162 | 1939 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Berlin Model | architectural model | ||||||||
| 001163 | 1939 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Berlin Model | architectural model | ||||||||
| 001164 | 1939 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Berlin Great Hall and Triumphal Arch models | architectural model | ||||||||
| 001165 | 1939 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Great Hall photomontage | architectural model | ||||||||
| 001166 | 1937 | 20th Century Architecture | German National Socialist (Nazi) | Albert Speer | Light Cathedral | |||||||||
| 001167 | 1926 | 20th Century | German National Socialist (Nazi) | Heinrich Hoffman | Hitler | gelatin-silver prints | Adam | 1992 | p 90, 91 | |||||
| 001168 | 1934 | 20th Century | German National Socialist (Nazi) | Leni Riefenstahl | Triumph of the Will | motion picture | ||||||||
| 001169 | 1927 | 20th Century | Soviet Socialist Realism | Artists of AKhRR | Political and Educational Work in 1917-27 | poster | ||||||||
| 001170 | 1929-30 | 20th Century | Soviet Socialist Realism | Otto Griebel | Die Internationale | oil on canvas | ||||||||
| 001171 | 1929 | 20th Century | Soviet Socialist Realism | Aleksandr Gerasimov | Lenin on the Tribune | Historical Museum, Moscow | oil on canvas | Bown | 1998 | 138 | ||||
| 001172 | 1924 | 20th Century | Soviet Socialist Realism | Isaac Izrailevich Brodsky | Vladimir Ilich Lenin | oil on cardboard | ||||||||
| 001173 | 1936-7 | 20th Century | Soviet Socialist Realism | Vasili Efanov | An Unforgettable Meeting | Tretyakov Gallery, Moscow | oil on canvas | Bown | 1998 | 169 | ||||
| 001174 | 1949 | 20th Century | Soviet Socialist Realism | Boris Ieremeevich Vladimirski | Roses for Stalin | oil on canvas | ||||||||
| 001175 | 1948 | 20th Century | Soviet Socialist Realism | Fedor Shurpin |
The Morning of Our Native Land |
Private Collection | oil on canvas | Bown | 1998 | 247 | ||||
| 001176 | 1949 | 20th Century | Soviet Socialist Realism | Mikhail Khmelko | The Triumph of the Conquering People | Tretyakov Gallery, Moscow | oil on canvas | Bown | 1998 | 254 | ||||
| 001177 | 1937 | 20th Century | Soviet Socialist Realism | Arkadi Plastov | A Collective Farm Festival | Russian Museum, St. Petersburg | oil on canvas | Bown | 1998 | 162 | ||||
| 001178 | 1938 | 20th Century | Soviet Socialist Realism | Aleksandr Dieneka | Woman on Harvester | from Moscow Subway, Moscow, Russia | mosaic | |||||||
| 001179 | 1932 | 20th Century | Soviet Socialist Realism | Aleksandr Deineka | A Mother | Tretyakov Gallery, Moscow | oil on canvas | Bown | 1998 | 182 | ||||
| 001180 | 1949 | 20th Century | Soviet Socialist Realism | Mikhail Kostin | In the Stalin Factory | Private Collection | oil on canvas | Bown | 1998 | 233 | ||||
| 001181 | 1952 | 20th Century | Soviet Socialist Realism | Fedor Reshetnikov | Low Marks Again | Tretyakov Gallery, Moscow | oil on canvas | Bown | 1998 | 333 | ||||
| 001182 | 1937 | 20th Century | Soviet Socialist Realism | Vera Mukhina | Factory Worker and Collective Farm Girl | Gardner | 12 | 33-74 | ||||||
| 001183 | 1937 | 20th Century Architecture | Soviet Socialist Realism | Gelfreikh Iofan | The Soviet Pavilion | International Exposition, Paris, France | architectural model | |||||||
| 001184 | 1923-28 | 20th Century | Mexican Muralists | Diego Rivera | Contradictions Between the Rich and Poor | mural | ||||||||
| 001185 | 1932-34 | 20th Century | Mexican Muralists | Diego Rivera | Man at the Crossroads (destroyed) | mural | ||||||||
| 001186 | 1932-33 | 20th Century | Mexican Muralists | Diego Rivera | Detroit Industry (North Wall) | fresco | Arnason | 5 | 18.55 | |||||
| 001187 | 1932-33 | 20th Century | Mexican Muralists | Diego Rivera | Detroit Industry (South Wall) | fresco | ||||||||
| 001188 | 1932 | 20th Century | Mexican Muralists | Jose Clemente Orozco | American Civilization Gods of the Modern World | mural | ||||||||
| 001189 | 1932 | 20th Century | American Regionalism | Thomas Hart Benton | Arts of the American West | mural | ||||||||
| 001190 | 1932 | 20th Century | American Regionalism | Thomas Hart Benton | History of Indiana | mural | ||||||||
| 001191 | 1930s | 20th Century | Works Progress Administration (WPA) | Seymour Fogel | Religious and Modern Music | Abraham Lincoln High School, New York | mural | |||||||
| 001192 | 1930s | 20th Century | Works Progress Administration (WPA) | Harold Lehman | Man s Daily Bread | Rikers Island Penitentiary, New York, New York | mural | |||||||
| 001193 | 1930s | 20th Century | Works Progress Administration (WPA) | Philip Guston | Cultural and Recreational Activities of a Community Center | Queensbridge Houses, Queens, New York | mural | |||||||
| 001194 | 1928-32 | 20th Century | Russian Avant-Garde: Early Soviet | Kazimir Malevich | Haymaking | oil on canvas | ||||||||
| 001195 | 1928-32 | 20th Century | Russian Avant-Garde: Early Soviet | Kazimir Malevich | Woman with a Rake | oil on wood | ||||||||
| 001196 | 1924-26 | 20th Century | Russian Avant-Garde: Early Soviet | Pavel Filonov | The February Revolution | watercolor, Indian ink, feather, ink pencil on paper | ||||||||
| 001197 | 1924-26 | 20th Century | Russian Avant-Garde: Early Soviet | Pavel Filonov |
A Mechanic | watercolor, Indian ink, feather, ink pencil on paper | ||||||||
| 001198 | 1929-30 | 20th Century Architecture | Le Corbusier (Charles Edouard Jeanneret) | Villa Savoye | Poissy-sur-Seine, France | Gardner | 12 | 33-64 | ||||||
| 001199 | 1925 | 20th Century Architecture | Le Corbusier (Charles Edouard Jeanneret) | Plan for a City of 3 million Inhabitants | ||||||||||
| 001200 | 1984 | 20th Century | Postmodernism | Sigmar Polke | Watchtower | Museum of Modern Art, New York | ||||||||
| 001201 | 1951 | 20th Century Architecture | International Style | Ludwig Mies van der Rohe | Lake Shore Drive Apartments | Chicago, Illinois | Arnason | 5 | 23.10 | |||||
| 001202 | begun 1947 | 20th Century Architecture | William J. Levitt | Levittown | Levittown, New York | |||||||||
| 001203 | 1955 | 20th Century Architecture | Minoru Yamasaki | Pruitt-Igoe Houses | St. Louis, Missouri | Arnason | 5 | 25.1 | ||||||
| 001204 | 1952 | 20th Century Architecture | International Style | Skidmore, Owings & Merrill (SOM) | Lever House | New York, New York | Arnason | 5 | 23.11 | |||||
| 001205 | 1958 | 20th Century Architecture | International Style | Ludwig Mies van der Rohe | Seagram Building | New York, New York | Gardner | 12 | 34-46 | Arnason | 5 | 23.12 | ||
| 001206 | 1955 | 20th Century Architecture | Imagineers | Main Street USA, Disneyland | Anaheim, California | |||||||||
| 001207 | 1962 | 20th Century Architecture | Max Abromovitz | Lincoln Center, Avery Fisher Hall | New York, New York | |||||||||
| 001208 | 1966 | 20th Century Architecture | Wallace Harrison | Lincoln Center, Metropolitan Opera House | New York, New York | |||||||||
| 001209 | 1963 | 20th Century Architecture | Eero Saarinen | TWA Terminal | JFK Airport, Queens, New York | Gardner | 12 | 34-45 | Arnason | 5 | 23.42 | |||
| 001210 | 1959 | 20th Century Architecture | Brutalism | James Stirling | Engineering Building | Leicester University, Leicester, England | ||||||||
| 001211 | 1968 | 20th Century Architecture | Brutalism | Kallman, McKinnell and Knowles | Boston City Hall | Boston, Massachusetts | ||||||||
| 001212 | 1978 | 20th Century Architecture | International Style | Hugh Stubbins and Associates | Citicorp Center | New York, New York | ||||||||
| 001213 | 1977 | 20th Century Architecture | Postmodernism | Renzo Piano and Richard Rogers | Centre Georges Pompidou | Paris, France | Gardner | 12 | 34-52 | Arnason | 5 | 23.21 | ||
| 001214 | 1979 | 20th Century Architecture | Postmodernism | Frank Gehry | The Architect s House | Santa Monica, California | ||||||||
| 001215 | 1979 | 20th Century Architecture | Postmodernism | Philip Johnson and John Burgee | AT&T Building (Sony Building) | New York, New York | Gardner | 12 | 34-49 | Arnason | 5 | 25.13, 25.14, 25.15 | ||
| 001216 | 1978 | 20th Century Architecture | Postmodernism | Charles Moore | Piazza d Italia | New Orleans, Louisiana | Gardner | 12 | 34-48 | Arnason | 5 | 25.6, 25.7 | ||
| 001217 | 1996 | 20th Century Architecture | Postmodernism | Gaskin and Bezanski | New York, New York Hotel and Casino | Las Vegas, Nevada | ||||||||
| 001218 | 1997 | 20th Century Architecture | Cesar Pelli | Petronas Towers | Kuala Lumpur, Malaysia | Arnason | 5 | 25.25 | ||||||
| 001219 | 1997 | 20th Century Architecture | Frank Gehry | Guggenheim Museum Bilbao | Bilbao, Spain | |||||||||
| 001220 | 2000 | 20th Century Architecture | Polshek Partnership | Rose Center for Earth and Space | New York, New York | |||||||||
| 001221 | 2004 | 20th Century Architecture | Skidmore, Owings & Merrill (SOM) | Time Warner Center | New York, New York | |||||||||
| 001222 | January 15, 1951 | 20th Century | Abstract-Expressionism | The Irascibles Life Magazine |
Altshuler | 1998 | p 159 | |||||||
| 001223 | 1942 | 20th Century | Abstract-Expressionism | Art of This Century Gallery, New York |
Altshuler | 1998 | p 148 | |||||||
| 001224 | 1929-36 | 20th Century | Abstract-Expressionism | Arshile Gorky (Vosdanig Adoian) |
The Artist and His Mother |
National Gallery of Art, Washington, DC | oil on canvas | Arnason | 5 | 19.2 | ||||
| 001225 | 1947 | 20th Century | Abstract-Expressionism | Arshile Gorky (Vosdanig Adoian) |
Garden in the Sochi |
oil on canvas | ||||||||
| 001226 | 1947 | 20th Century | Abstract-Expressionism | Arshile Gorky (Vosdanig Adoian) |
Agony | oil on canvas | ||||||||
| 001227 | 1934-35 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Going West |
oil on fiberboard | ||||||||
| 001228 | 1938-41 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Masqued Image | oil on canvas | ||||||||
| 001229 | 1943 | 20th Century | Abstract-Expressionism | Jackson Pollock |
She Wolf | oil on canvas | ||||||||
| 001230 | 1946 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Shimmering Substance |
oil on canvas | ||||||||
| 001231 | 1949 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Number 3, 1949: Tiger | oil on canvas | ||||||||
| 001232 | August 8,1949 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Jackson Pollock: Is he the greatest living painter in the United States? Life Magazine |
Altshuler | 1998 | p 165 | ||||||
| 001233 | 20th Century | Abstract-Expressionism | Hans Namuth | Jackson Pollock Painting | ||||||||||
| 001234 | 1950 | 20th Century | Abstract-Expressionism | Jackson Pollock |
Lavender Mist |
National Gallery of Art, Washington, DC | oil on canvas | Gardner | 12 | 34-4 | Arnason | 5 | 19.10 | |
| 001235 | 1952 | 20th Century | Abstract-Expressionism | Jackson Pollock | Autumn Rhythm |
oil on canvas | ||||||||
| 001236 | 1952 | 20th Century | Abstract-Expressionism | Jackson Pollock | Full Fathom Five |
oil on canvas | ||||||||
| 001237 | 1952 | 20th Century | Abstract-Expressionism | Jackson Pollock | Convergence |
oil on canvas | ||||||||
| 001238 | 1947 | 20th Century | Abstract-Expressionism | Lee Krasner |
Noon | oil on canvas | ||||||||
| 001239 | 1951-53 | 20th Century | Abstract-Expressionism | Lee Krasner |
Blue and Black |
oil on canvas | ||||||||
| 001240 | ca. 1952 | 20th Century | Abstract-Expressionism | Franz Kline |
Untitled | ink on telephone book paper | ||||||||
| 001241 | 1960 | 20th Century | Abstract-Expressionism | Franz Kline |
Untitled | collage, ink and pastel on paper | ||||||||
| 001242 | 1953 | 20th Century | Abstract-Expressionism | Franz Kline |
New York, NY |
oil on canvas | ||||||||
| 001243 | 1959-60 | 20th Century | Abstract-Expressionism | Franz Kline |
Lehigh V Span |
oil on canvas | ||||||||
| 001244 | 1959 | 20th Century | Abstract-Expressionism | Franz Kline |
Zinc Yellow | oil on canvas | ||||||||
| 001245 | 1947-48 | 20th Century | Abstract-Expressionism | David Smith | Royal Bird | steel, bronze and stainless steel | ||||||||
| 001246 | 1951 | 20th Century | Abstract-Expressionism | David Smith | Hudson River Landscape |
stainless steel | ||||||||
| 001247 | 1960 | 20th Century | Abstract-Expressionism | Mark di Suvero | Hankchampion | Whitney Museum of American Art, New York | wood and chains | Arnason | 5 | 19.45 | ||||
| 001248 | 1969-70 | 20th Century | Abstract-Expressionism | Mark di Suvero | Mother Peace | steel | ||||||||
| 001249 | 1946 | 20th Century | Abstract-Expressionism | Adolph Gottlieb | Pictograph | oil on canvas | ||||||||
| 001250 | 1954 | 20th Century | Abstract-Expressionism | Adolph Gottlieb |
The Cadmium Sound |
oil on canvas | ||||||||
| 001251 | 1952 | 20th Century | Abstract-Expressionism | Adolph Gottlieb |
Frozen Sounds II | oil on canvas | ||||||||
| 001252 | 1964 | 20th Century | Abstract-Expressionism | Adolph Gottlieb |
Orb | Dallas Museum of Art, Dallas | oil on canvas | Arnason | 5 | 19.34 | ||||
| 001253 | 1969 | 20th Century | Abstract-Expressionism | Adolph Gottlieb |
Red Burst | oil on canvas | ||||||||
| 001254 | 1956 | 20th Century | Abstract-Expressionism | Philip Guston |
Dial | oil on canvas | ||||||||
| 001255 | 1956 | 20th Century | Abstract-Expressionism | Philip Guston |
Voyage | oil on canvas | ||||||||
| 001256 | 1967 | 20th Century | Abstract-Expressionism | Elaine de Kooning | Harold Rosenberg |
National Portrait Gallery, Smithsonian Institution, Washington, DC | ink wash on laid paper | Arnason | 5 | 19.22 | ||||
| 001257 | 1956 | 20th Century | Abstract-Expressionism | Elaine de Kooning | Harold Rosenberg #3 |
oil on canvas | ||||||||
| 001258 | ca. 1940 | 20th Century | Abstract-Expressionism | Willem de Kooning | Seated Woman | oil and charcoal on masonite | ||||||||
| 001259 | 1946 | 20th Century | Abstract-Expressionism | Willem de Kooning | Fire Island | oil on paper | ||||||||
| 001260 | 1949-50 | 20th Century | Abstract-Expressionism | Willem de Kooning | Woman | Weatherspoon Gallery, Greensboro, North Carolina | oil on canvas | Altshuler | 1998 | p 160 | ||||
| 001261 | 1950-52 | 20th Century | Abstract-Expressionism | Willem de Kooning | Woman I | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 34-6 | Arnason | 5 | 19.5 | |
| 001262 | 1955 | 20th Century | Abstract-Expressionism | Willem de Kooning | Gotham News | Albright-Knox Art Gallery, Buffalo | oil on canvas | Arnason | 5 | 19.6 | ||||
| 001263 | 1954 | 20th Century | Abstract-Expressionism | Willem de Kooning | Two Women | pastel charcoal and pastel on paper | ||||||||
| 001264 | 1950s | 20th Century | Abstract-Expressionism | Cedar Street Tavern |
Altshuler | 1998 | p 163 | |||||||
| 001265 | ca. 1950 | 20th Century | Abstract-Expressionism | Joan Mitchell |
Untitled | Collection Cy and Lissa Wagner, New York | oil on canvas | Altshuler | 1998 | p 157 | ||||
| 001266 | 1945 | 20th Century | Abstract-Expressionism | Mark Tobey | Red Man White Man Black Man | oil and gouache on cardboard | ||||||||
| 001267 | 1954 | 20th Century | Abstract-Expressionism | Robert Motherwell | Fishes with Red Stripe | oil on paper | ||||||||
| 001268 | 1953-54 | 20th Century | Abstract-Expressionism | Robert Motherwell | Elegy to the Spanish Republic #34 | Albright-Knox Art Gallery, Buffalo | oil on canvas | Arnason | 5 | 19.36 | ||||
| 001269 | 1947 | 20th Century | Abstract-Expressionism | Clyfford Still |
January 1947 |
oil on canvas | ||||||||
| 001270 | 1957 | 20th Century | Abstract-Expressionism | Clyfford Still |
1957-D No. 1 | oil on canvas | ||||||||
| 001271 | 1947 | 20th Century | Abstract-Expressionism | Aaron Siskind | Martha s Vineyard II | gelatin-silver print | ||||||||
| 001272 | 1952 | 20th Century | Abstract-Expressionism | Aaron Siskind | Chicago #21 | gelatin-silver print | ||||||||
| 001273 | 1960 | 20th Century | Abstract-Expressionism | Aaron Siskind | Chicago #85 | gelatin-silver print | ||||||||
| 001274 | 1952 | 20th Century | Abstract-Expressionism | William Baziotes |
Primeval | oil on canvas | ||||||||
| 001275 | 1957 | 20th Century | Abstract-Expressionism | William Baziotes |
White Bird |
oil on canvas | ||||||||
| 001276 | 1946 | 20th Century | Abstract-Expressionism | Barnett Newman |
Genesis The Break |
oil on canvas | Arnason | 5 | 19.28 | |||||
| 001277 | 1948 | 20th Century | Abstract-Expressionism | Barnett Newman |
Onement I | oil and masking tape on canvas | ||||||||
| 001278 | 1951-52 | 20th Century | Abstract-Expressionism | Barnett Newman |
Adam | oil on canvas | ||||||||
| 001279 | 20th Century | Abstract-Expressionism | Barnett Newman |
Barnett Newman |
oil on canvas | |||||||||
| 001280 | 20th Century | Abstract-Expressionism | Barnett Newman |
Barnett Newman |
oil on canvas | |||||||||
| 001281 | 1946 | 20th Century | Abstract-Expressionism | Barnett Newman |
Pagan Void |
oil on canvas | ||||||||
| 001282 | 1949 | 20th Century | Abstract-Expressionism | Barnett Newman |
Dionysius | oil on canvas | ||||||||
| 001283 | 1952 | 20th Century | Abstract-Expressionism | Barnett Newman |
Achilles | oil and acrylic resin on canvas | ||||||||
| 001284 | 1952 | 20th Century | Abstract-Expressionism | Barnett Newman |
Onement V | oil on canvas | ||||||||
| 001285 | 1949 | 20th Century | Abstract-Expressionism | Barnett Newman |
Yellow Painting |
oil on canvas | ||||||||
| 001286 | 1950-51 | 20th Century | Abstract-Expressionism | Barnett Newman |
Vir Heroicus Sublimis |
Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 34-7 | Arnason | 5 | 19.29 | |
| 001287 | 1949 | 20th Century | Abstract-Expressionism | Barnett Newman |
Abraham | oil on canvas | ||||||||
| 001288 | 1958 | 20th Century | Abstract-Expressionism | Barnett Newman |
Stations of the Cross: 1st Station |
National Gallery of Art, Washington, DC | magna on canvas | |||||||
| 001289 | 1938 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Subway Scene | oil on canvas | ||||||||
| 001290 | 1946 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Untitled | oil on canvas | ||||||||
| 001291 | 1949 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Number 18 | Frances Lehman Loeb Art Center, Poughkeepsie, New York | oil on canvas | Arnason | 5 | 19.24 | ||||
| 001292 | 1951 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Number 18 | oil on canvas | ||||||||
| 001293 | 1956 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Light Over Grey | oil on canvas | ||||||||
| 001294 | 1956 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Orange and Yellow | oil on canvas | ||||||||
| 001295 | 1961 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
Painting | oil on canvas | ||||||||
| 001296 | 1959 | 20th Century | Abstract-Expressionism | Mark Rothko (Marcus Rothkovich) |
1959 | oil on canvas | ||||||||
| 001297 | 1952 | 20th Century | Abstract-Expressionism | Ad Reinhardt |
No. 15, 1952 |
oil on canvas | ||||||||
| 001298 | 1952 | 20th Century | Abstract-Expressionism | Ad Reinhardt |
Abstract Painting Blue |
Carnegie Museum of Art, Pittsburgh | oil on canvas | Arnason | 5 | 19.32 | ||||
| 001299 | 1952 | 20th Century | Abstract-Expressionism | Ad Reinhardt |
Red Painting 1952 |
oil on canvas | ||||||||
| 001300 | ca. 1954-60 | 20th Century | Abstract-Expressionism | Ad Reinhardt |
Untitled Composition #104 |
oil on canvas | ||||||||
| 001301 | 1937 | 20th Century | Cubism | Bombing of Guernica, Spain |
||||||||||
| 001302 | 1937 (May 1 to June 4) | 20th Century | Cubism | Pablo Picasso | Guernica | Museo Nacional Centro de Arte Reina Sofia, Madrid | oil on canvas | Arnason | 5 | 15.46 | Gardner | 12 | 33-73 | |
| 001303 | 1946 | 20th Century | Postwar European Art | Werner Bischof |
Cologne | gelatin-silver print |
Arnason | 5 | 20.60 | |||||
| 001304 | 1947 | 20th Century | Postwar European Art | Alberto Giacometti |
Head of a Man on a Rod |
Private Collection | bronze | Arnason | 5 | 20.6 | ||||
| 001305 | 1947 | 20th Century | Postwar European Art | Alberto Giacometti |
Man Pointing |
Museum of Modern Art, New York | bronze | Arnason | 5 | 20.7 | ||||
| 001306 | 1950 | 20th Century | Postwar European Art | Alberto Giacometti |
Walking Man II |
bronze | ||||||||
| 001307 | 1956 | 20th Century | Postwar European Art | Alberto Giacometti |
Figure from Venice II |
painted bronze | ||||||||
| 001308 | 1950 | 20th Century | Postwar European Art | Alberto Giacometti |
Chariot | Museum of Modern Art, New York | bronze | Arnason | 5 | 20.8 | ||||
| 001309 | 1950 | 20th Century | Postwar European Art | Alberto Giacometti |
The Forest (Composition with Seven Figures and One Head) | painted bronze | ||||||||
| 001310 | 1948 | 20th Century | Postwar European Art | Alberto Giacometti |
City Square |
bronze | ||||||||
| 001311 | 1950 | 20th Century | Postwar European Art | Alberto Giacometti |
Cat | bronze | ||||||||
| 001312 | 1961 | 20th Century | Postwar European Art | Alberto Giacometti |
Annette | oil on canvas | ||||||||
| 001313 | 1947 | 20th Century | Art Brut | Jean Dubuffet |
Dhotel Hairy with Yellow Teeth (haute p’te) |
Collection Morton G. Neumann Family, Chicago | mixed media on canvas | Arnason | 5 | 20.17 | ||||
| 001314 | 1950 | 20th Century | Art Brut | Jean Dubuffet |
Corps de Dame | India ink on paper | ||||||||
| 001315 | 1947 | 20th Century | Art Brut | Jean Dubuffet |
Cow with the Subtle Nose |
mixed media on canvas |
||||||||
| 001316 | 1944 | 20th Century | Art Brut | Jean Dubuffet |
View of Paris: The Life of Pleasure |
Private Collection | oil on canvas | Arnason | 5 | 20.16 | ||||
| 001317 | 1953 | 20th Century | Art Brut | Jean Dubuffet |
Vie Iniquiete (Uneasy Life) |
oil on canvas | ||||||||
| 001318 | 1963 | 20th Century | Art Brut | Jean Dubuffet |
Virtual Virtue (l hourloupe) | Sammlung Ernst Beyeler, Basel | oil on canvas | Arnason | 5 | 20.19 | ||||
| 001319 | 1972 | 20th Century | Art Brut | Jean Dubuffet |
Group of Four Trees | The Chase Manhattan Bank, New York | epoxy paint on polyurethane over metal structure | Arnason | 5 | 20.20 | ||||
| 001320 | 1933 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
The Street |
oil on canvas | ||||||||
| 001321 | 1937 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
The Mountain |
Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 001322 | 1934 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
The Guitar Lesson |
oil on canvas | ||||||||
| 001323 | 1938 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
Therese | oil on canvas | ||||||||
| 001324 | 1937 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
Therese Reclining |
oil on canvas | ||||||||
| 001325 | 1944-46 | 20th Century | Postwar European Art | Balthus (Balthasar Klossowski de Rola) |
The Golden Days |
Hirshhorn Museum and Sculpture Garden, Washington, DC | oil on canvas | Arnason | 5 | 20.15 | ||||
| 001326 | 1932 | 20th Century | Postwar European Art | Henri Cartier-Bresson |
Behind the Gare Saint-Lazare |
gelatin-silver print | ||||||||
| 001327 | 1933 | 20th Century | Postwar European Art | Henri Cartier-Bresson |
Seville | gelatin-silver print |
||||||||
| 001328 | 1954 | 20th Century | Postwar European Art | Henri Cartier-Bresson |
Rue Mouffetard, Paris |
gelatin-silver print |
||||||||
| 001329 | 1954 | 20th Century | Postwar European Art | Henri Cartier-Bresson |
Alberto Giacomettii | gelatin-silver print |
||||||||
| 001330 | 1949 | 20th Century | Postwar European Art | Robert Doisneau |
from the series The Sideway Glance | gelatin-silver print | ||||||||
| 001331 | 1949 | 20th Century | Postwar European Art | Robert Doisneau |
The Accordianist |
gelatin-silver print | ||||||||
| 001332 | 1948 | 20th Century | Postwar European Art | Robert Doisneau |
Hell | gelatin-silver print |
||||||||
| 001333 | 1952 | 20th Century | Postwar European Art | Robert Doisneau |
Picasso | gelatin-silver print | ||||||||
| 001334 | 1946 | 20th Century | Art Informel | Jean Fautrier |
Head of a Hostage | oil, plaster, dry pigment on canvas | ||||||||
| 001335 | 1960 | 20th Century | Art Informel | Jean Fautrier |
Nude | Collection de Montaigu, Paris | oil on canvas | Arnason | 5 | 20.21 | ||||
| 001336 | 1963 | 20th Century | Art Informel | Hans Hartung |
Untitled T |
Private Collection | oil on canvas | Arnason | 5 | 20.23 | ||||
| 001337 | 1953 | 20th Century | Art Informel | Pierre Soulages |
Painting | Private Collection | oil on canvas | Arnason | 5 | 20.24 | ||||
| 001338 | 1960 | 20th Century | Art Informel | Pierre Soulages |
Composition | Solomon R. Guggenheim Museum, New York | oil on canvas | 5 | ||||||
| 001339 | 1953 | 20th Century | Art Informel | Georges Mathieu |
Painting | Private Collection | oil on canvas | Arnason | 5 | 20.26 | ||||
| 001340 | 1941 | 20th Century | Postwar European Art | Henry Moore |
Tube Shelter Perspective |
Collection Mrs. Henry Moore, England | chalk, pen and watercolor | Arnason | 5 | 20.53 | ||||
| 001341 | 1952 | 20th Century | Postwar European Art | Henry Moore |
King and Queen |
Hirshhorn Museum and Sculpture Garden, Washington, DC | bronze | Arnason | 5 | 20.54 | ||||
| 001342 | 1945 | 20th Century | Postwar European Art | Henry Moore |
Reclining Figure |
bronze | ||||||||
| 001343 | 1963-65 |
20th Century | Postwar European Art | Henry Moore |
Reclining Figure for Lincoln Center | Lincoln Center, New York, New York | bronze | |||||||
| 001344 | 1947-48 |
20th Century | Postwar European Art | Barbara Hepworth |
Pendour | painted plane wood | ||||||||
| 001345 | 1952 | 20th Century | Postwar European Art | Barbara Hepworth |
Group III |
Private Collection | marble | Arnason | 5 | 20.56 | ||||
| 001346 | 1960 | 20th Century | Postwar European Art | Barbara Hepworth |
Figure for Landscape |
bronze | ||||||||
| 001347 | 1949 | 20th Century | Postwar European Art | Francis Bacon |
Study from the Human Body |
oil on canvas | ||||||||
| 001348 | ca. 1944 |
20th Century | Postwar European Art | Francis Bacon |
Three Studies for Figures at the Base of a Crucifixion |
oil and pastel on hardboard | ||||||||
| 001349 | 1953 | 20th Century | Postwar European Art | Francis Bacon |
Study After Valasquez s Portrait of Pope Innocent X | oil on canvas | Fineberg | 1 | 5.22 | |||||
| 001350 | 1953 |
20th Century | Postwar European Art | Francis Bacon |
Two Figures |
oil on canvas | ||||||||
| 001351 | 1958 | 20th Century | CoBrA | Karel Appel |
Exploded Head | oil on canvas | ||||||||
| 001352 | 1967 | 20th Century | CoBrA | Karel Appel |
Angry Landscape |
oil on canvas | Arnason | 5 | 20.44 | |||||
| 001353 | 1970 | 20th Century | CoBrA | Asger Jorn |
The Enigma of Frozen Water |
Stedelijk Museum, Amsterdam | oil on canvas | Arnason | 5 | 20.43 | ||||
| 001354 | 1964 | 20th Century | Postwar European Art | Antoni Tapies |
Painting Collage |
Galleria Toninelli, Rome | mixed media on canvas | Arnason | 5 | 20.42 | ||||
| 001355 | 1965 | 20th Century | Postwar European Art | Antoni Tapies | Ochre Relief with Rose | mixed media on plywood | ||||||||
| 001356 | 1953 | 20th Century | Postwar European Art | Alberto Burri | Composition | Solomon R. Guggenheim Museum, New York | oil, gold paint and glue on canvas and burlap | Arnason | 5 | 20.40 | ||||
| 001357 | ca. 1954 | 20th Century | Postwar European Art | Alberto Burri | Sack | mixed media on canvas | ||||||||
| 001358 | 1963 | 20th Century | Postwar European Art | Lucio Fontana |
Spatial Concept: The End of God |
Gallerie dell Ariete, Milan | oil on canvas | Arnason | 5 | 20.38 | ||||
| 001359 | 1962 | 20th Century | Postwar European Art | Lucio Fontana |
Spatial Concept |
watercolor on canvas | ||||||||
| 001360 | 1961 | 20th Century | Nouveau Realisme | Yves Klein |
Blue Monochrome | Museum of Modern Art, New York | dry pigment in synthetic polymer medium on cotton over plywood | Arnason | 5 | 21.60 | ||||
| 001361 | April 28-May 12, 1958 | 20th Century | Nouveau Realisme | Yves Klein |
Le Vide |
at galerie Iris Clert, Paris, France | Altshuler | 1998 | p 196 | |||||
| 001362 | 1960 | 20th Century | Nouveau Realisme | Yves Klein |
Anthropometry | IKB pigment in synthetic resin on paper on canvas | ||||||||
| 001363 | 1960 | 20th Century | Nouveau Realisme | Yves Klein |
Anthropometry |
IKB pigment in synthetic resin on paper on canvas | ||||||||
| 001364 | March 9, 1960 | 20th Century | Nouveau Realisme | Yves Klein |
Anthropometry Performance | Galerie Internationale dArt Contemporain Paris, France | Fineberg | 1 | 8.4 | |||||
| 001365 | January 26, 1962 |
20th Century | Nouveau Realisme | Yves Klein |
Ritual Transfer of Immateriality |
|||||||||
| 001366 | October 1960 | 20th Century | Nouveau Realisme | Yves Klein |
Leap Into the Void | Arnason | 5 | 21.61 | Fineberg | 1 | 8.6 | |||
| 001367 | 1961 | 20th Century | Nouveau Realisme | Yves Klein |
Fire Wall and Fire Fountain | gas jets | ||||||||
| 001368 | 1961 | 20th Century | Nouveau Realisme | Yves Klein |
Untitled Fire Painting | charred pasteboard on wood | ||||||||
| 001369 | 1961 | 20th Century | Nouveau Realisme | Yves Klein |
Untitled Fire Painting | charred pasteboard on wood | ||||||||
| 001370 | 1962 | 20th Century | Nouveau Realisme | Yves Klein |
Portrait Relief of Arman |
Musee National d Art Moderne, Centre Georges Pompidou, Paris | paint, plaster, gold leaf | Altshuler | 1998 | p 198 | ||||
| 001371 | October 1960 | 20th Century | Nouveau Realisme | Arman | Invitation for Le Plein |
at galerie Iris Clert, Paris, France | refuse in sardine can | Altshuler | 1998 | p 193 | ||||
| 001372 | October 1960 | 20th Century | Nouveau Realisme | Arman | Le Plein |
at galerie Iris Clert, Paris, France | Altshuler | 1998 | p 199, 200, 201 | |||||
| 001373 | 1960 | 20th Century | Nouveau Realisme | Arman | Robot-Portrait of Iris Clert | Galerie Beaubourg, Paris | accumulation of various objects | Altshuler | 1998 | p 202 | ||||
| 001374 | 1959 | 20th Century | Nouveau Realisme | Jacques de la Villgle |
Angers, September 21, 1953 |
Musee d Art et Histore, Geneve | decollage on canvas | Altshuler | 1998 | p 203 | ||||
| 001375 | 1956 | 20th Century | British Pop | Richard Hamilton |
Just what is it that makes today s homes so different, so appealing? | Kunsthalle Tubingen, Tubingen | collage on paper | Arnason | 5 | 21.1 | Gardner | 12 | 34-27 | |
| 001376 | ca. 1947 |
20th Century | British Pop | Eduardo Paolozzi | I Was a Rich Man s Plaything |
collage on paper | ||||||||
| 001377 | 1948 | 20th Century | British Pop | Eduardo Paolozzi | It s a Psychological Fact Pleasure Helps Your Disposition | collage on paper | ||||||||
| 001378 | 1963 | 20th Century | British Pop | Eduardo Paolozzi | The Last of the Idols |
aluminum, oil paint | ||||||||
| 001379 | 1954-55 | 20th Century | Proto-Pop | Jasper Johns |
Flag | Museum of Modern Art, New York | encaustic, oil and collage on fabric mounted on plywood | Gardner | 12 | 34-28 | Arnason | 5 | 21.14 | |
| 001380 | 1958 | 20th Century | Proto-Pop | Jasper Johns |
Three Flags |
encaustic on canvas | ||||||||
| 001381 | 1960 | 20th Century | Proto-Pop | Jasper Johns |
Painted Bronze |
painted bronze | Arnason | 5 | 21.16 | |||||
| 001382 | 1955 | 20th Century | Proto-Pop | Robert Rauschenberg | Bed | oil and pencil on pillow, quilt, and sheet on wood | Arnason | 5 | 21.10 | |||||
| 001383 | 1959 | 20th Century | Proto-Pop | Robert Rauschenberg | Canyon | Sonnabend Collection, New York | combine painting | Gardner | 12 | 34-29 | ||||
| 001384 | 1959 | 20th Century | Proto-Pop | Robert Rauschenberg | Monogram | oil and collage with objects | Arnason | 5 | 21.11 | |||||
| 001385 | 1964 | 20th Century | Proto-Pop | Robert Rauschenberg | Retroactive I | oil and silkscreen on canvas | ||||||||
| 001386 | 1963 | 20th Century | Proto-Pop | Robert Rauschenberg | Estate | oil and silkscreen ink on canvas | Arnason | 5 | 21.12 | |||||
| 001387 | 1960 | 20th Century | Proto-Pop | Andy Warhol |
Water Heater |
synthetic polymer paint on canvas | ||||||||
| 001388 | 1962 | 20th Century | Pop | Andy Warhol |
Turquoise Marilyn | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001389 | 1965 | 20th Century | Pop | Andy Warhol |
Marilyns | nine silkscreen prints on paper from a portfolio of ten | ||||||||
| 001390 | 1962 | 20th Century | Pop | Andy Warhol |
Marilyn Diptych | Tate Gallery, London | silkscreen ink and synthetic polymer paint on canvas | Gardner | 12 | 34-32 | ||||
| 001391 | 1963 | 20th Century | Pop | Andy Warhol |
Double Elvis | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001392 | 1962 | 20th Century | Pop | Andy Warhol |
210 Coca-Cola Bottles |
silkscreen ink, synthetic polymer paint and pencil on linen | Arnason | 5 | 21.42 | |||||
| 001393 | 1962 | 20th Century | Pop | Andy Warhol |
Green Coca-Cola Bottles | Whitney Museum of American Art | silkscreen ink, synthetic polymer paint and pencil on linen | Gardner | 12 | 34-31 | ||||
| 001394 | 1968 | 20th Century | Pop | Andy Warhol |
Brillo Box | silkscreen ink and synthetic polymer paint on wood | ||||||||
| 001395 | 1963 | 20th Century | Pop | Andy Warhol |
Ambulance Disaster |
silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001396 | 1963 | 20th Century | Pop | Andy Warhol |
White Burning Car III | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001397 | 1963 | 20th Century | Pop | Andy Warhol |
Lavender Disaster |
silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001398 | 1963 | 20th Century | Pop | Andy Warhol |
Jackie | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001399 | 1963 | 20th Century | Pop | Andy Warhol |
Jackie, the Week that Was I |
silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001400 | 1964 | 20th Century | Pop | Andy Warhol |
Empire | 16mm film, silent shot at 24 fps, projected at 16 fps | ||||||||
| 001401 | 1963 | 20th Century | Pop | Andy Warhol |
Kiss | 16mm film, silent shot at 24 fps, projected at 16 fps | ||||||||
| 001402 | 1972 | 20th Century | Pop | Andy Warhol |
Mao | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001403 | 1976 | 20th Century | Pop | Andy Warhol |
Skull | silkscreen ink and synthetic polymer paint on canvas | ||||||||
| 001404 | 1979 | 20th Century | Pop | Andy Warhol |
Shadows | Beacon, New York | Dia Beacon | silkscreen ink and synthetic polymer paint on canvas | ||||||
| 001405 | 1960-61 |
20th Century | Pop | James Rosenquist |
President Elect | oil on masonite | ||||||||
| 001406 | 1961 | 20th Century | Pop | James Rosenquist |
I Love You with My Ford |
oil on canvas | ||||||||
| 001407 | 1964-65 | 20th Century | Pop | James Rosenquist |
F-111 |
oil on canvas and aluminum | Arnason | 5 | 21.46 | |||||
| 001408 | 1977 | 20th Century | Pop | James Rosenquist |
Industrial Cottage |
oil on canvas | ||||||||
| 001409 | 20th Century | Pop | Roy Lichtenstein |
Roy Lichtenstein |
oil on canvas | |||||||||
| 001410 | 1961 | 20th Century | Pop | Roy Lichtenstein |
Girl with Ball | oil on canvas | ||||||||
| 001411 | 1963 | 20th Century | Pop | Roy Lichtenstein |
Drowning Girl | oil and synthetic polymer paint on canvas | ||||||||
| 001412 | 1963 | 20th Century | Pop | Roy Lichtenstein |
Hopeless | Offentliche Kunstsammlung Basel | oil on canvas | Gardner | 12 | 34-30 | ||||
| 001413 | 1963 | 20th Century | Pop | Roy Lichtenstein |
Whaam! |
oil and magna on canvas | Arnason | 5 | 21.38 | |||||
| 001414 | 1965 | 20th Century | Pop | Roy Lichtenstein |
Little Big Painting |
oil and synthetic polymer paint on canvas | ||||||||
| 001415 | 1969 | 20th Century | Pop | Roy Lichtenstein |
Mirror #1 | oil and magna on canvas | ||||||||
| 001416 | 1962 | 20th Century | Pop | Tom Wesselmann |
Still Life No. 12 | mixed media and collage on board | Fineberg | 1 | 9.3 | |||||
| 001417 | 1964 | 20th Century | Pop | Tom Wesselmann |
Great American Nude No. 57 | acrylic and collage on board | Arnason | 5 | 21.48 | Fineberg | 1 | 9.4 | ||
| 001418 | 1960 | 20th Century | Pop | Claes Oldenburg | The Store | Altshuler | 1998 | p 208, 209 | ||||||
| 001419 | 1962 | 20th Century | Pop | Claes Oldenburg | Installation at Greene Gallery | New York, New York | Gardner | 12 | 34-33 | |||||
| 001420 | 1961-62 | 20th Century | Pop | Claes Oldenburg | Pastry Case | enamel paint on nine plaster sculptures in glass showcase | ||||||||
| 001421 | 1962 | 20th Century | Pop | Claes Oldenburg | Floor Cake | synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes | Arnason | 5 | 21.26 | |||||
| 001422 | 1966-67 | 20th Century | Pop | Claes Oldenburg | Giant Soft Fan | construction of vinyl filled with foam rubber, wood, metal, and plastic tubing | ||||||||
| 001423 | 1969 | 20th Century | Pop | Claes Oldenburg | Lipstick (Ascending) on Caterpillar Tracks | Yale University, Beinecke Plaza New Haven, Connecticut | Cor-ten steel, aluminum, cast resin, polyurethane enamel | |||||||
| 001424 | 1976 | 20th Century | Pop | Claes Oldenburg | Clothes Pin |
Philadelphia, Pennsylvania | Cor-ten steel | |||||||
| 001425 | 1962 | 20th Century | Pop | Marisol (Marisol Escobar) |
Love | plaster and glass (Coca-Cola bottle) | ||||||||
| 001426 | 1967 | 20th Century | Pop | Marisol (Marisol Escobar) |
LBJ | synthetic polymer paint and pencil on wood | ||||||||
| 001427 | 1964-66 | 20th Century | Pop | George Segal |
The Diner | plaster, wood, chrome, masonite and formica | Arnason | 5 | 21.23 | |||||
| 001428 | 1968 | 20th Century | Pop | George Segal |
Parking Garage |
installation | ||||||||
| 001429 | 1952 | 20th Century | Post-Painterly Abstraction | Helen Frankenthaler |
Mountains and Sea |
oil on unprimed canvas | ||||||||
| 001430 | 1963 | 20th Century | Post-Painterly Abstraction | Helen Frankenthaler |
Sun Shapes |
acrylic on unprimed canvas | ||||||||
| 001431 | 1967 | 20th Century | Post-Painterly Abstraction | Helen Frankenthaler |
Bay Side | Private collection, New York | acrylic on unprimed canvas | Gardner | 12 | 34-12 | ||||
| 001432 | 1959 | 20th Century | Post-Painterly Abstraction | Morris Louis |
Saraband | Solomon R. Guggenheim Foundation, New York | acrylic on unprimed canvas | Gardner | 12 | 34-13 | ||||
| 001433 | 1959-60 | 20th Century | Post-Painterly Abstraction | Morris Louis |
Kaf |
acrylic on canvas | Arnason | 5 | 22.6 | |||||
| 001434 | 1961 | 20th Century | Post-Painterly Abstraction | Morris Louis |
Moving In |
acrylic on unprimed canvas | Arnason | 5 | 22.7 | |||||
| 001435 | 1965 | 20th Century | Post-Painterly Abstraction | Jules Olitski |
Judith Juice | acrylic on canvas | ||||||||
| 001436 | 1966 | 20th Century | Post-Painterly Abstraction | Jules Olitski |
Deep Dip |
acrylic on canvas | ||||||||
| 001437 | 1961 | 20th Century | Post-Painterly Abstraction | Kenneth Noland |
A Warm Sound in a Gray Field | Private Collection, New York | acrylic on canvas | Arnason | 5 | 22.20 | ||||
| 001438 | 1963 | 20th Century | Post-Painterly Abstraction | Kenneth Noland |
Thrust | acrylic on canvas | ||||||||
| 001439 | 1967 | 20th Century | Post-Painterly Abstraction | Kenneth Noland |
Magus | acrylic on canvas | ||||||||
| 001440 | 1963 |
20th Century | Post-Painterly Abstraction | Ellsworth Kelly |
Red Blue Green |
oil on canvas | ||||||||
| 001441 | 1963 | 20th Century | Post-Painterly Abstraction | Ellsworth Kelly |
Orange and Green |
Liquitex on canvas | ||||||||
| 001442 | 1959 | 20th Century | Post-Painterly Abstraction | Frank Stella | Die Fahne Hoch | oil on canvas | ||||||||
| 001443 | 1964 | 20th Century | Op | Bridget Riley |
Loss | oil on canvas | ||||||||
| 001444 | 1966 | 20th Century | Op | Bridget Riley |
Drift 2 |
Albright-Knox Art Gallery, Buffalo | emulsion on canvas | Arnason | 5 | 22.28 | ||||
| 001445 | 1967 | 20th Century | Op | Bridget Riley |
Cataract | oil on canvas | ||||||||
| 001446 | 1968 | 20th Century | Op | Victor Vasarely | Vega | oil on canvas | ||||||||
| 001447 | 1964 | 20th Century | Op | Gene Davis |
Hot Beat |
acrylic on canvas | ||||||||
| 001448 | 1977 | 20th Century | Op | Gene Davis |
Raspberry Icicle |
acrylic on canvas | ||||||||
| 001449 | 1966 | 20th Century | Minimalism | Carl Andre |
Lever | National Gallery of Canada, Ottawa | 137 firebricks | Altshuler | 1998 | p 220 | ||||
| 001450 | 1969 | 20th Century | Minimalism | Carl Andre |
Steel Magnesium Plain |
steel and magnesium | Fineberg | 1 | 10.10 | |||||
| 001451 | 1977 | 20th Century | Minimalism | Carl Andre | Stone Field Sculpture | Hartford, Connecticut | thirty-six glacial boulders | Fineberg | 1 | 10.11 | ||||
| 001452 | 1966 | 20th Century | Minimalism | Donald Judd | Untitled | galvanized iron and blue lacquer on aluminum | Altshuler | 1998 | p 224 | |||||
| 001453 | 1969 | 20th Century | Minimalism | Donald Judd | Stack | laminated plastic and stainless steel | ||||||||
| 001454 | 1975 | 20th Century | Minimalism | Donald Judd | Untitled (Dia Beacon installation) | Beacon, New York | Dia Beacon | plywood | ||||||
| 001455 | December 1964 | 20th Century | Minimalism | Robert Morris |
Installation at Green Gallery | painted plywood | Altshuler | 1998 | p 225 | Arnason | 5 | 22.51 | ||
| 001456 | 1968-69 | 20th Century | Minimalism | Robert Morris |
Untitled | felt 3/8 in. thick | Arnason | 5 | 24.30 | |||||
| 001457 | 1963 | 20th Century | Minimalism | Dan Flavin |
Untitled | green fluorescent light | Fineberg | 1 | 10.12 | |||||
| 001458 | 1968 | 20th Century | Minimalism | Dan Flavin |
Monument for V Tatlin |
cool white fluorescent light | Fineberg | 1 | 10.13 | |||||
| 001459 | 1971 | 20th Century | Minimalism | Dan Flavin |
Untitled | yellow, blue and rose colored fluorescent lights | ||||||||
| 001460 | 1971 | 20th Century | Minimalism | Tony Smith |
Die | steel | Arnason | 5 | 22.46 | |||||
| 001461 | 1968 | 20th Century | Minimalism | Richard Serra |
Throwing Lead |
lead | Fineberg | 1 | 10.39 | |||||
| 001462 | 1968 | 20th Century | Minimalism | Richard Serra |
Splashing | lead | Fineberg | 1 | 10.38 | |||||
| 001463 | 1969 | 20th Century | Minimalism | Richard Serra |
One Ton Prop (House of Cards) |
lead antimony, four plates | Arnason | 5 | 22.57 | |||||
| 001464 | 1969 | 20th Century | Minimalism | Richard Serra |
Corner Prop |
lead | Fineberg | 1 | 10.40 | |||||
| 001465 | 1981 | 20th Century | Minimalism | Richard Serra | Titled Arc |
Cor-ten steel | Gardner | 12 | 34-39 | Arrnason | 5 | 24.61 | ||
| 001466 | 1966-67 | 20th Century | Conceptualism | Sol LeWitt |
Serial Project No. 1 (ABCD) | baked enamel on aluminum | ||||||||
| 001467 | 1975 | 20th Century | Conceptualism | Sol LeWitt |
Wall Drawing #260 | crayon on gallery wall | ||||||||
| 001468 | 1966 | 20th Century | Conceptualism | Sol LeWitt | Wall Drawing #811 |
acrylic paint on gallery wall | ||||||||
| 001469 | January 5-31, 1969 | 20th Century | Conceptualism | Douglas Huebler |
Duration Piece No. 6 | Polaroid photographs and typewritten text | Altshuler | 1998 | p 244 | |||||
| 001470 | 1968 | 20th Century | Conceptualism | Douglas Huebler |
Site Sculpture Project: Air Marker Piece, The Contrails from Three Jet Airplanes (Flying Simultaneously) Will Mark the Space between Vancouver, B.C. and St. Johns, Newfoundland, Portland Ore., and Halifax, N.S., Eureka, Calif., and New York City. (All Planes Will Leave at the Same Time from the West Coast) | felt tip pen and colored pencil on photocopy on paper | ||||||||
| 001471 | 1969 | 20th Century | Conceptualism | Lawrence Weiner |
A 36 x 36 removal of the lathing or support wall of plaster or wallboard from a wall | Altshuler | 1998 | p 241 | ||||||
| 001472 | 1968 | 20th Century | Conceptualism | Lawrence Weiner |
from Statements |
|||||||||
| 001473 | 1969 | 20th Century | Conceptualism | Robert Barry |
Closed Gallery |
announcement card | ||||||||
| 001474 | 1968 | 20th Century | Conceptualism | Robert Barry |
88 mc Carrier Wave (FM) and 1600 kc Carrier Wave (AM) |
Altshuler | 1998 | p 239 | ||||||
| 001475 | 1969 | 20th Century | Conceptualism | Robert Barry | Radiation Piece, Cesium 137 |
|||||||||
| 001476 | March 5, 1969 | 20th Century | Conceptualism | Robert Barry |
Inert Gas Series (Krypton) |
3 color photographs and typewritten text | ||||||||
| 001477 | 1965 | 20th Century | Conceptualism | Joseph Kosuth |
One and Three Chairs | Museum of Modern Art, New York | folding chair, photograph of chair and photostat of the definition of a chair | Gardner | 12 | 34-25 | Arnason | 5 | 24.1 | |
| 001478 | 1965 | 20th Century | Conceptualism | Joseph Kosuth |
One and Three Hammers |
hammer, photograph of hammer and photostat of the definition of a hammer | Fineberg | 1 | 11.3 | |||||
| 001479 | 1967 | 20th Century | Conceptualism | Joseph Kosuth |
Art as Idea as Idea (water) | photostat on paper mounted on wood | ||||||||
| 001480 | 1970 | 20th Century | Conceptualism | Vito Acconci |
Step Piece |
5 black and white photographs type on 4 sheets of bond paper, mounted on paperboard with felt-tip annotations | ||||||||
| 001481 | 1969 | 20th Century | Conceptualism | Vito Acconci |
Following Piece |
black and white photographs with text and chalk, text on index cards, mounted on cardboard | ||||||||
| 001482 | November 19, 1971 | 20th Century | Conceptualism | Chris Burden |
Shoot | |||||||||
| 001483 | November 15, 1973 | 20th Century | Conceptualism | Chris Burden |
Doorway to Heaven | Arnason | 5 | 24.15 | ||||||
| 001484 | 1971 | 20th Century | Conceptualism | Hans Haacke |
Shapolsky et al. Manhattan Real Estate Holdings, A Real-Time Social System as of May 1, 1971 | Arnason | 5 | 24.3 | ||||||
| 001485 | 1974 | 20th Century | Conceptualism | Gordon Matta-Clark |
Splitting Exterior |
six black and white photographs | ||||||||
| 001486 | 1974 | 20th Century | Conceptualism | Gordon Matta-Clark |
Splitting | black and white photo collage | ||||||||
| 001487 | 1974 | 20th Century | Conceptualism | Gordon Matta-Clark |
Splitting: Four Corners | four building fragments | Fineberg | 1 | 12.28 | |||||
| 001488 | December 1967 | 20th Century | Earthworks | Richard Long |
A Line Made by Walking |
|||||||||
| 001489 | 1968 | 20th Century | Earthworks | Richard Long |
England | silver gelatin print mounted on Fome-Cor | ||||||||
| 001490 | 1969 | 20th Century | Earthworks | Michael Heizer |
Displaced-Replaced Mass #1/3 | Silver Springs, Nevada | granite and concrete in playa surface | Fineberg | 1 | 10.42 | ||||
| 001491 | 1969 | 20th Century | Earthworks | Michael Heizer |
Displaced-Replaced Mass #2/3 | Silver Springs, Nevada | granite and concrete in playa surface | Fineberg | 1 | 10.43 | ||||
| 001492 | 1969 | 20th Century | Earthworks | Michael Heizer | Displaced-Replaced Mass #3/3 | Silver Springs, Nevada | granite and concrete in playa surface | Fineberg | 1 | 10.44 | ||||
| 001493 | 1969-70 | 20th Century | Earthworks | Michael Heizer |
Double Negative | Mormon Mesa, Overton, Nevada | 240,000-ton displacement in rhyolite and sandstone | Arnason | 5 | 24.42 | ||||
| 001494 | 1970 | 20th Century | Earthworks | Robert Smithson | Spiral Jetty | Great Salt Lake, Utah | black basalt and limestone rocks and earth | Arnason | 5 | 24.45 | Gardner | 12 | 34-37 | |
| 001495 | 1969 | 20th Century | Earthworks | Robert Smithson |
A Nonsite (Franklin, NJ) | 5 painted wood bins and limestone photographs and type on paper | Fineberg | 1 | 10.49 | |||||
| 001496 | 1980 | 20th Century | Earthworks | Walter De Maria | New York Earth Room | 141 Wooster Street, NYC | Fineberg | 1 | 10.46 | |||||
| 001497 | 1977 | 20th Century | Earthworks | Walter De Maria |
Lightening Field | Quemado, New Mexico | stainless steel poles | Arnason | 5 | 24.44 | ||||
| 001498 | 1972-2005 | 20th Century | Earthworks | James Turrell | Roden Crater | Painted Desert, Arizona | Arnason | 5 | 24.55 | |||||
| 001499 | 1971 | 20th Century | Feminism | Feminist CalArts Program |
Womanhouse (Bridal Staircase, Nurturant Kitchen, Menstruation Bathroom, Sheet Closet) | California | installation | Arnason | 5 | 24.23 | ||||
| 001500 | 1972 | 20th Century | Feminism | Eleanor Antin | Carving: A Traditional Sculpture | 148 gelatin-silver photographs and text panel | Gardner | 12 | ||||||
| 001501 | 1974-79 | 20th Century | Feminism | Judy Chicago |
The Dinner Party | various media | Gardner | 12 | 34-59 | Arnason | 5 | 24.24 | ||
| 001502 | 1976 | 20th Century | Feminism | Miriam Schapiro |
Anatomy of a Kimono (section) |
Collection Bruno Bischofberger, Zurich | fabric and acrylic on canvas | Gardner | 12 | 34-60 | ||||
| 001503 | 1981 | 20th Century | Feminism | Barbara Kruger |
Untitled | photostat | ||||||||
| 001504 | 1981 | 20th Century | Feminism | Barbara Kruger |
Untitled | photostat | ||||||||
| 001505 | 1983 | 20th Century | Feminism | Barbara Kruger |
Untitled | photostat and red painted frame | Gardner | 12 | 34-62 | |||||
| 001506 | 1988 | 20th Century | Feminism | Guerrilla Girls | The Advantages of Being a Woman Artist | poster | Gardner | 12 | 34-85 | |||||
| 001507 | 1973 | 20th Century | Feminism, Body Art | Ana Mendieta | Flowers on Body | El Yaagul, Oaxaca, Mexico | earth/body work with flowers | Gardner |
12 | 34-63 | ||||
| 001508 | 1401-1402 | Renaissance | Quattrocento Italian Renaissance | Lorenzo Ghiberti |
Sacrifice of Isaac | Museo Nazionale del Bargello, Florence | gilded bronze relief | Gardner | 12 | 21-2 | ||||
| 001509 | ca. 1,300-1,250 B.C.E. |
Ancient Aegean | Mycenaean | Treasury of Atreus |
Mycenae, Greece |
Gardner | 12 | 4-21, 4-22 | ||||||
| 001510 | 1354-1391 | Islamic Art | Nasrid | Muqarnas dome, hall of the Two Sisters Alahambra Palace | Granada, Spain | Gardner | 12 | 13-17 | ||||||
| 001511 | 1425-1452 | Renaissance | Quattrocento Italian Renaissance | Lorenzo Ghiberti | Gates of Paradise | Baptistry, Florence Cathedral, Florence, Italy | Museo dell Opera del Duomo, Florence | gilded bronze relief | Gardner | 12 | 21-4, 21-5 | |||
| 001512 | ca. 1300 | Renaissance | Early Italian Renaissance | Duccio di Buoninsegna | Madonna and Child | Metropolitan Museum of Art, New York | tempera and gold on wood | |||||||
| 001513 | ca. 1451 | Late Gothic | French Late Gothic | Jean Fouquet | Virgin and Child | Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium | oil on wood | Gardner | 12 | 20-19 | ||||
| 001514 | 1982 | 20th Century | Postmodernism | Mark Tansey | A Short History of Modernist Painting | oil on canvas | Gardner | 12 | 34-82 | |||||
| 001515 | 1974-1982 | 20th Century | Feminism | Hannah Wilke |
S.O.S. Starification Object Series | ten black and white photographs with 15 chewing gum sculptures in Plexiglas mounted on a ragboard | Gardner | 12 | 34-64 | Arnason | 5 | 24.26 | ||
| 001516 | 2002 | 20th Century | Feminism | Patricia Cronin | Memorial to a Marriage | marble | ||||||||
| 001517 | 2003 | New Media | Digital Sculpture | George W. Hart | 120 Cell | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001518 | 1994 | 20th Century | Pop | Claes Oldenburg and Coosje van Bruggen | Inverted Collar and Tie | steel, polymer concrete, fiber-reinforced plastic and polyester gel-coat paint | ||||||||
| 001519 | 1999 | New Media | Digital Sculpture | Karin Sander | Karin Sander 1:10 | 3D bodyscan of original person, Fused Deposition Modeling, Rapid Prototyping, Acrylonitrile Butadiene Styrene plastic, airbrush paint | ||||||||
| 001520 | 1999-2000 | New Media | Digital Sculpture | Karin Sander | Olivier Renaud-Clement 1:10 | 3D bodyscan of original person, Fused Deposition Modeling, Rapid Prototyping, Acrylonitrile Butadiene Styrene plastic, airbrush paint | ||||||||
| 001521 | 1999 | New Media | Digital Sculpture | Karin Sander | 1:10 installation | 3D bodyscan of original person, Fused Deposition Modeling, Rapid Prototyping, Acrylonitrile Butadiene Styrene plastic, airbrush paint | ||||||||
| 001522 | 2002 | New Media | Digital Sculpture | Robert Lazzarini | payphone | anodized aluminum, stainless steel, plexiglass, silkscreened images | ||||||||
| 001523 | 2000 | New Media | Digital Sculpture | Robert Lazzarini | skulls | resin, bone, pigment | ||||||||
| 001524 | 2000 | New Media | Digital Sculpture | Robert Lazzarini | hammers | wood, steel | ||||||||
| 001525 | 2000 | New Media | Digital Sculpture | Robert Lazzarini | telephone | plastic, metal, rubber | ||||||||
| 001526 | 1998 | New Media | Digital Sculpture | Robert Lazzarini | violin | flame maple, ebony, bone, spruce | ||||||||
| 001527 | 2004 | New Media | Digital Sculpture | Robert Lazzarini | table, notebook and pencil | digital image for mixed media installation | ||||||||
| 001528 | 1972 | 20th Century | Postmodernism | William Wegman | Family Combinations | six gelatin silver prints | ||||||||
| 001529 | 1995-1999 | New Media | Digital Sculpture | Dan Collins | Forgetting Ourselves (Sons and Mothers 1) | digital 3D models | ||||||||
| 001530 | 2003 | New Media | Digital Sculpture | Dan Collins | Twister | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001531 | 2000-2003 | New Media | Digital Sculpture | Barry X. Ball | (Matthew Barney) | Mexican onyx | ||||||||
| 001532 | 2001 | New Media | Digital Sculpture | Michael Somoroff | Tempus Formare Cycle #3 | white rapid prototyping resin | ||||||||
| 001533 | 2003 | New Media | Digital Sculpture | Mary Bates Neubauer | Philadelphia Series, Whirlflower | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001534 | 2001 | New Media | Digital Sculpture | Keith Brown | Continuity of Form | bronze | ||||||||
| 001535 | 2003 | New Media | Digital Sculpture | Keith Brown | Geo | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001536 | 2003 | New Media | Digital Sculpture | Keith Brown | Shoal | ABS plastic | ||||||||
| 001537 | 2003 | New Media | Digital Sculpture | Kenneth Snelson | Atom I | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001538 | 2001 | New Media | Digital Sculpture | Lawrence Argent | Whispers | University of Denver, Colorado | limestone, bronze, interactive sound elements | |||||||
| 001539 | 2005 | New Media | Digital Sculpture | Lawrence Argent | I See What You Mean | Denver Convention Center, Colorado | composite materials | |||||||
| 001540 | 2003 | New Media | Digital Sculpture | Jon Isherwood | Prints and Passages | Bureau of Criminal Apprehension, St. Paul, Minnnesota | granite | |||||||
| 001541 | 2003 | New Media | Digital Sculpture | Jon Isherwood | Temptress | Swanson red marble | ||||||||
| 001542 | 2004 | New Media | Digital Sculpture | Robert Michael Smith | Artemisa I, Amaranthe I | CNC foam with polyurethane coating | ||||||||
| 001543 | 2003 | New Media | Digital Sculpture | Robert Michael Smith | Arm Phen, Amaranthe I |
laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001544 | 2003 | New Media | Digital Sculpture | Elona Van Gent | Rover | laser sintered rapid-prototyped in polycarbonate powder | ||||||||
| 001545 | 2004 | New Media | Digital Sculpture | Michael Rees | Putto 4 over 4 | Luminore iron on fiberglass over styrofoam with a steel tube armature | ||||||||
| 001546 | 1979 | 20th Century | Postmodernism | Cindy Sherman | Untitled #35 | gelatin-silver print | ||||||||
| 001547 | 1979 | 20th Century | Postmodernism | Cindy Sherman | Untitled #43 | gelatin-silver print | ||||||||
| 001548 | 1980 | 20th Century | Postmodernism | Cindy Sherman | Untitled #54 | gelatin-silver print | ||||||||
| 001549 | 1981 | 20th Century | Postmodernism | Cindy Sherman | Untitled #92 | type-C print | ||||||||
| 001550 | 1989 | 20th Century | Postmodernism | Cindy Sherman | Untitled #209 | type-C print | ||||||||
| 001551 | 1984 | 20th Century | Postmodernism | Laurie Simmons | Pink Bathroom | Cibachrome print | ||||||||
| 001552 | 1980 | 20th Century | Postmodernism | Richard Prince | Untitled (Three Women Looking in the Same Direction) | 3 Ektacolor prints | ||||||||
| 001553 | 1985-86 | 20th Century | Postmodernism | Richard Prince | Bitches and Bastards | Ektacolor print | ||||||||
| 001554 | 1983 | 20th Century | Postmodernism | Barbara Kruger | Untitled (We Won t Play Nature to Your Culture) | photostat | ||||||||
| 001555 | 1982 | 20th Century | Postmodernism | Barbara Kruger | Untitled (You Rule By Pathetic Display) | photostat | ||||||||
| 001556 | 1981 | 20th Century | Postmodernism | Sherrie Levine | Untitled (After Walker Evans) | gelatin-silver print | ||||||||
| 001557 | 1987 | 20th Century | Postmodernism | Sherrie Levine | Untitled (After Alexsandr Rodchenko: 11) | gelatin-silver print | ||||||||
| 001558 | 1984 | 20th Century | Postmodernism | John Baldessari | Horizontal Men | gelatin-silver prints | ||||||||
| 001559 | 1986 | 20th Century | Postmodernism | John Baldessari | Some Rooms | gelatin-silver prints and gouache | ||||||||
| 001560 | 1990 | 20th Century | Postmodernism | Christian Boltanski | Les Suisses morts (The Dead Swiss) | mixed media installation | ||||||||
| 001561 | 1983 | 20th Century | Postmodernism | David Hockney | Ian Washing His Hair | collage of chromogenic-development prints | ||||||||
| 001562 | 1987 | 20th Century | Postmodernism | Mike and Doug Starn | Blue Hands | toned silver prints and tape | ||||||||
| 001563 | 1985-86 | 20th Century | Postmodernism | Mike and Doug Starn | Horses (detail of installation) | toned silver prints and tape | ||||||||
| 001564 | 1984-86 | 20th Century | Postmodernism | Andy Warhol | Grace Jones | 9 gelatin-silver prints and thread | ||||||||
| 001565 | ca. 1986-87 | 20th Century | Postmodernism | Andy Warhol | World Trade Center | 6 gelatin-silver prints and thread | ||||||||
| 001566 | 1974 | 20th Century | Straight Photography | Harry Callahan | New York | gelatin-silver print | ||||||||
| 001567 | ca. 1976-86 | 20th Century | Postmodernism | Andy Warhol | Palm & Tarot | 6 gelatin-silver prints and thread | ||||||||
| 001568 | ca. 1976-86 | 20th Century | Postmodernism | Andy Warhol | Brick Wall | 6 gelatin-silver prints and thread | ||||||||
| 001569 | 1982-86 | 20th Century | Postmodernism | Andy Warhol | Mao | 4 gelatin-silver prints and thread | ||||||||
| 001570 | ca. 1983-86 | 20th Century | Postmodernism | Andy Warhol | Picture with Signs | 4 gelatin-silver prints and thread | ||||||||
| 001571 | 1963 | 20th Century | Pop | Claes Oldenburg | Model (Ghost) Typewriter | Sidney Janis Gallery, New York | cloth, kapok, wood | Hunter, Jacobus, Wheeler | 3 | 573 | ||||
| 001572 | 1929 | 20th Century | Russian Avant- Garde: Constructivism | Dziga Vertov | Man with the Movie Camera | 68 minute black and white film | ||||||||
| 001573 | 1926-1927 | 20th Century | Bauhaus | Gunta Stolzl | Gobelin Tapestry | Gardner | 12 | 33-61 | ||||||
| 001574 | 1953 | 20th Century | Bauhaus | Josef Albers | Homage to the Square Ascending | Whitney Museum of Art, New York | oil on composition board | Gardner | 12 | 33-58 | ||||
| 001575 | late third century | Early Christian | Christ as Sol Invictus, Mausoleum of the Julii | Rome, Italy | mosaic | Gardner | 12 | 11-12 | ||||||
| 001576 | 1927 | 20th Century | Constantin Brancusi |
Bird in Space | Hessisches Landesmuseum, Darmstadt | polished bronze | ||||||||
| 001577 | 1952 | 20th Century | Postwar European Art | Alberto Giacometti |
Small Bust of Diego on a Column | Hessisches Landesmuseum, Darmstadt | bronze with brown and green patina | |||||||
| 001578 | 1937 | 20th Century | Cubism | Julio Gonzalez | Daphne | Hessisches Landesmuseum, Darmstadt | bronze | |||||||
| 001579 | 1988 | 20th Century | Postmodernism | Yasumasa Morimura | Portrait (Futago) | Cibachrome | ||||||||
| 001580 | 1983 | 20th Century | Postmodernism | Allan McCollum | Plaster Surrogates | John Weber Gallery, New York | enamel on solid-cast Hydrostone | |||||||
| 001581 | 1935 | 20th Century | Surrealism | Hans Bellmer | Doll | Manoukian Collection, Paris | wood, metal, and papier-m’che | Arnason | 5 | 15.35 | ||||
| 001582 | 1933 | 20th Century | Surrealism | Rene Magritte | The Human Condition | National Gallery of Art, Washington, DC | oil on canvas | Arnason | 5 | 15.31 | ||||
| 001583 | 1505 | Renaissance | Cinquecento Italian Renaissance | Donato d Angelo Bramante | plan for the new Saint Peter s | the Vatican, Rome, Italy | Gardner | 12 | 22-6 | |||||
| 001584 | 1506 | Renaissance | Cinquecento Italian Renaissance | Christoforo Foppa Caradosso | Medal showing Bramante s design for the new Saint Peter s | British Museum, London | Gardner | 12 | 22-7 | |||||
| 001585 | 1529 | Renaissance | Cinquecento Italian Renaissance | Giovanni Bellini and Titian | The Feast of the Gods | National Gallery of Art, Washington, DC | oil on canvas | Gardner | 12 | 22-32 | ||||
| 001586 | 1517 | Renaissance | Cinquecento Italian Renaissance | Andrea del Sarto | Madonna of the Harpies | Galleria degli Uffizi, Florence | oil on wood | Gardner | 12 | 22-40 | ||||
| 001587 | begun 1565 | Renaissance | Cinquecento Italian Renaissance | Andrea Palladio | San Giorgio Maggiore | Venice, Italy | Gardner | 12 | 22-58 | |||||
| 001588 | 1525-1535 | Renaissance | Mannerism | Giulio Romano | interior courtyard facade of the Palazzo del Te | Mantua, Italy | Gardner | 12 | 22-49 | |||||
| 001589 | 900-400 B.C.E. | Mesoamerican | Olmec | Colossal Head | Museo-Parque La Venta, VilahermosaLa Venta, Mexico | basalt | Gardner | 12 | 14-1 | |||||
| 001590 | 900-400 B.C.E. | Mesoamerican | Olmec | Ceremonial ax in the form of a jaguar-human | from La Venta, Mexico | British Museum, London | jadite | Gardner | 12 | 14-2 | ||||
| 001591 | ca. 200 B.C.E. - 250 C.E. | Mesoamerican | Olmec | seated figure with raised arms | from Colima, Mexico | Los Angeles County Museum of Art, Los Angeles | clay with orange and red slip | Gardner | 12 | 14-3 | ||||
| 001592 | structures ca. 50-200 | Mesoamerican | Mayan | Teotihuacan | Valley of Mexico, Mexico | Gardner | 12 | 14-4, 14-5 | ||||||
| 001593 | 736 | Mesoamerican | Mayan | Stele D portraying the ruler 18-Rabbit | Great Plaza at Copan, Honduras | stone | Gardner | 12 | 14-7 | |||||
| 001594 | 738 | Mesoamerican | Mayan | Ball Court | Middle Plaza at Copan, Honduras | Gardner | 12 | 14-8 | ||||||
| 001595 | ca. 732 | Mesoamerican | Mayan | Temple I | Tikal, Peten, Guatemala | Gardner | 12 | 14-9 | ||||||
| 001596 | 700-900 | Mesoamerican | Mayan | Ballplayer | from Jaina Island, Mexico | National Museum of Anthropology, Mexico City | painted clay | Gardner | 12 | 14-10 | ||||
| 001597 | ca. 790 | Mesoamerican | Mayan | Presentation of captives to Lord Chan Muwan |
Room 2, Structure 1, Bonampak, Mexico | mural | Gardner | 12 | 14-11 | |||||
| 001598 | ca. 725 | Mesoamerican | Mayan | Shield Jaguar and Lady Xoc | from Lintel 24, Temple 23 Yaxchilan, Mexico | British Museum, London | limestone | Gardner | 12 | 14-12 | ||||
| 001599 | 672-830 | Mesoamerican | Mayan | Enthroned Mayan lord and courtiers, cylinder vase (rollout view) | from Motul de San Jose region, Guatemala | Dumbarton Oaks Research Library and Collections, Washington, DC | ceramic with pigment on cream slip | Gardner | 12 | 14-13 | ||||
| 001600 | ca. 800-900 | Mesoamerican | Mayan | Chichen Itza | Yucatan, Mexico | Gardner | 12 | 14-14 | ||||||
| 001601 | ca. 900-1180 | Mesoamerican | Toltec | Colossal atlantids | Tula, Hidalgo, Mexico | stone | Gardner | 12 | 14-15 | |||||
| 001602 | ca. 1400-1500 | Mesoamerican | Aztec | Mictlantecuhtli and Quetzalcoatl, illuminated page from the Borgia Codex | from Puebla/Tlaxcala, Mexico | mineral and vegetable pigments on deerskin | Gardner | 12 | 30-1 | |||||
| 001603 | ca. 1469 | Mesoamerican | Aztec | Coyolxauhqui | from the Great Temple of Tenochtitla Mexico City, Mexico | stone | Gardner | 12 | 30-3 | |||||
| 001604 | 1487-1520 | Mesoamerican | Aztec | Coatlique | from Tenochtitlan, Mexico City, Mexico | andesite | Gardner | 12 | 30-4 | |||||
| 001605 | after 1000 | South American | Tairona | pendant in the form of a bat-faced man | from northeastern Colombia | Metropolitan Museum of Art, New York | gold | Gardner | 12 | 14-16 | ||||
| 001606 | first millennium B.C.E. | South American | Chavin | reconstruction drawing of a sacred center | Chavin de Huantar, Peru | Gardner | 12 | 14-17 | ||||||
| 001607 | first millennium B.C.E. | South American | Chavin | Raimondi Stele | Chavin de Huantar, Peru | Instituto Nacional de Cultura, Lima | incised green diorite | Gardner | 12 | 14-18 | ||||
| 001608 | first century C.E. | South American | Paracas | Embroidered funerary mantle | from the southern coast of Peru | Museum of Fine Arts, Boston | plain weave camelid fiber with stem-stitch embroidery with camelid wool | Gardner | 12 | 14-19 | ||||
| 001609 | ca. 50-200 | South American | Nascan | Bridge-spouted vessel with flying figures | from Nasca River Valley, Peru | Art Institute of Chicago, Chicago | painted ceramic | Gardner | 12 | 14-20 | ||||
| 001610 | ca. 500 | South American | Nascan | Hummingbird | Nasca Plain, Nasca, Peru | dark layer of pebbles scraped aside to reveal lighted clay and calcite beneath | Gardner | 12 | 14-21 | |||||
| 001611 | 5th - 6th century | South American | Moche | Vessel in the shape of a portrait head | from north coast, Peru | Museu Arqueologico Rafael Larco Herrera, Lima | painted clay | Gardner | 12 | 14-22 | ||||
| 001612 | ca. 300 | South American | Moche | Ear Ornament | from a tomb at Sipan, Peru | Bruning Archaeological Museum, Lanbayeque | gold and turquoise | Gardner | 12 | 14-23 | ||||
| 001613 | ca. 375-700 | South American | Tiwanaku | Gateway of the Sun | Tiwanaku, Bolivia | stone | Gardner | 12 | 14-24 | |||||
| 001614 | ca. 500-800 | South American | Wari | Lima Tapestry | from Peru | National Museum of Archaeology, Anthropology and History of Peru, Lima | textile | Gardner | 12 | 14-25 | ||||
| 001615 | 15th century | South American | Inkan | Machu Pichu | Peru | Gardner | 12 | 30-5 | ||||||
| 001616 | 15th century | South American | Inkan | Wall of the Golden Enclosure (surmounted by the church of Santo Domingo) | Cuzco, Peru | Gardner | 12 | 30-6 | ||||||
| 001617 | ca. 500-1 B.C.E. | North American Native | Adena | Pipe | from a mound in Ohio | Ohio Historical Society, Columbus | stone | Gardner | 12 | 14-27 | ||||
| 001618 | ca. 1070 | North American Native | Mississippian | Serpent Mound | Adams County, Ohio | Gardner | 12 | 14-28 | ||||||
| 001619 | ca. 1250-1300 | North American Native | Mississippian | Incised shell gorget | from Summer County, Tennessee | National Museum of the American Indian, Smithsonian Institution, Washington, DC | shell | Gardner | 12 | 14-29 | ||||
| 001620 | ca. 1250 | North American Native | Mimbres | Bowl with two cranes and geometric forms | from New Mexico | Art Institute of Chicago, Chicago | ceramic, black on white | Gardner | 12 | 14-30 | ||||
| 001621 | ca. 1150-1300 | North American Native | Anasazi | Cliff Dwelling | Mesa Verde National Park, Colorado | Gardner | 12 | 14-31 | ||||||
| 001622 | late 15th to early 16th century | North American Native | Pueblo | detail of Kiva painting | from Kuaua Pueblo (Coranado State Monument) Anasazi, New Mexico | Museum of New Mexico, Santa Fe | Gardner | 12 | 30-7 | |||||
| 001623 | ca. 1939 | North American Native | Pueblo | Maria Montoya Martinez | Jar | from San Ildefonso Pueblo New Mexico | National Museum of Women in the Arts, Washington, DC | blackware | Gardner | 12 | 30-9 | |||
| 001624 | late 19th century | North American Native | Kwakiutl | Eagle Transformation Mask | from Alert Bay | American Museum of Natural History, New York | wood, feathers and string | Gardner | 12 | 30-10 | ||||
| 001625 | collected 1888-1893 | North American Native | Tlingit | War helmet | American Museum of Natural History, New York | wood | Gardner | 12 | 30-11 | |||||
| 001626 | 1962 | North American Native | Haida | reconstruction of a 19th century Haida village with totem poles | Queen Charlotte Island, Canada | Museum of Anthropology, University of British Columbia, Vancouver | Gardner | 12 | 30-12 | |||||
| 001627 | early 20th century | North American Native | Tlingit | Chilkat blanket with stylized animal motifs | Southwest Museum, Los Angeles | mountain goat s wool and cedar bark | Gardner | 12 | 30-13 | |||||
| 001628 | ca. 100 | North American Native | Ipiutak | Burial Mask | from Point Hope, Alaska | American Museum of Natural History, New York | ivory | Gardner | 12 | 14-26 | ||||
| 001629 | early 20th century | North American Native | Yupik | Mask | from Alaska | Metropolitan Museum of Art, New York | wood and feathers | Gardner | 12 | 30-14 | ||||
| 001630 | 1833 | North American Native | Hidatsa | Karl Bodmer | Hidatsa Warrior Pehriska-Ruhpa (Two Ravens) | Joslyn Art Museum, Omaha | watercolor | Gardner | 12 | 30-15 | ||||
| 001631 | ca. 1559 | Renaissance | Renaissance Netherlands | Levina Teerlinc | Elizabeth I as a Princess | The Royal Collection, Windsor Castle, Windsor, England | oil on oak panel | Gardner | 12 | 23-20 | ||||
| 001632 | ca. 1526-1568 | Renaissance | Renaissance Spain | Pedro Machucha | courtyard of the palace of Charles V | Alhambra, Granada, Spain | Gardner | 12 | 23-24 | |||||
| 001633 | 2002 | New Media | Digital Sculpture | Karin Sander | 1:9.6 | Staatsgalerie Stuttgart, Stuttgart, Germany | Staatsgalerie Stuttgart, Stuttgart, Germany | 3D bodyscan of living person, plaster material, pigment | ||||||
| 001634 | 1909 | 20th Century | Ashcan School | John Sloan | Sixth Avenue and 30th Street | Private Collection (Mr. And Mrs. Meyer P. Potamkin) | oil on canvas | Gardner | 12 | 33-27 | ||||
| 001635 | 1920 | 20th Century | Dada | Kurt Schwitters | Merz 19 | Yale University Art Gallery, New Haven | paper collage | Gardner | 12 | 33-26 | ||||
| 001636 | ca. 1927 | 20th Century | Aaron Douglas | Noah s Ark | Fisk University Galleries, Nashville, Tennessee | oil on masonite | Gardner | 12 | 33-35 | |||||
| 001637 | 1907 (print 1915) | 20th Century | Stieglitz Circle | Alfred Stieglitz | The Steerage | Amon Carter Museum, Fort Worth | photogravure on tissue | Gardner | 12 | 33-30 | ||||
| 001638 | 1927 | 20th Century | Precisionism | Charles Demuth | My Egypt | Whitney Museum of American Art, New York | oil on composition board | Gardner | 12 | 33-36 | ||||
| 001639 | 1929 | 20th Century | Stieglitz Circle | Georgia O Keeffe | New York, Night | Sheldon Memorial Art Gallery, Lincoln, Nebraska | oil on canvas | Gardner | 12 | 33-37 | ||||
| 001640 | 1917 | 20th Century | German Expressionism | Wilhelm Lehmbruck | Seated Youth | National Gallery of Art, Washington, DC | composite tinted and plaster | Gardner | 12 | 33-42 | ||||
| 001641 | 1927 | 20th Century | German Expressionism | Ernst Barlach | War Monument | from Gustrow Cathedral, Gustrow, Germany | Schildergasse Antoniterkirche, Cologne | bronze | Gardner | 12 | 33-43 | |||
| 001642 | 1939 | 20th Century | Surrealism | Frida Kahlo | The Two Fridas | Museo de Arto Moderno, Mexico City | oil on canvas | Gardner | 12 | 33-49 | ||||
| 001643 | 1933 | 20th Century | Surrealism | Joan Miro | Painting | Museum of Modern Art, New York | oil on canvas | Gardner | 12 | 33-50 | ||||
| 001644 | 1922 | 20th Century | Paul Klee | Twittering Machine | Museum of Modern Art, New York | watercolor and pen on ink | Gardner | 12 | 33-51 | |||||
| 001645 | ca. 1923 (reconstructed 1937) | 20th Century | Constructivism | Naum Gabo | Column | Solomon R. Guggenheim Museum, New York | Perspex, wood, metal, glass | Gardner | 12 | 33-53 | ||||
| 001646 | 1922 | 20th Century Architecture | Bauhaus | Ludwig Mies van der Rohe | Model for a Glass Skyscraper | Berlin, Germany | architectural model | Gardner | 12 | 33-62 | ||||
| 001647 | 1914 | 20th Century Architecture | Le Corbusier | prospective drawing for Domino House Project | Marseilles, France | Gardner | 12 | 33-63 | ||||||
| 001648 | 1928-30 | 20th Century Architecture | Art Deco | William van Allen | Chrysler Building | New York, New York | stainless steel spire | Gardner | 12 | 33-65 | ||||
| 001649 | 1907-09 | 20th Century Architecture | Frank Lloyd Wright | Robie House | Chicago, Illinois | Gardner | 12 | 33-66, 33-67 | ||||||
| 001650 | 1936-39 | 20th Century Architecture | Frank Lloyd Wright | Kaufmann House (Fallingwater) | Bear Run, Pennsylvania | Gardner | 12 | 33-68 | ||||||
| 001651 | 1943 | 20th Century | Postwar European Art | Barbara Hepworth | Oval Sculptue (No. 2) | Tate Gallery, London | plaster cast | Gardner | 12 | 33-70 | ||||
| 001652 | 1939 | 20th Century | Postwar European Art | Henry Moore | Reclining Figure | Detroit Institute of Arts, Detroit, Michigan | elm wood | Gardner | 12 | 33-71 | ||||
| 001653 | 1976 | 20th Century | Alexander Calder | Untitled | National Gallery of Art, Washington, DC | aluminum honeycomb, tubing and paint | Gardner | 12 | 33-72 | |||||
| 001654 | 1935 | 20th Century | Works Progress Administration (WPA) | Dorothea Lange | Migrant Mother, Nipomo Valley | The Oakland Museum of California, City of Oakland, California | gelatin-silver print | Gardner | 12 | 33-75 | ||||
| 001655 | 1942 | 20th Century | American Regionalism | Edward Hopper | Nighthawks | The Art Institute of Chicago, Chicago | oil on canvas | Gardner | 12 | 33-76 | ||||
| 001656 | 1940-41 | 20th Century | Jacob Lawrence | No. 49 from The Migration of the Negro | The Phillips Collection, Washington, DC | tempera on masonite | Gardner | 12 | 33-77 | |||||
| 001657 | 1930 | 20th Century | American Regionalism | Grant Wood | American Gothic | Art Institute of Chicago, Chicago | oil on beaverboard | Gardner | 12 | 33-78 | ||||
| 001658 | 1936 | 20th Century | American Regionalism | Thomas Hart Benton | Pioneer Days and Earlier Settlers | State Capitol, Jefferson City, Missouri | mural | Gardner | 12 | 33-79 | ||||
| 001659 | ca. 1932-34 | 20th Century | Mexican Muralists | Jose Clemente Orozco | Epic of American Civilization: Hispano-America | Baker Memorial Library, Dartmouth College, Hanover, Vermont | fresco | Gardner | 12 | 33-80 | ||||
| 001660 | 1929-35 | 20th Century | Mexican Muralists | Diego Rivera | Ancient Mexico from The History of Mexico | National Palace, Mexico City, Mexico | fresco | Gardner | 12 | 33-81 | ||||
| 001661 | 1989 | 20th Century | Postmodernism | Jenny Holzer | Untitled (Selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text) | installation at S.R. Guggenheim Museum, New York | extended helical tricolor LED electronic display signboard | Gardner | 12 | 34-78 | ||||
| 001662 | 1996 | 20th Century | Postmodernism | Bill Viola | The Crossing | installation with two channels of video projection | Gardner | 12 | 34-79 | |||||
| 001663 | 1997 | 20th Century | Postmodernism | Tony Oursler | Mansheshe | ceramic, glass, video player, videocassette, CPJ-200 video projector, sound | Gardner | 12 | 34-80 | |||||
| 001664 | 1988 | 20th Century | Postmodernism | Jeff Koons | Pink Panther | Collection Museum of Contemporary Art, Chicago | porcelain | Gardner | 12 | 34-81 | ||||
| 001665 | 1982 | 20th Century | Postmodernism | Robert Arneson | California Artist | San Francisco Museum of Modern Art | glazed stoneware | Gardner | 12 | 34-83 | ||||
| 001666 | 1985 | 20th Century | Postmodernism | Hans Haacke | MetroMobilton | Collection Centre Georges Pompidou, Paris | fiberglass construction,three banners, and photomural | Gardner | 12 | 34-84 | ||||
| 001667 | 1961 | 20th Century | Abstract-Expressionism | Mark Rothko | No. 14 | San Francisco Museum of Modern Art | oil on canvas | Gardner | 12 | 34-08 | ||||
| 001668 | 1964 | 20th Century | Abstract-Expressionism | David Smith | Cubi XIX | stainless steel | Gardner | 12 | 34-09 | |||||
| 001669 | 1964 | 20th Century | Post-Painterly Abstraction | Frank Stella | Nunca Pasa Nada | Lannan Foundation | metallic powder in polymer emulsion on canvas | Gardner | 12 | 34-11 | ||||
| 001670 | 1969 | 20th Century | Minimalism | Donald Judd | Untitled | Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC | brass and colored fluorescent plexiglass on steel brackets | Gardner | 12 | 34-15 | ||||
| 001671 | 1981-83 | 20th Century | Minimalism | Maya Ying Lin | Vietnam Veterans Memorial | Washington, DC | black granite | Gardner | 12 | 34-16 | ||||
| 001672 | 1957-59 | 20th Century | Louise Nevelson | Tropical Garden II | Musee National d'Art Moderne, Centre Georges Pompidou, Paris | wood, painted black | Gardner | 12 | 34-17 | |||||
| 001673 | 1992 | 20th Century | Postmodernism | Jaune Quick-to-see Smith | Trade (Gifts for Trading Land with White People) | Chrysler Museum of Art, Norfolk, Virginia | oil and mixed media on canvas | Gardner | 12 | 34-71 | ||||
| 001674 | 1980 | 20th Century | Postmodernism | Leon Golub | Mercenaries (IV) | Mr. and Mrs. Ulrich Meyer, Chicago | acrylic on linen | Gardner | 12 | 34-72 | ||||
| 001675 | 1982 | 20th Century | Postmodernism | Magdalena Abakanowicz | artist with Backs | Musee d'Art Moderne de la Ville de Paris, Paris, France | Gardner | 12 | 34-73 | |||||
| 001676 | 1965-66 | 20th Century | Postminimalism | Eva Hesse | Hang-Up | Art Institute of Chicago, Chicago | acrylic on cloth over wood and steel | Gardner | 12 | 34-19 | ||||
| 001677 | Oceanic | Melanesian | Yam Mask | Abelam, Maprik District Papua, New Guinea | Gardner | 12 | 31-02 | |||||||
| 001678 | 1913 | Oceanic | Aboriginal | Auuenau | from West Arnhem Land, Australia | South Australian Museum, Adelaide | ochre on bark | Gardner | 12 | 31-18 | ||||
| 001679 | Oceanic | Polynesian | Moai | Anakena, Rapanui (Easter Island) | stone | Gardner | 12 | 31-17 | ||||||
| 001680 | Oceanic | Polynesian | Feather Cloak ( ahu ula) | Bishop Pauahi Museum, Honolulu | red i iwi, yellow o o, and blackfeathers, olona cordage and netting | Gardner | 12 | 31-14 | ||||||
| 001681 | 1979-2005 | 21st Century | Postmodernism | Christo and Jeanne-Claude | The Gates | Central Park, New York, New York | steel, aluminum,vinyl,nylon | |||||||
| 001682 | 1906 | 20th Century | Fauvism | Andre Derain | Waterloo Bridge | Thyssen-Bornemisza Collection, Madrid, Spain | oil on canvas | |||||||
| 001683 | Baroque | Spanish Baroque | Francisco de Zurbaran | Agnus Dei | Museo del Prado, Madrid | oil on canvas | ||||||||
| 001684 | Baroque | Spanish Baroque | Francisco de Zurbaran | Still Life with Pottery Jars |
Museo del Prado, Madrid | oil on canvas | ||||||||
| 001685 | Baroque | Spanish Baroque | Alonso Cano | Saint Bernard and the Virgin | Museo del Prado, Madrid | oil on canvas | ||||||||
| 001686 | ca. 1678 | Baroque | Spanish Baroque | Bartolome Esteban Murillo | The Immaculate Virgin of Soult | Museo del Prado, Madrid | oil on canvas | |||||||
| 001687 | ca. 1800 | 19th Century | Romanticism | Francisco Goya y Lucientes | The Maja Nude | Museo del Prado, Madrid | oil on canvas | |||||||
| 001688 | ca. 1800 | 19th Century | Romanticism | Francisco Goya y Lucientes | The Maja Clothed | Museo del Prado, Madrid | oil on canvas | |||||||
| 001689 | ca. 1808 | 19th Century | Romanticism | Francisco Goya y Lucientes | The Giant | Museo del Prado, Madrid | oil on canvas | |||||||
| 001690 | Baroque | Italian Baroque | Caravaggio | David Victorious over Goliath | Museo del Prado, Madrid | oil on canvas | ||||||||
| 001691 | Renaissance | Renaissance Netherlands | Pieter Breughel the Elder | The Triumph of Death | Museo del Prado, Madrid | oil on board | ||||||||
| 001692 | ca. 1626 | Baroque | Flemish Baroque | Peter Paul Rubens | The Victory of Eucharistic Truth over Heresy | Museo del Prado, Madrid | oil on board | |||||||
| 001693 | Baroque | Flemish Baroque | Peter Paul Rubens | The Three Graces | Museo del Prado, Madrid | oil on canvas | ||||||||
| 001694 | 1498 | Renaissance | German Renaissance | Albrecht Durer | Self-Portrait | Museo del Prado, Madrid | oil on board | |||||||
| 001695 | 1480s | Late Gothic | Flemish Late Gothic | Hieronymus Bosch | The Table of Seven Deadly Sins | Museo del Prado, Madrid | oil on wood | |||||||
| 001696 | ca. 1510 | Late Gothic | Flemish Late Gothic | Hieronymus Bosch | The Adoration of the Magi | Museo del Prado, Madrid | oil on panel | |||||||
| 001697 | ca. 1510 | Late Gothic | Flemish Late Gothic | Hieronymus Bosch | The Temptations of Saint Anthony | Museo del Prado, Madrid | oil on wood | |||||||
| 001698 | 1503-1512 | Late Gothic | Flemish Late Gothic | Hieronymus Bosch | The Hay Wagon | Museo del Prado, Madrid | oil on wood | |||||||
| 001699 | 1629 | Baroque | Spanish Baroque | Francisco de Zurbaran | The Vision of St. Peter Nolasco | Museo del Prado, Madrid | oil on canvas | |||||||
| 001700 | 1631 | Baroque | Spanish Baroque | Francisco de Zurbaran | The Apotheosis of St. Thomas Aquinas | Museo de Bellas Artes, Seville | oil on canvas | |||||||
| 001701 | 1629 | Baroque | Spanish Baroque | Francisco de Zurbaran | The Apostle St. Peter Appearing to St. Peter Nolasco | Museo del Prado, Madrid | oil on canvas | |||||||
| 001702 | 1640 | Baroque | Spanish Baroque | Francisco de Zurbaran | Fray Gonzalo de Illescas | Monastery of Gualedupe, Caceres | oil on canvas | |||||||
| 001703 | ca. 1628-1630 | Baroque | Spanish Baroque | Francisco de Zurbaran | The Virgin of the Immaculate Conception | Museo del Prado, Madrid | oil on canvas | |||||||
| 001704 | 1631 | Baroque | Spanish Baroque | Francisco de Zurbaran | Allegory of Charity |
Museo del Prado, Madrid | oil on canvas | |||||||
| 001705 | 1660 | Baroque | Spanish Baroque | Francisco de Zurbaran | St. Luke Before Christ on the Cross | Museo del Prado, Madrid | oil on canvas | |||||||
| 001706 | 1634 | Baroque | Spanish Baroque | Francisco de Zurbaran | The Defense of Cadiz Against the English | Museo del Prado, Madrid | oil on canvas | |||||||
| 001707 | ca. 1633 | Baroque | Spanish Baroque | Francisco de Zurbaran | Hercules Slaying Geryon | Museo del Prado, Madrid | oil on canvas | |||||||
| 001708 | 1655 | Baroque | Spanish Baroque | Francisco de Zurbaran | St. Bruno s Visit to Pope Urban | Museo de Bellas Artes, Seville | oil on canvas | |||||||
| 001709 | ca. 2450-2350 B.C.E. | Ancient Egypt | Old Kingdom | Goats Treading Seed and Cattle Fording a Canal | Saqqara, Egypt - Mastaba of Ti | painted limestone | Gardner | 12 | 3-17 | |||||
| 001710 | ca. 1950-1900 B.C.E. | Ancient Egypt | Middle Kingdom | Rock cut Tombs BH 3-5 | Beni Hasan, Egypt | Gardner | 12 | 3-19 | ||||||
| 001711 | ca. 15th century B.C.E. | Ancient Egypt | New Kingdom | Temple of Amen-Re | Karnak, Egypt | Gardner | 12 | 3-25, 3-26, 3-27 | ||||||
| 001712 | 2nd half of 5th century | Ancient Buddhist | Gupta | Interior of cave 19 | Ajanta, India | Gardner | 12 | 6-13 | ||||||
| 001713 | 5-6th century | Ancient Korea | Silla Kingdom | Crown from tomb 98 | from Hwangnamdong, Korea | Kyongju National Museum, Kyongju | gold | Gardner | 12 | 7-26 | ||||
| 001714 | ca. 710 | Ancient Japan | Early Nara Period | Amida Triad | from Horyuji Kondo, Nara, Japan | Horyuji Treausre House, Nara | ink and colors | Gardner | 12 | 8-9 | ||||
| 001715 | 9th century | Ancient Japanese | Early Heian Period | Taizokai (Womb World) of Ryokai Mandara | Kyoogokokuji, Kyoto, Japan | hanging scroll, color on silk | Gardner | 12 | 8-11 | |||||
| 001716 | late 12th century | Ancient Japanese | Nara Period | Flying Storehouse The Legends of Mount Shigi | Chogosonshiji, Nara | handscroll ink and color on paper | Gardner | 12 | 8-14 | |||||
| 001717 | ca. 75-50 B.C.E. | Ancient Roman | Republic | Portrait of a Roman General |
from Tivoli, Italy | Museo Nazionale Romano-Palazzo Massimo alle Terme, Rome | marble | Gardner | 12 | 10-8 | ||||
| 001718 | 44 B.C.E. | Ancient Roman | Republic | Dinarius with Portrait of Julius Caesar | American Numismatic Society, New York | silver | Gardner | 12 | 10-9 | |||||
| 001719 | 249-251 C.E. | Ancient Roman | Late Empire | Portrait Bust of Trajan Decius | Museo Capitolino, Rome | marble | Gardner | 12 | 10-69 | |||||
| 001720 | ca. 300-305 C.E. | Ancient Roman | Late Empire | Palace of Diocletian (model) | Split, Croatia | Museo della Civilta Romana, Rome | Gardner | 12 | 10-75 | |||||
| 001721 | ca. 512 | Byzantine | Early Byzantine | Anicia Juliana Between Magnanimity and Prudence folio 6 of the Vienna Dioskorides | from Honoratai near Constantinople (Istanbul) | Osterreichische Nationalbibliothek, Vienna | tempera on parchment | Gardner | 12 | 12-14 | ||||
| 001722 | ca. 1717 | 18th Century | Rococo | Antoine Watteau | Two Dancers, A Man and A Woman, Both Turned to the Left | black, red and white chalks (trois crayons) | ||||||||
| 001723 | 650-750 C.E. | Mesoamerican | Mayan | Goddess | Tetitla apartment complex at Teotihuacan | pigments over clay and plaster | Gardner | 12 | 14-6 | |||||
| 001724 | 970 | Early Medieval | Mozarabic | Emeterius | The tower and Scriptorium of San Salvador de Tabara, colophon (folio 168) of the Commentary on the Apocalypse by Beatus | from Tabara, Spain | Archivo Historico Nacional, Madrid | tempera on parchment | Gardner | 12 | 16-10 | |||
| 001725 | ca. 820-835 | Early Medieval | Carolingian | Psalm 44 of folio 25 recto of the Utrecht Psalter | from Hautvillers, France (near Reims) | University Library, Utrecht | ink on vellum | Gardner | 12 | 16-14 | ||||
| 001726 | ca. 1025 | Early Medieval | Ottonian | Abbess Uta dedicating her codex to the Virgin folio 2 of the Uta Codex | from Regensburg, Germany | Bayerische Staatsbibliothek, Munich | tempera on parchment | Gardner | 12 | 16-27 | ||||
| 001727 | 1050-1057 | Romanesque | French Romanesque | Saint etienne | Vignory, France | Gardner | 12 | 17-1, 17-2 | ||||||
| 001728 | ca. 1760 | Indian | Hindu Rajput Kingdom | Krishna and Radha in a Pavilion | National Museum, New Delhi | opaque watercolor on paper | Gardner | 12 | 25-6 | |||||
| 001729 | 17th century | Indian | Hindu Nayak Dynasty | Gopura, Great temple | Madurai, India | Gardner | 12 | 25-7 | ||||||
| 001730 | 1878-1887 | Indian | British Colonial Indian | Frederick W. Stevens | Victoria Terminus | Mumbai (Bombay), India | Gardner | 12 | 25-8 | |||||
| 001731 | ca. 1880 | Indian | British Colonial Indian | Maharaja Jaswant Singh of Marwar | Brooklyn Museum of Art, Brooklyn | opaque watercolor on paper | Gardner | 12 | 25-9 | |||||
| 001732 | 14th century | Thai | Walking Buddha | from Sukhothai, Thailand | Wat Bechamabopit, Bangkok | bronze | Gardner | 12 | 25-10 | |||||
| 001733 | 16th century | Vietnamese | Dish with Two Mynah birds on flowering branch | Pacific Asia Museum, Pasedena | stoneware painted with underglaze-cobalt | Gardner | 12 | 25-13 | ||||||
| 001734 | 1351 | Chinese | Yuan Dynasty | Temple vase | The Percival David Foundation of Chinese Art, London | white porcelain with cobalt blue underglaze | Gardner | 12 | 26-4 | |||||
| 001735 | 16th century and later | Chinese | Ming Dynasty | Wangshi Yuan (Garden of the Master of the Fishing Nets) | Suzhou, Jiangsu Province, China | Gardner | 12 | 26-6 | ||||||
| 001736 | 16th century and later | Chinese | Ming Dynasty | Liu Yuan (Lingering Garden) | Suzhou, Jiangsu Province, China | Gardner | 12 | 26-7 | ||||||
| 001737 | 1627 | Chinese | Ming Dynasty | Wen Shu | Carnations and Garden Rock | Honolulu Academy of Arts | fan, ink and colors on gold paper | Gardner | 12 | 26-12 | ||||
| 001738 | late 17th century | Chinese | Qing Dynasty | Shitao | Man in a House beneath a Cliff | C.C. Wang Collection, New York | album leaf, ink and colors on paper | Gardner | 12 | 26-13 | ||||
| 001739 | ca. 1700 | Chinese | Qing Dynasty | dish with lobed rim | The Percival David Foundation of Chinese Art, London | white porcelain with overglaze | Gardner | 12 | 26-15 | |||||
| 001740 | first built 1398 | Korean | Choson Dynasty | Nandaemun | Seoul, South Korea | Gardner | 12 | 26-18 | ||||||
| 001741 | late 16th century | Japanese | Momoyama Period | Kogan (ancient stream bank) tea ceremony water jar | Hatakeyama Memorial Museum, Tokyo | Shintoware with underglaze | Gardner | 12 | 27-6 | |||||
| 001742 | ca. 1582 | Japanese | Momoyama Period | Sen no Rikyu (Taian Teahouse) | Myokian Temple, Kyoto, Japan | Gardner | 12 | 27-7 | ||||||
| 001743 | 1620-1663 | Japanese | Edo Period | Eastern Facade of Katsura Imperial Villa | Kyoto, Japan | Gardner | 12 | 28-8 | ||||||
| 001744 | 1872 | Japanese | Meiji Period | Takahashi Yuichi | Oiran (Grand Courtesan) | Tokyo National University of Fine Arts and Music, Tokyo | oil on canvas | Gardner | 12 | 27-13 | ||||
| 001745 | 1898 | Japanese | Meiji Period | Yokoyama Taikan | Kutsugen | Itsukushima Shrine Hiroshima, Japan | hanging scroll, color on silk | Gardner | 12 | 27-14 | ||||
| 001746 | 1962 | Japanese | Modern Japan | Hamada Shoji |
large bowl | National Museum of Modern Art, Kyoto | black trails on translucent glaze | Gardner | 12 | 27-16 | ||||
| 001747 | ca.1400-1500 | Mesoamerican | Aztec | Great Temple (Reconstruction Drawing) | Tenochtitlan, Mexico City | Gardner | 12 | 30-2 | ||||||
| 001748 | carved before1959 | North American Native | Hopi | Otto Pentewa | Katsina Figurine | from New Oraibi, Arizona | Arizona State Museum, University of Arizona, Tuscon | cottonwood root and feathers | Gardner | 12 | 30-8 | |||
| 001749 | 1880 | North American Native | Kiowa | Honoring Song at painted tipi, in Julian Scott Ledger, Kiowa | Mr. & Mrs. Charles Diker Collection | pencil, ink and colored pencil | Gardner | 12 | 30-16 | |||||
| 001750 | ca. 1953-1954 | Oceanic | Iatmul | exposed interior of a ceremonial men s house | Iatmul, Papua New Guinea | Gardner | 12 | 31-1 | ||||||
| 001751 | 1874 | Oceanic | Maori | Wepiha Apanui of Ngati Awa | Interior Decorated Meeting house | Mataatua | Gardner | 12 | 31-16 | |||||
| 001752 | ca. 1935 | African | Asante | Osei Bonsu | akua ba | Asante, Ghana | wood, beads, and pigment | Gardner | 12 | 32-10 | ||||
| 001753 | early 20th century | African | Dogon | Satimbe Mask | Dogon, Mali | wood | Gardner | 12 | 32-16 | |||||
| 001754 | ca. 1903 | 20th Century | German Expressionism | Kathe Kollwitz | Woman with Dead Child | British Museum, London | lithography with a gold tone plate | Gardner | 12 | 33-41 | ||||
| 001755 | 1980-1983 | 20th Century | Earthworks | Christo and Jeanne-Claude | Surrounded Islands | Biscayne Bay, Florida | polypropylene fabric | Gardner | 12 | 34-38 | ||||
| 001756 | ca. 1860 B.C.E. | Ancient Egypt | Middle Kingdom | Fragmentary head of Senusret III | Metropolitan Museum of Art, New York | red quartzite | Gardner | 12 | 3-18 | |||||
| 001757 | ca. 732 | Mesoamerican | Mayan | Temple II | Tikal, Peten, Guatemala | |||||||||
| 001758 | ca. 741 | Mesoamerican | Mayan | Temple IV | Tikal, Peten, Guatemala | |||||||||
| 001759 | ca. 700 | Mesoamerican | Mayan | Temple V | Tikal, Peten, Guatemala | |||||||||
| 001760 | ca. 732 | Mesoamerican | Mayan | Great Plaza Ballcourt (Structure 5D-74) | Tikal, Peten, Guatemala | |||||||||
| 001761 | ca. 800-900 | Mesoamerican | Mayan | Central Acropolis Range-Type Structures and Plaza (Structure 5D-46) | Tikal, Peten, Guatemala | |||||||||
| 001762 | ca. 731 | Mesoamerican | Mayan | Complex Q Pyramid | Tikal, Peten, Guatemala | |||||||||
| 001763 | ca. 790 | Mesoamerican | Mayan | Complex R Mound | Tikal, Peten, Guatemala | |||||||||
| 001764 | 150 B.C.E.-700 C.E. | Mesoamerican | Mayan | Great Plaza | Tikal, Peten, Guatemala | |||||||||
| 001765 | ca. 600 | Mesoamerican | Mayan | Lost World Pyramid (Structure 5C-54) | Tikal, Peten, Guatemala | |||||||||
| 001766 | ca. 200 B.C.E.-900 C.E. | Mesoamerican | Mayan | North Acropolis | Tikal, Peten, Guatemala | |||||||||
| 001767 | ca. 525 | Mesoamerican | Mayan | Stela 31 | Museo Tikal, Peten, Guatemala | |||||||||
| 001768 | Mesoamerican | Mayan | Stela | Tayazal, Peten, Guatemala |
||||||||||
| 001769 | ca. 500-850 | Mesoamerican | Mayan | Acropolis and Plaza | Quirigua, Izabal, Guatemala | |||||||||
| 001770 | ca. 776 | Mesoamerican | Mayan | Stela A showing Cauac Sky | Quirigua, Izabal, Guatemala | |||||||||
| 001771 | 600 B.C.E.-900 C.E. | Mesoamerican | Mayan | Site and Reconstructive Rendering | Tikal, Peten, Guatemala | |||||||||
| 001772 | ca. 805 | Mesoamerican | Mayan | Stela I showing Jade Sky | Quirigua, Izabal, Guatemala | |||||||||
| 001773 | ca. 800 | Mesoamerican | Mayan | Stela K | Quirigua, Izabal, Guatemala | |||||||||
| 001774 | ca. 776 | Mesoamerican | Mayan | Zoomorph B | Quirigua, Izabal, Guatemala | |||||||||
| 001775 | ca. 738 | Mesoamerican | Mayan | Zoomorph G | Quirigua, Izabal, Guatemala | |||||||||
| 001776 | ca. 795 | Mesoamerican | Mayan | Zoomorph P and Altar | Copan, Honduras | |||||||||
| 001777 | ca. 755 | Mesoamerican | Mayan | Hieroglyphic Stairway | Copan, Honduras | |||||||||
| 001778 | ca. 702 | Mesoamerican | Mayan | Stela J | Copan, Honduras | |||||||||
| 001779 | ca. 711 | Mesoamerican | Mayan | Stela C showing Waxaklahun-Ubah-K'awil (18 Rabbit) | Copan, Honduras | |||||||||
| 001780 | ca. 731 | Mesoamerican | Mayan | Stela H showing Waxaklahun-Ubah-K'awil (18 Rabbit) and Altar | Copan, Honduras | |||||||||
| 001781 | ca. 690 | Mesoamerican | Mayan | Stela I and Altar | Copan, Honduras | |||||||||
| 001782 | ca. 738 | Mesoamerican | Mayan | Structure 9 | Copan, Honduras | |||||||||
| 001783 | ca. 738 | Mesoamerican | Mayan | Structure 10 | Copan, Honduras | |||||||||
| 001784 | 600 B.C.E.-900 C.E. | Mesoamerican | Mayan | Reconstructive Model | Tikal, Peten, Guatemala | |||||||||
| 001785 | ca. 769-95 | Mesoamerican | Mayan | Acropolis Structure 11 | Copan, Honduras | |||||||||
| 001786 | ca. 736 | Mesoamerican | Mayan | Structure 22 | Copan, Honduras | |||||||||
| 001787 | ca. 715 | Mesoamerican | Mayan | Glyphs from the Temple of the Inscriptions | Copan, Honduras | |||||||||
| 001788 | ca. 400-850 | Mesoamerican | Mayan | Site and Reconstrctive Rendering | Copan, Honduras | |||||||||
| 001789 | ca. 550-800 | Mesoamerican | Mayan | El Cementerio (Residential Zone) | Copan, Honduras | |||||||||
| 001790 | 1963 | 20th Century | Pop | James Rosenquist | Toaster | Frederick R. Weisman Foundation, Los Angeles | oil on vinyl, chromed barbed wire, metal sawblades, plastic and wood, with dripped paint | |||||||
| 001791 | 1963 | 20th Century | Pop | James Rosenquist | Study for Toaster | pencil and watercolor on Mylar | ||||||||
| 001792 | 1967 | 20th Century | Pop | James Rosenquist | Expo 67 Mural--Firepole | oil on canvas | ||||||||
| 001793 | 1984 | 20th Century | Pop | James Rosenquist | Nasturtium Salad | oil on canvas | ||||||||
| 001794 | 1967 | 20th Century | Pop | James Rosenquist | source for Expo 67 Mural--Firepole | collage with b and w photograph, masking tape and paint on paper | ||||||||
| 001795 | 1967 | 20th Century | Pop | James Rosenquist | Expo 67 Mural--Firepole | multicolor lithograph from 6 stones | ||||||||
| 001796 | 1972 | 20th Century | Pop | James Rosenquist | Short Schedule | 8-color lithograph from 1 stone and 3 aluminum plates | ||||||||
| 001797 | 1972 | 20th Century | Pop | James Rosenquist | source for Short Schedule | collage with b and w advertisement, masking tape, marker and graphite | ||||||||
| 001798 | 1967 | 20th Century | Pop | James Rosenquist | Sketch for Fire Pole Expo 67 Mural Montreal Canada | Frederick R. Weisman Foundation, Los Angeles | oil on canvas | |||||||
| 001799 | 1972 | 19th Century | Realism | Edouard Manet | The Dead Christ and the Angels | Metropolitan Museum of Art, New York | oil on canvas | |||||||
| 001800 | 1863 | 19th Century | Academic | Alexandre Cabanel | The Birth of Venus | oil on canvas | ||||||||
| 001801 | 1893 | 19th Century | Symbolism | Franz von Stuck | The Sin | oil on canvas | ||||||||
| 001802 | ca. 1826-1833 | Japanese | Edo Period | Katsushika Hokusai | The Great Wave off Kanagawa | Museum of Fine Arts, Boston | woodblock print oban, ink and colors on paper | Gardner | 12 | 27-12 | ||||
| 001803 | 1857 | Japanese | Edo Period | Ando Hiroshige | Plum Garden, Kameido | Brooklyn Museum of Art | color woodblock print | |||||||
| 001804 | late 19th or early 20th century | African | Kuba | Ngady Amwaash mask | from Democratic Republic of Congo | Peabody Museum, Harvard University, Cambridge | Gardner | 12 | 32-19 | |||||
| 001805 | ca. 1800-1850 | African | Dogon | Seated couple | from Dogon, Mali | Metropolitan Museum of Art, New York | wood | Gardner | 12 | 32-6 | ||||
| 001806 | late 18th--early 19th century | Oceanic | Polynesian | Head of a staff god | from Rarotonga, Cook Islands | Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich | wood | Gardner | 12 | 31-11 | ||||
| 001807 | 1911 | 20th Century | German Expressionism: Die Brucke | Ernst Ludwig Kirchner | Tanzende | wood | ||||||||
| 001808 | 1912 | 20th Century | German Expressionism: Der Blaue Reiter | Franz Marc | Tiger | woodcut on Japanese paper |